With this first issue for the year, we are, in a way, wondering in what fresh directions 2018 might take the Bandstand beat. For over a year we have been hearing about and reporting on the many sesquicentennial events in the community band world. For almost all of the bands that we heard from, their repertoire seemed to focus on works which had some connection to that 150th anniversary for the country. To top that off, there was the usual festive season offerings ranging from medieval carols to Frosty the Snow Man and Rudolph. Now that these are all in the past, what are we going to be offered now? There were hopes that we would hear from the banding community all about their plans for the coming year. Alas: no news! Perhaps all of the bands are taking a rest after a busy season. Usually, prior to each issue, we receive a good number of notices from bands about upcoming events. So far, we have received little information.

In the meanwhile, how about we take the time to look past winter altogether, into the topic of park concerts and parades, their origins and evolution?

Welcome to the Bandshell

CNE Bandshell in the late 1950sSince arriving in the Toronto area after WWII I have witnessed quite an evolution in the band world. During the war the Canadian National Exhibition did not operate because most of the buildings were used as barracks. In 1948, for the reopening of the CNE, the main Bandshell was updated with the finest theatre-quality sound system, and the first of a series of feature bands was booked to appear. The feature band that year was the Band of His Majesty’s Royal Marines, Plymouth Division under the direction of Major F. Vivian Dunn. I had the privilege of discussing the format of each concert with Major Dunn and operating the sound system for all concerts. In that and ensuing years band concerts were the prime form of entertainment at the CNE. There were two concerts per day by the feature band and two per day by local bands on the Bandshell. There were also at least two concerts each day on the North Bandstand. That practice continued for some years. Similarly, Toronto Parks and Recreation sponsored regular band concerts during the summer months at Kew Gardens, High Park on Sundays and in Allan Gardens in downtown Toronto on weekday evenings. They seemed to be at their height during Centennial Year in 1967. These did not all end suddenly, but within the next 20 years they had all disappeared. Will the end of Canada’s sesquicentennial year see a change in direction?

A Major Anniversary

As mentioned, we have not yet received any indication of significant band plans for the coming year from any band. However, on the bright side, we did receive some wonderful information on the activities of the Concert Band of Cobourg during the past year. Not only did they stage a variety of events for Canada’s 150th anniversary, but they channelled the bulk of their resources into the celebration of the band’s 175th anniversary.

The Cobourg Concert Band has a long and varied history, and has had quite a range of names over the 175-year period since the first town band appeared in Cobourg in 1842. During the late 1960s the band went through a period of gradual decline. By 1970 it was in a rather sad state. That was when Roly White appeared on the scene as director of music. Before immigrating to Canada, Roly had served for 12 years in bands of the Royal Marines under the same conductor whom I mentioned above, now bearing the title Colonel Sir Vivian Dunn. With his previous Royal Marine connections, Roly managed to have the Cobourg band officially designated as “The Band of Her Majesty’s Royal Marines Association, Ontario.” With that new designation, the band was outfitted with almost identical uniforms to those of the Royal Marines. Over the years, the band progressed in other ways to the point where they have their own building with fine space for rehearsal, storage and socializing. After many years at the helm, Roly turned the baton over to longtime band member Paul Storms 17 years ago.

As a part of the band’s anniversary celebration, longtime band member, Robert Irvine, authored an extensive history of the band called Journal of a Band. Mr. Irvine spent over ten years researching and documenting each of the entries that went into the Journal. This detailed history of over 700 pages, looks back to band activities since 1842. That made 2017 the 175th year that a community band has been part of the daily life experience in Cobourg. With this documentation, band members believe that theirs is the oldest community band in Canada. However, they may get some challenges on that. The Newmarket Citizens Band has some documented information indicating that their band was also active during that time period.

According the Cobourg band president, Brian Clarkson, “Irvine’s book is full of rich detail concerning the band and the members of the band, all set in the context of key world events that transpired over the last 175 years. Many pictures help bring into view what life must have been like, how important music has always been in Cobourg, and how some families had members spanning several generations – right up to and including the present day. From our early roots as offshoots of the local fire brigades, through independent membership, and all the way to our current affiliation with the Royal Marines Association - Ontario, you can see the band evolve and grow in importance both locally and internationally.” He tells me: “It is a great read for any musician, historian, or lover of small town Ontario.” The book sells for $35 plus any shipping charges that may apply and can be ordered from the same website as the CDs: cbcrmab@cogeco.net.

While on the subject of the Band’s new CD, I would like to add a few comments about it that are not in my review of the CD elsewhere in this issue. One comment would be on the talent in the band. There are several members with music degrees, including at least two Masters degrees, from the University of Toronto and the prestigious Berklee College of Music. How often are you liable to find such composing and arranging talent in a small town band? Another comment concerns the cover design. As part of the CD project, the band sponsored a contest at all of the local high schools for a piece of art work for the cover. The winners, Sarah McLoughlin and Annie Sawyer, produced a vibrant design depicting the band performing under the Canadian flag.

Before leaving the subject, I would like to share a story from a conversation I had with Roly White some years before he joined the Concert Band of Cobourg. He told me about an incident, at some point while he was serving as assistant under Sir Vivian Dunn. He was chastised for conducting with his left hand and told to change over to using his right hand as this was the norm. After some time away from the band to study conducting with Sir John Barbirolli, he returned to the band. Once again he was conducting with his left hand. When queried by Dunn about reverting to his left hand, Roly simply stated “Sir John conducts left-handed.” That ended the discussion and Roly was still conducting left-handed in Cobourg when he retired.

Changes coming

We have just learned of two significant changes in local bands. The Whitby Brass Band, which will celebrate 155 years this year, is looking for a new conductor. The band rehearses on Thursday evenings, and like other bands, has performances at various times throughout the year. Preference will be given to someone with previous brass band conducting experience. Applications will be accepted until March 2. Information is available at whitbybrassband.com.

The other change is the possible return of the Uxbridge Community Concert Band. After 25 seasons, conductor Steffan Brunette took a year off last year to pursue some other interests. He is now back in town, and with the assistance of other interested musicians, hopes to have something to report on possible future directions for another season of summer music.

Sam Caruana

As is so often the case in relationships in the world of music, I can’t recall where or when I first met Sam Caruana. All I know is that I played alongside Sam in many groups over many years. Having chatted with Sam just a few weeks before, I was shocked to learn of his passing on December 16, 2017. Sam served in the King’s Own Royal Malta Regiment during WWII, then moved to England after the war for a job in music. While touring with the Benny Daniels Dance Band in Belfast, Northern Ireland, Sam met Kay and they married in 1952.

Sam CaruanaAfter a musical career in Britain, Sam moved to Toronto in 1974, initially staying with his sister in the Junction (Little Malta) neighbourhood of Toronto. He was joined by Kay and son Paul shortly thereafter. Sam is survived by his wife Kay, sons Benny and Paul and their families. Sam will certainly be missed by his many musical friends, including those in the Metropolitan Silver Band, The Encore Symphonic Concert Band and the Malta Club Band. He played in all of them until very recently.

In a recent email his daughter-in-law Joanna told me that she had “forgotten to say that in addition to the Benny Daniels band in Britain, Sam also played with the BBC and for a circus band, where his paper-bag lunch got stolen daily, until he discovered that an elephant was stealing it from under his chair on the raised stage! In Toronto he played for too many bands to mention, including a Schwaben Oompah band, and more recently, the Toronto Mambo Project.”

Coming Events

Feb 1 at 12pm the Encore Symphonic Concert Band presents “In Concert.” Big band swing, jazz, film scores and marches. Wilmar Heights Centre, 963 Pharmacy Ave., Scarborough.

Feb 25 starting at 10am, this year’s York University Community Band Festival will begin. The four bands participating will be the Newmarket Citizens Band, the Aurora Community Band, the Thornhill Community Band and the Richmond Hill Concert Band. In the morning each band will rehearse their selections in separate rooms. After lunch, each band will have 15 minutes to perform their own numbers and then the massed band will perform the finale for the afternoon.

Feb 25 at 3pm, the Guelph Concert Band presents “Broadway Showstoppers,” selections from Frozen, Hamilton, Wicked, 42nd Street, Chicago, Phantom of the Opera, Les Misérables and others; Patrick Stiles, vocals/piano; Bridget Walsh, violin; guests: Kelly Holiff and Jeigh Madjus, vocals. River Run Centre, 35 Woolwich St., Guelph. 519-763-3000.

Mar 4 at 3pm, the Weston Silver Band will present “Kaleidoscope,” including Blue Rondo a la Turk (Brubeck), Impressions (Kevin Lau), Pink Panther (Mancini), The Red Novae (Graham), David of the White Rock, and the march, The Thin Red Line, at Glenn Gould Studio, 250 Front St. W.

Mar 4 at 3:30pm, the Wychwood Clarinet Choir presents “Midwinter Sweets” featuring Five Bagatelles Op.23 by Gerald Finzi; Minuet from “A Downland Suite” by John Ireland; Georgia on my Mind by Hoagy Carmichael, Steve Macdonald tenor saxophone soloist; Rikudim, “Four Israeli Folk Dances” by Jan Van der Roost; Baby Elephant Walk by Henry Mancini. Artistic director and clarinet soloist Michele Jacot. Church of St. Michael and All Angels, 611 St. Clair Ave, W; wychwoodclarinetchoir.com.

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

Here we are, it’s December already, but with many community ensembles still more focused on sesquicentennial projects as the year draws to a close than on events that could be described as special for the Christmas season. Let’s start with two band projects we have recently learned of that warrant mention, both of which have significant historical aspects.

Cobourg: The first of these is the announcement of a CD by the Cobourg Concert Band. Although this CD, Pride of Performance, was officially released on Canada Day at the band’s concert in the Cobourg Victoria Park Bandshell, it did not come to our attention until a few days ago. There are a number of ways in which this CD is special. Not only is it a sesquicentennial project, but it marks the 175th year that there has been a town band in Cobourg. That’s 25 years longer than Canada has been a country. Whether that sets a record for the establishment of a town band in Canada will be left for this Cobourg band to dispute with the Newmarket Citizens’ Band and any others that might claim such a title. Every track on this recording is either a new arrangement of an established work or a completely new composition. All are by local musicians, including some band members. Even the cover artwork was created by contest winners from the local St. Mary’s High School. I hope to see a review of this CD in a future issue of The WholeNote.

(A side note: this band also bears the title The Band of Her Majesty’s Royal Marines Association – Ontario, and is allowed, by royal assent, to wear the uniform of the Royal Marines. How could this be, you might ask. Some years ago a man named Roland White moved from England and took up residence in Cobourg. He just happened to have been an assistant bandmaster in the Royal Marines working under the renowned conductor Sir Vivian Dunn, and had studied conducting under Sir John Barbirolli. When the town band needed a new conductor, there was White to take over, get that royal assent and change the image of the town band to its present pride of Cobourg.)

London: Where else might we look for a sesquicentennial band project? The first place that comes to mind, of course, is Henry Meredith’s Plumbing Factory Brass Band in London. On Wednesday, December 13, 7:30pm at Byron United Church – 420 Boler Rd., London, Ontario – the PFBB will celebrate Canada’s 150th birthday with “The Golden Age of Brass,” featuring music from the 1800s on period instruments. Since Confederation-era music will be highlighted, von Suppé’s exuberant Jolly Robbers Overture, written exactly 150 years ago in 1867, will open the program. Then, band music by big name composers will include Beethoven’s Marsch des Yorck’schen Korps and Mendelssohn’s War March of the Priests. The centrepiece of the program will be the challenging Raymond Overture by Ambroise Thomas.

Last month I mentioned the importance of musicianship for ensembles to really tell their story. Well, in this program, Dr. Hank has selected a set of four up-tempo compositions to test the skill of his band’s musicians. One highly regarded composer of the 1800s, famed for his toe-tapping pieces based on popular dance forms of the mid-19th century, was Claudio Grafulla. To demonstrate their skills, the band will play a set of four of his works: Cape May Polka, Freischutz Quick Step, Skyrocket March, and Hurrah Storm Galop. Another seasonal favourite, Johann Strauss Sr.’s famous Radetzky March from 1848, will bring the concert to a rousing close. I’m sure that many instruments from Dr. Hank’s vast collection will be front and centre at this concert.

(Another sidenote: While brass bands have many loyal followers, particularly in England and much of North America, that has not always been the case. With the origin of the brass band movement coming largely from company “works bands” in England, there were often considerable derisive comments about them. Sir Thomas Beecham was famous (or infamous) for two of these comments. “The British Brass Band has its place – outdoors, and several miles away” is perhaps his most often quoted. But the one that drew the most ire was  when he referred to the brass band as “that superannuated, obsolete, beastly, disgusting, horrid method of making music.” However, attitudes gradually changed, and in 1947 Beecham even guest-conducted a mass band concert at Belle Vue.)

Ukraine: Speaking of brass bands, recent Salvation Army news caught my attention. The Salvation Army is represented and active in 127 countries around the world. In many of these countries, Salvation Army groups have brass bands. Ukraine, in particular, is a country where there is a will but not the required leadership to develop the brass band movement. Several attempts have been made over the last 25 years to stimulate interest. While some attempts have been successful, with the political unrest of recent years, these have been difficult to sustain.

Enter Bob Gray, a Toronto high school music teacher, trumpet player and conductor with whom I play regularly, who has been active in the Salvation Army for many years. About six years ago, at the Salvation Army’s music camp at Jackson’s Point, he met two young men from Kiev, a cornet player and a euphonium player. After they had returned to Kiev, Bob decided to look into the SA band situation in Ukraine. After the revolution of 2014, Salvation Army churches throughout Ukraine closed, and now there are only two remaining in Kiev. Having learned of the demise of that Salvation Army movement, Gray decided to try to do something to rectify the situation. Item one on his agenda was language study. For over a year he actively studied in preparation for visits to Ukraine for Salvation Army activities. He went to Kiev for the first time in June 2016, then in May 2017, and again in October 2017. Gray, along with the people he met at Jackson’s Point years ago, are trying to resurrect the brass band movement in the Ukraine and, in particular, Kiev. A survey showed that there were 25 instruments in working order and a few players who were willing to commit time and effort to form what would be a divisional band base in Kiev.

The Salvation Army will be celebrating their 25th anniversary of operations in Ukraine this coming June. It is hoped that the divisional band in Kiev will have its debut during that weekend of activities. The Winton Citadel Band from Bournemouth in the United Kingdom will be the featured band for the festivities. The city of Kiev hosted the Eastern block countries Eurovision Song Festival this past June. During the event many groups entertained in local parks and squares. The Salvation Army provided a musical presentation in Victory Park. Bob Gray was a featured cornet soloist as part of these outreach concerts.

A trip to Belgium: A couple of months ago I heard from longtime friend Colin Rowe that he would be travelling to Belgium. I first met Colin some time around 1984 when we were both playing in a swing band at the Newmarket Jazz Appreciation Society. After that, he played trombone in the Governor General’s Horse Guards Band and subsequently became their drum major. Having moved East some years ago, Colin now has the same duties with the Cobourg Concert Band.

Drum major Colin Rowe with the Cobourg Concert Band in Plattsburgh NY, 2013 - Photo by Jack MacQuarrieTo commemorate the 100th anniversary of the battle of Passchendaele, Veterans Affairs Canada decided to mount a very different form of memorial. Specifically they identified nine recipients of the Victoria Cross from that era and the nine regiments in which they served. Then they selected a living representative of each regiment to go to Belgium, but that person could not be a currently serving member of the regiment. One of those VC recipients was Private Tommy Holmes VC from the 48th Canadian Mounted Rifles. At some time after WWI that unit’s name was changed to the Governor General’s Horse Guards. As the representative from the GGHG, Veterans Affairs selected Colin Rowe. All of regimental representatives, along with the band of the Royal 22nd Regiment, embarked on an RCAF transport for their trip to Belgium on November 5.

Another formerly local musician was Kevin Fleming, who was originally introduced to the GGHG by Colin as a trombone player. Later, like Colin, he continued to play trombone, but became Drum Major of the GGHG. Some time later Fleming transferred to the Regular Force, and a while ago to the Royal 22nd Regiment, nicknamed the Van Doos. Their band was selected as the lead band because Passchendaele was one of that regiment’s battle honours. While there were many ceremonies, the highlight for Fleming was at Passchendaele, with a torchlight parade from the WW1 monument to the town square followed by a concert.

Those who went on that trip commented that it had been meticulously organized by Veterans Affairs, and that on the flight over, they were presented with a six-page detailed itinerary for their ten-day visit to memorials and cemeteries, informing them of the time and place of their every move.

(Aside, again: speaking of Belgium, one significant recent event I attended was a concert by Toronto’s Wychwood Clarinet Choir on November 19. While most of the works performed at their concerts are special arrangements, the opening work, Claribel, was written by Belgian composer Guido Six specifically for his Claribel Clarinet Choir in Ostend. This was a wonderful rousing opening. The arranging talent of choir member Roy Greaves was certainly on display as the choir’s moods traversed from the Irish folk song The Lark in the Clear Air and a Mozart Serenade to three tangos by Astor Piazzolla. Harmonically the choir sounded better than I had ever heard it. Their harmonies were so well blended that one might think that their sounds were coming from a single source.)

Greenbank, Ontario: From the tiny Ontario hamlet of Greenbank, conductor and composer Stuart Beaudoin brought his Orpheus Symphonietta to the small town of Uxbridge for another memorable recent event – a concert featuring his new composition Elegy II: Lament and Tchaikovsky’s Symphony No.5. This was the first performance of his composition which conveys, in musical terms, some of the spectrum of the composer’s emotions arising from world events during his lifetime. It’s an interesting work which bears more listening. This same man will be back two weeks later with his Greenbank Cantorei sine Nomine choir and the same orchestra for a three-hour performance of Bach’s Christmas Oratorio in English.

Flute Street: That other local same-instrument-family group, Flute Street, unfortunately had their most recent concert on the same date as the aforementioned Wychwood Clarinet Choir. Their featured soloist was Christine Beard playing alto flute and piccolo. Those types of same-instrument ensembles would seem to be competing for the same audiences, and it is unfortunate that there is not a central registry to avoid such overlaps. Flute Street’s Nancy Nourse had hoped to have her new contra alto flute, but it wasn’t available on time. She says that it will be the first of its kind in Canada. She intends to unveil it in time for their next concert, possibly in March. It’s an unusual instrument made in Holland. She may even travel there to get it and bring it home.

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

What a way to kick off the fall music season. Although I had often heard of Quartetto Gelato since they first hit the Toronto music scene 25 years ago, I had never had the opportunity to hear them in person. Now, here they were almost on my doorstep, at the classic Uxbridge Music Hall, 15 minutes from home. If you have not heard of Quartetto Gelato, you have been missing out on first-rate entertainment provided by a very skilled, classically trained ensemble with the most unusual instrumentation of violin, oboe, accordion and cello. The group has had numerous personnel changes since 1992 with violinist and tenor singer Peter De Sotto being the only original member still in the group. Alexander Sevastian, who joined in 2002, was the winner of the renowned Coupe Mondiale International Accordion Competition in Washington in 2007. In 2009 they were joined by Colin Maier on a wide range of instruments including oboe, clarinet, violin, five-string banjo, electric/acoustic bass, flute, guitar and musical saw. In that year Elizabeth McLellan also joined the group on cello.

With the unique sounds of this instrumentation, and their years of classical training, the ensemble boasts an eclectic repertoire that ranges from Brahms, Bach and Weber to Argentinian tangos, gypsy music and much more. Initially, from my vantage point in the balcony, I assumed that the accordion was the fairly well-known large piano accordion. After watching the dazzling movement of the fingers of Sevastian’s right hand, I realized that this was not the instrument that I had assumed. It is a rare Bayan accordion where the right hand has an amazing array of buttons. (For those who might be curious about the Bayan accordion there is a 30-minute lecture on YouTube detailing its complexities.)

There was not a scrap of music in sight the entire evening. All of the shows musical and choreographic intricacies were performed by memory, with De Sotto switching routinely from violin to his fine tenor voice. Other than the cellist, who remained on her private podium, the others were often in movement. At one point, with De Sotto playing his violin while kneeling on centre stage, Maier put down his oboe, removed his shoes and socks and began a gymnastic routine flip-flopping back and forth over the violinist. It turns out that he is also a dancer and acrobat who spent a time in his career with Cirque du Soleil.

How does this musical group get away with such histrionic showmanship, and what does this all have to do with this column? The answer: first and foremost, is that, for community bands there is a lesson to be learned here. Quartetto Gelato displays outstanding musicianship. With the music under complete control, then a musical group can afford to indulge in showmanship. Unfortunately, in many community bands, either showmanship takes precedence or remains completely hidden. Either way, the end result can be a lacklustre show.

Musicianship

What’s the best way for a community band or orchestra to achieve their musicianship goals? I’m sure there are many ways, but we just heard of an interesting procedure used by Ric Giorgi, conductor of the Strings Attached Orchestra. Here’s the kind of email message he sends to members of his group after a rehearsal: “1. Keep working to make a difference in the sound of notes according to the staccatos, tenutos, caps or accents etc they have over or under them. The rhythm was starting to sound pretty classy once you started playing these. Check your accidentals and see how far into the section after letter E you can get. 2. After letter E the arranger throws the melody around in bits to different sections, so write in (in pencil) the beat numbers and sub-beat ‘and’s with vertical lines over them so it’s clear how much you have to rest between notes as well as how you play when you have notes. Remember that an accidental affects every note in a bar after the accidental and any note that’s tied into the next bar.”

This may all sound very elementary, but it certainly doesn’t hurt to honour the basics.

While on the subject of Strings Attached, we just received word of their Young Composers Initiative (YCI). In November they will be performing Cassiopeia with the 2016 YCI winner in Orangeville. Last year’s second-place winner (now 12 years old) has said that he’s determined to outdo his previous effort. More power to him.

A trip to London

Next recent musical journey for me was a trip to London, Ontario. The first part of this trip was to sit in as an observer of a class reunion of music graduates from Western University. While I did not attend this university, it was interesting to observe class mates of years gone by. Having not seen each other for years, they soon coalesced into a band and a choir in the morning and performed on stage in the afternoon. Again: musicianship at play.

Henry Meredith with part of his collection.The other part of my journey took me to the home of Professor Henry Meredith, also known as Dr. Hank, the conductor of the noted Plumbing Factory Brass Band. Having donated some of my older instruments to his collection of old brass instruments, I was expecting to see a large array of instruments including some obscure vintage items rarely seen in public these days. Astounding would be a better to describe what I saw. On the ground floor of his house there were a few instruments. Then, in the basement I saw rows of trumpets, cornets and bugles hanging six deep on pegs in one section, with larger instruments in nearby nooks. Then it was off to the two-car garage. There were two cars in the driveway, but no room for them in the garage. Hanging all over were framed pictures of town and military bands from years gone by. How many forms of tubas, sousaphones, ophicleides and other bass instruments could there be? Then we went up to the loft over the garage. More varieties of instruments, row on row, greeted us.

More about all this later, but, in short: I’d say all that Dr. Hank wants for Christmas is a museum to display his collection of 6.000-plus musical instruments.

Eddie Graf

It is with great sorrow that I report on the passing of Eddie Graf. Edwin John Graf was a composer, arranger, musician and bandleader. During WWII Eddie was a band leader in an army entertainment troop in Europe. It was there that he met his wife-to-be Bernice (Bunny), who was at his bedside when he passed away 73 years later. I first met Eddie in the late 1960s when I was acting as MC for many concerts in Toronto parks. Over the past few years Eddie had been gradually declining, but continued playing and writing music. He played in and wrote music for the Encore Band and his son Lenny’s band. He last played his clarinet at a band concert just a few days before his passing.

On my return from London I headed straight to a service to celebrate Eddie’s life. Such services are frequently very sombre memories of a person’s life, but not this time. This was truly a celebration of Eddie by hundreds of fellow musicians and family members. Son Lenny spoke and showed a video which he had compiled about his father. This was followed by music from a small band of friends. I personally met up with many people with whom I had played as long as 50 years ago. Before we knew it, people were dancing to the band’s music. Why, I even had a dance with Resa Kochberg the founder and director of Resa’s Pieces Band. (By the way, Monday, December 4 at 7:30, Resa’s Pieces, which over the years has grown to four distinct ensembles, presents “Music from your Favourite Films” at York Mills Collegiate, 490 York Mills Rd.)

Missed

Too late to attend, we learned of an interesting evening in Richmond Hill called “Notes and Quotes” on October 22. There was a lecture and concert on the music history of York Region by professor Robin Elliott, Chalmers Chair, University of Toronto. This was a partnership with the Richmond Hill Historical Society and Richmond Hill Heritage. The Richmond Hill Concert Band performed a newly commissioned piece by Bobby Herriot.

A different kind of missed concert for me, will be the Northdale Concert band’s 50th anniversary concert which will take place on Saturday, November 4, 3pm, at the Salvation Army Citadel on Lawrence Ave. E., at Warden. Having been a member of the band for several years, I had hoped to be able to attend their special concert but a long-term prior commitment has to be given precedence. On a visit to one of their recent rehearsals, however, I did manage to hear Gary Kulesha’s new Dance Suite for Concert Band and guest trombone soloist Vanessa Fralick’s stunning performance of Arthur Pryor’s Thoughts of Love.

Upcoming

Nov 2 and Dec 7 at 12pm: The Encore Symphonic Concert Band presents their “Monthly Concert” of big band, swing, jazz and film scores. John Liddle, conductor. Wilmar Heights Centre, 963 Pharmacy Ave., Scarborough.

Nov 3 at 8pm: Etobicoke Community Concert Band presents “Movie Magic” featuring current and past motion picture box office hits; Hollywood blockbusters, Disney at the movies, Queen’s Bohemian Rhapsody and more. Etobicoke Collegiate Auditorium, 86 Montgomery Rd., Etobicoke.

Nov 19 at 3:30pm: The Wychwood Clarinet Choir presents “Harvest Song” featuring Claribel by Roland Cardon, The Lark in the Clear Air (arr. Roy Greaves), and many others too numerous to mention; conductor and clarinet soloist, Michele Jacot. Church of St. Michael and All Angels, 611 St. Clair Ave, W.

Nov 25 at 7:30pm: Silverthorn Symphonic Winds open their 2017/2018 season with “Fall Festival” at the Wilmar Heights Event Centre Concert Hall, 963 Pharmacy Ave, Toronto (just north of Eglinton).

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

My calendar says that fall has begun, but the weatherman tells me that he has declared a “weather alert.” Whichever it is doesn’t make much difference for the community band scene. The summer events have passed and the events scheduled for this time of year will go ahead as planned unless our weather deteriorates to the kind we have seen in the Caribbean recently.

The Summer Scene

The Shimoda Family Consort - In the left hand of the performer at far right is a recorder even smaller than a piccolo.In some ways, from my perspective, the local community music scene has been a bit benign, with most groups emphasizing Canada 150 and the works of Canadian composers. Over the official summer period I heard many of the same works many times over with only minor variations. The one musical event which stood out for me was not by a community band, but by an excellent Baroque recorder consort. In the June issue I mentioned that I was looking forward to hearing the Shimoda Family Consort at the Foster Memorial. Well, on August 25 I was not disappointed. This is truly a family ensemble. Mother, father and two sons all move around playing an amazing array of recorders, from one somewhat smaller than a piccolo to the largest, which is taller than a contrabassoon. In this concert, in addition to playing a couple of different recorders, the mother also accompanied the others on harpsichord and played one harpsichord solo.

While I used the term “Baroque” to describe this group, most of their repertoire was from a period earlier than that usually referred to as Baroque. From such well-known names as Bach, Vivaldi and Telemann backward in time to such unknowns as Ludwig Senfl (1486-1543) and Gregorio Allegri (1582-1652), the music was all very enjoyable. Newest works on the program were two pieces from Mozart’s The Magic Flute. Such music on a beautiful summer evening in this architecturally stunning venue has left its mark in my memory.

Coming soon

The most notable event on the community band horizon this fall – that we are aware of – is a “50th Anniversary Concert” and banquet for the Northdale Concert Band. Having played in this band for some years in the late 1970s and early 1980s, under the direction of conductors Carl Hammond and James McKay, this event is of particular personal interest.

The Northdale Concert Band had its beginnings in 1967, with a group of students who had originally met and first played instrumental music together at Willowdale Junior High School and later played together at Northview Heights Secondary School in Toronto. There, along with other interested music students, they formed the band. The name Northdale came from the names of these two schools. Music teachers Ted Graham and Wayne Moss took on the band, held rehearsals once a week, and gave concerts open to the public. As time passed, the band became an adult group.  None of its original members remain in the band today. However, the band has its roots in the community, and has developed into a skilled group of dedicated amateurs and many music professionals, with a number of the members having been with the group for several decades. Many members play and teach music professionally; others teach music in the elementary and secondary schools; and others are students in the music faculties of York University or the University of Toronto. Other members are in varied careers, but all turn out reliably to rehearse and perform in various community venues.

Through the years, there have been many fine Northdale conductors, too numerous to mention here. Stephen Chenette, professor emeritus, Faculty of Music, University of Toronto, was the conductor from 1996 until 2010 when the present conductor, Joseph Resendes, took over the baton. Born in Toronto, Resendes has extensive professional credits as an active conductor, composer, performer and educator, and is currently in the process of completing his PhD in the field of musicology, ethnomusicology focusing on wind studies, conducting and the development of community music in Canada. As well as being the musical director and conductor of the Northdale Concert Band, he also currently holds positions as the music director of East York Concert Band, St. Mary’s Church Choir, VL Sax Quartet and as assistant music director of Ecos of Portugal.

A feature of this anniversary concert will be the world premiere of a newly commissioned piece, Dance Suite, by renowned Canadian composer Gary Kulesha, composer advisor to the Toronto Symphony Orchestra since 1995. Although principally a composer, Kulesha is active as both a pianist and conductor, and as a teacher. In 1986, he represented Canada at the International Rostrum of Composers in Paris, and has twice been nominated for JUNO awards, for his Third Chamber Concerto (in 1990) and again in 2000 for The Book of Mirrors.

Another feature of this Northdale anniversary program will be guest soloist Vanessa Fralick, associate principal trombone of the Toronto Symphony Orchestra. Prior to joining the TSO, she played three seasons as acting associate principal trombone of the St. Louis Symphony, after winning her first orchestral position with the San Antonio Symphony in 2009 while pursuing her master’s degree at The Juilliard School with Joseph Alessi of the New York Philharmonic. She completed her undergraduate degree at the University of Toronto, and is an alumna of the Toronto Symphony Youth Orchestra, National Youth Orchestra and the National Academy Orchestra of Canada. She occasionally plays alongside her brass-playing parents in the Niagara Symphony Orchestra in her hometown of St. Catharines, Ontario.

The concert and banquet take place on Saturday, November 4 at 3pm, at the Salvation Army Citadel, Lawrence and Warden Ave. (2021 Lawrence Ave. E.) in Toronto.

A unique aspect of Northdale Concert Band is their music publishing venture known as Northdale Music Press Limited. The project of issuing new works by Canadian composers for concert band began with Ontario Arts Council funding in 1985, when six new works were commissioned by Northdale Concert Band. The band travelled to Expo 86 in Vancouver and performed the world premiere of these compositions at the Canada and Ontario Pavilions. The scope of publication has increased, and today, Northdale Music Press publishes compositions for other ensembles, including brass band, stage band, and wind octet.

CBA Community Band Weekend

As if they didn’t have enough to plan for with their anniversary concert and banquet, the Northdale Concert Band is hosting the Canadian Band Association’s Fall Community Band Weekend, Friday October 13 to Sunday October 15 at the Church of St. Jude’s Wexford, 10 Howarth Avenue in Toronto. Visit either Northdale or CBA websites for details.

New Horizons Bands

As in past years the news from New Horizons Bands is great. The Toronto group’s annual “Instrument Exploration Night” was a huge success, with 22 participants and six instrument coaches honking, tooting and banging on all the instruments. Many signed up for beginner classes. With 45 new members this year, total membership now stands at well over 260, spread out over eight bands and two jazz groups. And it’s still not too late to join for this year.

Their annual Remembrance Day concert, “A Night to Remember,” is scheduled for November 10 at 7:30pm at Church of the Holy Trinity, 85 Livingston Rd., Scarborough; their annual band festival is set for January 27, 2018.

With this kind of growth it was decided that the organizational structure should be updated. So, New Horizons Toronto incorporated last year to facilitate adding stability to the group should Dan Kapp and his wife Lisa decide to move on to new challenges. The board is working to figure out how to cover all of the activities that need to be done to run such a large group.

Meanwhile, the York Region New Horizons group, which just started last year, held an event which they called “Test Drive a Band Instrument,” and will have started classes by now at Cosmo Music in Richmond Hill. Their classes are all on Mondays with morning, afternoon and evening sessions. For information contact Doug Robertson at 416-457-6316 or nhbyrdirector@gmail.com.

Hannaford Street Silver Band

As they enter their 34th season, the Hannaford Street Silver Band is adding even more colour and variety to their annual concert programming. Over the years they have gradually added other musical artists to broaden the taste and colour from the traditional all brass band repertoire. This year it is even broader. Every concert will have a unique flavour. Their opening concert “Tango!” will feature, as guests, the Payadora Tango Ensemble. This quartet of violin, accordion, piano and double bass with their traditional Argentine Tango music will certainly be a departure from what we have come to expect at an all brass band concert. That’s Sunday, October 22 at 3pm in the Jane Mallett Theatre.

 

As I sit down to put pen to paper (sit down to the keyboard; this is 2017!), and muse on where to start for this September issue, after our two-month hiatus, one question seems to be: What was significant in the summer in the band world? The answer which keeps coming up is just another question: What day was summer on this year? What with cancelled concerts and rained-out festivals I’m going to have to dig back all the way to June for some of my highlights.

Three of the Best

In the June column I mentioned that I was looking forward to attending the final concert of the season of the Wychwood Clarinet Choir. I certainly was not disappointed. In particular, the arrangement of Calixa Lavallée’s Bridal Rose Overture by Richard Moore and Roy Greaves surpassed my expectations. In a previous column I had also mentioned that I hoped to meet Wynne Krangle, the clarinet player from Whitehorse who rehearses with the choir over the internet. There she was in the choir, and we managed to have a brief chat after the concert.

Another concert I mentioned in the June issue as one I hoped to attend was that of the Strings Attached Orchestra. Here again the concert exceeded my expectations. The orchestra has developed their Young Composers Initiative (YCI) where they “hope to encourage the writing of contemporary works for strings by composers 16 years of age and younger.” In this concert they performed Viaggio delle Farfalle by Damiano Perrella, a 16-year-old Grade 11 student from Port Credit Secondary School. In simple terms, one might say that it describes the evolution of a caterpillar to a butterfly. The title, translated from the Italian, means “the voyage of flight of the butterflies.” The composer states that he was inspired to write this during a stroll where he came across a butterfly flying away, and was immediately curious as to how he could translate this grace into music. In his words: “I wanted to convey the emotions related with flight starting from a caterpillar.” As Franz Liszt once said: “The musician who is inspired by nature exhales in tones nature’s most tender secrets without copying it. He thinks, he feels, he speaks through nature.” This young composer did just that.

Dan and Lisa Kapp (with Alphorn)The third musical event of the summer which stands out in my memory was by the Resa’s Pieces Concert Band. Not only were they joined for some numbers by Resa’s choir and strings, but they had a featured alphorn solo by none other than Dan Kapp of New Horizons fame. This was Dan’s arrangement for band of Ballad for Alphorn and Frustrated Percussionist by composer Dennis Armitage. He was aided by his wife Lisa who, as the frustrated percussionist, displayed her virtuosity on the triangle, cow bell, small and large cymbal, slide whistle, police whistle, bird call etc. Having never heard of this composer, I checked and learned that he was born in England, but lived most of his life in Switzerland. Hence the interest in the alphorn. We have learned that Dan and Lisa will be performing this work in Lindsay on October 28 with piano and organ accompaniment. Hopefully, we’ll have details of that event in time for the October issue.

Other

For those concerts which were not cancelled because of weather conditions, the common theme was the Canada 150/sesquicentennial. For most that meant a major component of the programs had to be Canadian content. In most of the programs this Canadian content was largely by lesser-known contemporary Canadians. As a form of memorial, almost every concert that I was aware of featured something by Howard Cable. Unfortunately I saw little, if any, 19th-century or early 20th-century Canadian works. Although there are several fine concert band arrangements of his work, the only work by Calixa Lavallée in any concert program which came to my attention was O Canada (other than, as mentioned, Calixa Lavallée’s Bridal Rose Overture at Wychwood).

Trivia

To lighten things up for the coming musical season it might be time for a bit of trivia. In the spring I had the pleasure of attending a fun-raising trivia night for the Amadeus Choir. Based on the popular Trivial Pursuit, attendees formed teams around tables and provided team answers to questions posed. Each team had to choose a team name. There were prizes for correct answers, but there was also a prize for the best team name. The name which struck the chord with me was “La Triviata.”

Anyone who plays a musical instrument knows only too well that one of the perils on the learning curve is learning the meaning of the multitude of stylistic markings which lie beneath the notes on any score telling us how that bit should be played. During a recent rehearsal, while sight reading a new work, I realized that I had never seen a warning of an impending awkward, difficult or tricky passage. Ergo, it is time to add to the lexicon. How about jp or justo pretendo as a recognized warning for such situations?

Hail (and Farewell?)

On a recent TV news broadcast there was a brief showing of US President Trump arriving at some ceremonial function. He was greeted by a military band in full dress regalia with ceremonial trumpeters at the fore. After suitable trumpet flourishes and fanfare, the president stepped down to the tune of the traditional Hail to the Chief. Having heard of a controversy about this particular music, I dug into some notes which I had made some years ago. The first question might be why this music, written by an Englishman? Based on a Scottish Gaelic melody, it was written around 1812 by James Sanderson who added words from Sir Walter Scott’s Lady of the Lake. It seems that Chester Arthur, US President in the late 1880s questioned why important ceremonial occasions would require music by anyone but an American composer. Based on this, a call went out for an American composition. While there may have been other submissions, John Philip Sousa submitted his new Presidential Polonaise. It never caught on, and Hail to the Chief is still the choice. But with his emphasis on buy American, will the current president reconsider? Several renditions of Presidential Polonaise are available on YouTube.

Coming

The Toronto New Horizons bands will be starting back soon with their annual Instrument Exploration Workshop to be held Friday, September 8 at 7:30pm at the Long and McQuade store on Bloor Street. As in the past, this will be an excellent opportunity for anyone, considering taking up music or getting back after an absence, to consider which instrument might appeal to them. Just a few years ago the first New Horizons band was formed in Toronto with modest hopes. This year there will be a second beginner band bringing the total number of NH bands in Toronto to ten. Classes begin September 11.

On Tuesday, October 10, Silverthorn Symphonic Winds presents the first concert of their season in the series, 59 Minute Soiree. Wilmar Heights Event Centre – Concert Hall, 963 Pharmacy Ave, Toronto (just north of Eglinton). These informal musical entertainments feature a variety of lighter music.

The Hannaford Youth Band is preparing for an interesting season including a concert with the West Humber Steel Band in their “Rising Stars Brass and Steel” concert in the new year. For anyone interested in joining this great band, auditions are Saturday, September 16. Applications may be submitted online.

The York Regional Brass are preparing for another season of brass band music. They are looking for new members and would welcome inquiries. They rehearse in Aurora on Wednesday evenings. If interested, contact Peter Hussey at pnhussey@rogers.com.

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

2209 BBB BandstandIn last month’s column, while talking about the characteristics of various performance venues, I mentioned the Foster Memorial. You might ask: where and what is the Foster Memorial, and why should it be of interest to music lovers?

This architectural gem, little known to most people in the GTA, is less than an hour’s drive from Toronto and if you are not familiar with “The Foster,” this summer could be the ideal time. In their Ontario’s Choice Awards in November 2016, Attractions Ontario named the Thomas Foster Memorial as the Top Small Performing Arts Attraction in Ontario. In the words of Troy Young, CEO of Attractions Ontario, “These awards are unique because they were chosen exclusively by the consumers that visit these sites.”

So what exactly is the Foster Memorial? Located four kilometres north of the town of Uxbridge, it is actually a mausoleum built by Thomas Foster as a memorial to his wife. Thomas Foster was born and raised in Scott Township just north of Uxbridge where his father ran the Leaskdale Hotel. He became a butcher in Cabbagetown in Toronto, was elected as an MP, and served as mayor of Toronto from 1925 to 1927. He also made a large fortune from real estate.

In his late seventies, while on a visit to India, Foster was inspired by the Taj Mahal. On his return, he built this family memorial in the rolling countryside of Uxbridge Township. While the architecture was originally inspired by Foster’s trip, its design is greatly influenced by the architecture of the early Byzantine churches. Entering through the heavy bronze doors, one is struck by the beauty of the marble and terrazzo interior, flooded by the soft light coming through the stained glass windows. The Foster Memorial is truly a unique structure. Completed in 1936, it contains three crypts: for Mr. Foster, his wife and his daughter.

In recent years this “Diamond of the Durham Region” has been the venue for a wide spectrum of events, from weddings to concerts. As for musical performances, it’s “Fridays at The Foster” at 7:30pm all summer from the beginning of May until the end of September. For soloists and small groups, the acoustics are excellent, but the layout and acoustics do not work for large groups. As for repertoire, it ranges from Irish music, traditional folk ballads, bluegrass and Broadway hits to Diana Davis performing using quartz crystal singing bowls and flute. One group which really impressed me when they performed at The Foster a few years ago was the Shimoda Family recorder ensemble. I certainly intend to be in the audience when they return on August 25 with their rarely heard authentic Baroque music.

Another Uxbridge gem: While on the subject of lesser-known performance venues, the town of Uxbridge has another gem. Since its grand opening in December 1901, the Uxbridge Music Hall, with its excellent acoustics, has been blessed with a wide range of concerts and stage productions. In 2011, for its 110th anniversary, there was a reenactment of the hall’s very first concert. On that occasion I had the privilege of performing in the recreated “Town Orchestra” for that reenactment. I even had the honour of supplying the anvil and hammer for our rendition of the Anvil Chorus from Verdi’s opera Il Trovatore. (As for coming events, the only one that I am aware of at the moment in this significantly under-utilized venue is that of the small ensemble Quartetto Gelato, who will be performing there on September 30.)

 

Recent Events

Wellington Winds: When one looks at the scores of most works for concert bands, one finds that they frequently call for instruments that rarely get any consideration for even minuscule solos. One such instrument is the E-flat alto clarinet. If the band has an alto clarinet, it is rarely heard on its own. More often, it spends its time hidden and doubling the parts of other instruments. More often than not this instrument is the butt of uncomplimentary jokes. Rarely, if ever, is it the first choice for young players or their teachers. Now, enter Stephen Fox. A distinguished Canadian clarinetist and instrument historian, as well as a world-class clarinet builder, Fox has recently attracted attention for his new model of alto clarinet which has been receiving accolades for its warm compelling tone. Apparently, up till now, there was no known work for solo alto clarinet and wind ensemble. Enter Michael Purves-Smith: “Such a wonderful instrument deserves a significant solo voice,” he says and rose to the challenge. His concerto for alto clarinet and wind ensemble needed a name. When he asked his wife, Shannon, for a suggestion, possibly influenced by the common prejudices against the instrument she immediately responded, “Why not call it the Seven Deadly Sins”? The Seven Deadly Sins received its first performance by Stephen Fox, as soloist, and the Wellington Wind Symphony under the direction of Daniel Warren, April 30 in Kitchener and the following week in Waterloo.

New Horizons: The last time we heard from the New Horizons Band of York Region was some months ago. On a visit to one of their rehearsals in Richmond Hill there were fewer than 15 members. As with all New Horizons bands, this group is for active adults who want to learn music in a friendly, supportive atmosphere with other active adults. Now, with almost 30 members near the end of their first year of learning together, they had their first concert ever on May 25. If you have considered taking up a musical instrument, director Doug Robertson would love to hear from you. He can be reached at nhbyrdirector@gmail.com.

Silverthorn Symphonic Winds concluded their 2016/17 season on May 27 at the Wilmar Heights Event Centre with “Spring Celebration,” honouring Canada’s 150th. The repertoire featured works by Canadian composers and arrangers, including Morley Calvert, John Herberman and Howard Cable.

Wychwood: Finally, as I write this, I am looking forward to attending the final concert of the season of the Wychwood Clarinet Choir on May 28, so by the time this issue is on the streets the concert will be past history. At time of writing, I am looking forward to two matters. I hope to meet Wynne, the clarinet player from Whitehorse who rehearses with the choir over the Internet. I am also looking forward to hearing The Bridal Rose Overture by Calixa Lavallée, as arranged by Richard Moore and Roy Greaves.

Coming Events

Luminato: Fresh from their recent stunning victory at the Brass Band competition in the US, the Weston Silver Band is now taking on a very different role. This time they are onstage as part of a major musical event in this year’s Luminato Festival in Toronto. A hit of the 2015 Edinburgh International Festival, En avant, marche! is a genre-defying tragicomedy from acclaimed Belgium choreographer Alain Platel. It’s the story of a trombone player, no longer able to play his instrument due to illness, who is demoted to playing the cymbals. Throughout band practice, the larger-than-life protagonist terrorizes fellow band members, confides in the audience, sings arias and dances an unlikely ballet duet, all with exuberance and a riotous slapstick edge. Four actors and seven musicians are joined onstage by Toronto’s Weston Silver Band, playing marching band classics along with 19th- and 20th-century pieces ranging from Verdi to Beethoven and Schubert to Mahler. If there ever was a true, and truly unforgettable, celebration of the power of making music together, this sounds like it. Performances are from June 21 to 24 at the Bluma Appel Theatre.

Looking Ahead

One band which has been on the local concert scene for years will not be there this coming year. After 25 years, the Uxbridge Community Concert Band (UCCB) will be absent. Music director Steffan Brunette is taking a year off from the band and from his school, teaching and studying composition. In September he will take on new duties as Head of Music at a new high school in Markham. Hopefully, the UCCB will be back next year.

Saturday, June 3, at 2pm, the Festival Wind Orchestra will present their 2017 summer concert at North Toronto Collegiate (17 Broadway Ave., Toronto). Founded in 1996, the Festival Wind Orchestra is an adult community wind orchestra, which rehearses weekly under the direction of Keith Reid at Riverdale Collegiate in Toronto. Their concert will feature music by Canadian composers, including: Overture: St. John’s, 1828 by Ben Bolden; Sodbuster by Elizabeth Raum; Genesi by Vince Gassi; and Canadian Folk Song Fantasy by William McCauley. Also featured will be Jason Dallas performing Joseph Horovitz’s Euphonium Concerto. Since I am a dedicated euphonium aficionado, and having never heard of this composer, I decided to check for information on him. As professor of composition at the Royal College of Music since 1961, he is someone that we should have heard of before.

Sunday, June 4, at 7pm, Strings Attached Orchestra, under the direction of Ricardo Giorgi, will present their final concert of the season at the Isabel Bader Theatre. In the words of director Ric, “We have new, old and middle-aged music for you,” from Ravel’s Bolero and the last movement of the Brandenburg Concerto No. 4, to the rarely performed Concerto for 2 Recorders in B-flat by Telemann and a musical hoax by Samuel Dushkin. They will also give the first ever performance of the winning composition of Ric’s second annual Young Composers Initiative, called Viaggio delle Farfalle by Damiano Perrella.

Tuesday, June 6, at 8pm, Resa’s Pieces Concert Band will present their 18th annual gala at the Toronto Centre for the Arts.

Tuesday, June 13, at 7:30pm, Silverthorn Symphonic Winds will present their final concert in their series of 59 Minute Soirees. These informal musical entertainments feature a variety of lighter music. Guests are invited to enjoy refreshments and conversation with the musicians after the concert. Wilmar Heights Event Centre – Concert Hall, 963 Pharmacy Ave., Toronto (just north of Eglinton).

Saturday, November 4, the Northdale Concert Band will present their 50th anniversary concert with the title “The Big 5-0h!” The program will include a newly commissioned work by Gary Kulesha. The concert will feature as trombone soloist Vanessa Fralick, associate principal trombone of the TSO.

Finally, in last month’s column I mentioned my belated introduction to the longtime Hart House Symphonic Band. The concert dates for their next academic year are: December 3, 2017 and April 8, 2018.

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

2208 BandstandWhen I first heard of a concert by the Hart House Symphonic Band, I was very surprised. I have been a member of Hart House continuously ever since my arrival at University of Toronto as an undergraduate student back when dinosaurs were roaming the campus. For those who are not familiar with Hart House, it is the elegant gothic style student union building with the majestic Soldier’s Tower which dominates the landscape of the main campus. When was this Hart House band formed and why had I never heard of it? On April 2 I had my chance. That was the evening of the band’s spring concert titled “Angels in the Architecture.” As I sat waiting to see what sort of ensemble might perform, no fewer than 65 band members entered and dominated the entire south end of the House’s Great Hall. This is not a band of students from the Faculty of Music. Membership is a mix of undergraduate students and alumni from a wide range of disciplines.

Different would probably be the best single word to describe the programming of this concert. The selections involving the entire band were almost exclusively by modern composers. However, the only contemporary selection which I recognized was the March from the Great Escape. The real difference in the programming occurred when the program switched to the first soloist. Melanie Warren from the trumpet section moved to the piano and performed one of her own compositions. After the applause for the performance of her Rondo No. 2 she returned to her seat in the trumpet section.

Immediately after this original composition by a band member, there was a dramatic switch to Five Pieces of Dmitri Shostakovich. Here again it was not the entire band, but a trio of violin, clarinet and piano. After the performance the violinist returned to the flute section and the pianist to the trombone section.

After a return to full band renditions of Robert W. Smith’s Star Trek: Through the Generations and Morten Lauridsen’s O Magnum Mysterium we had a dramatic shift to solo piano. This time, Duncan Kwan the band’s bass trombonist took centre stage on piano with Rachmaninoff’s Prelude in C-sharp Minor.

The final solo of the evening forced me to start digging for information as soon as I arrived home. This was the Fantasie sur un thème original by Jules Demersseman. Little known today, Demersseman was a French composer who lived in the mid-1800s. Renowned in his day as a flutist and teacher, he was a close friend of Adolphe Sax and composed many of the earliest works for saxophone and saxhorn.

Conductor Mark Saresky states that he has only been with the band for nine years and couldn’t say when it was first established. One thing is certain: he has an impressive spectrum of musical talent and imaginative programming! Stay tuned for their next concerts which are tentatively scheduled for December and next April.

Unfortunately the acoustics of the Great Hall vary considerably depending on the placement of the group performing. The acoustics are generally excellent when the group is placed close to the middle along the long wall. That would certainly not be feasible with a 65-piece band. With the band located at the south end of the hall the sound was at times overwhelming. Nonetheless, the performance was memorable.

More on Venues and Acoustics

While on the subject of venue acoustics, one of the finest performance venues that I have encountered recently was the auditorium of J. Clarke Richardson C. in Ajax. I attended a concert there recently by the Navy Band of HMCS York as part of the school’s sesquicentennial celebration. Unlike many modern schools which have only a cafetorium, this school boasts a true theatre. It has a large stage with a full proscenium arch. I would estimate that it has a seating capacity of about 600 in comfortable upholstered tiered seats where every audience member has a full unobstructed view of the stage.

As for unusual performance venues for small groups, in the next issue I hope to be in a position to introduce readers to a little known gem within a short driving distance from Toronto. Stay tuned for a visit to the Foster Memorial.

Other Recent Events

Unfortunately, I was unable to attend the “Sesquicentennial Celebration Concert” by the Plumbing Factory Brass Band on April 19. A severe and painful shoulder injury made the multi-hour drive from home to London and back a non-starter. This was the concert which I had been looking forward to more than almost any other this season. Henry Meredith’s programming of an evening made up exclusively of 19th-century brass band selections was the sort of program that I have never heard before. With any luck they may have recorded it. If so, I’ll be first in line for a copy.

While school concerts are commonplace where students perform and parents applaud, I recently attended a school concert with a difference. On April 20, St. Andrew’s Junior High School in North York presented “Jazz @ St. Andrew’s.” This included several works by four different jazz ensembles including the Swingin’ Strings. That’s right. A large group of students from Grades 8 and 9, accustomed to playing Baroque and classical music showed their adaptation to the challenges of swing style with such numbers as Duke Ellington’s C-Jam Blues.

After these performances the program shifted to show how the love of performing music may continue after school life is over. The regular student groups were followed by the York Mills Titan Jazz Band, an extracurricular after-hours club open to anyone interested in playing big band music. That was followed by a few numbers by Swing Shift, a community big band which rehearses weekly in nearby York Mills Collegiate. Members range in age from the twenty-somethings to several retirees, drawn together to read through music of the big band era. I have been a member of this group for some years, but had to serve as an audience member because my shoulder complained when I tried to hold my instrument. Both of the last two groups were led by Bob Gray, a longtime music teacher in this area.

For students and parents alike this evening showed, in no uncertain terms, that musical skills do not end when school is over, but can be a lifelong avocation. In the comment section of the program, music teacher Mr. Corbett summed up the value of musical training with these observations: “Our students have all worked hard to prepare this concert for you and have learned so much about music and about themselves. They have learned about commitment, self-discipline and the rewards of hard work. They have learned to be effective leaders and followers, ignoring their phones for hours at a time.”

Coming Events

The Newmarket Citizens Band will be presenting their Canada 150 concert on May 26 at 8pm in Newmarket’s Old Town Hall on Botsford Street. Canadian compositions scheduled include Ten Provinces March by Howard Cable, They Came Sailing by Andre Jutras and Leonard Cohen’s Hallelujah.

Silverthorn Symphonic Winds 2016/2017 season concludes with their “Spring Celebration” on Saturday, May 27, 7:30pm at the Wilmar Heights Event Centre. The program will honour Canada’s 150 years since Confederation with works by Canadian composers and arrangers.

On Sunday, May 28, at 3:30pm The Wychwood Clarinet Choir presents their “Sounds of Spring - the Canadian Edition.” Whether or not my suggestions had any effect, they will be featuring: The Bridal Rose Overture by Calixa Lavallée, arranged by Richard Moore and Roy Greaves. This was one of my leading picks for Canadian compositions to be included in any group’s repertoire this year. I’m looking forward to hearing this new clarinet choir arrangement. Works by Howard Cable will include Point Pelee, Wychwood Suite, McIntyre Ranch Country and Canadian Folk Song Suite. Norman Campbell’s Anne of Green Gables Medley arranged by Fen Watkin will also be played.

In last month’s column I mentioned how Wynne Krangle, sitting at home in Whitehorse, had “virtually attended” Clarinet Choir rehearsals, took lessons using FaceTime, and ended up playing in the last concert. Will she be back? Yes, Wynne will be back, arriving in time for two rehearsals and then playing with the Choir for this performance with artistic director and clarinet soloist Michele Jacot at the Church of St. Michael and All Angels.

Barbara Kissick

It is with great sadness that I report on the passing of Barbara Kissick. Barbara was a pioneer in establishing the idea that women should have an equal right to play in most bands where, traditionally, they were all-male organizations. As a student at Barrie Central Collegiate she became the first female band president. As I mentioned in this column a few years ago, when she was a physiotherapy student at University of Toronto, she rocked the boat again. The student council of the university actually convened a special meeting to debate whether or not a female student should be “PERMITTED” to join the Varsity Band. Barbara won. Years later, when we formed the university’s Blue and White Alumni Band, Barbara came down regularly from Barrie with her clarinet. When I learned of her passing I pulled out the CD we made with that band in May 1993, and there was Barbara’s name. My dilemma: what selection should I play? In the end it was Close to You.

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

2207 BandstandIt all began in the spring of 1948 when a small research group at the Bell Telephone Laboratories in Murray Hill, New Jersey, announced the development of a new electronic device which they named the “transistor,” initially more of a laboratory curiosity than a practical component of any electronic device. I recall a telephone call five years later in 1953 from a friend. He was an engineer in a research organization in Toronto and had just obtained “management approval” to purchase two transistors to try them out. Over the next few years the transistor became the successor, in most applications, to its much larger power hungry predecessor, the vacuum tube, invented in 1906. It only took till 1956 for the three researchers at Bell Labs to be awarded the Nobel Prize in Physics for their pioneering work.

Now, 69 years after that 1948 announcement, smart phones, home computers, flat-screen TVs, GPS units and other compact electronic systems are homes to countless millions of much smaller transistors. Cable and satellite TV as well as Internet are the norm in most homes in this country. We listen to music on all kinds of devices from large home audio systems to hand-held smart phones. But how has this impacted on the activities that go into making music, especially as a collective social endeavour?

Obviously we are able to research titles and composers to assist in programming, but we may also go to YouTube sites to hear and watch performances of music to determine their suitability for possible performance. It is now common practice with many bands to send email messages to band members with a list of works scheduled for a rehearsal and YouTube sites to visit to get familiar with the music prior to a rehearsal. Some groups also send out recordings of rehearsals for members to review and determine ways to improve.

In fact, I know of one music director (who shall remain nameless) who became sufficiently technically savvy and innovative to electronically monitor the playing accuracy of individual band members and record each individual’s errors. Each member was then presented a personal report with a rating of their errors per minute. I don’t know whether or not that is still happening, but I certainly would have no interest in joining such an ensemble.

The most interesting example of constructive use of this rapidly evolving technology that I have heard of includes long-distance instruction and practice over the Internet. It all began when a woman in Whitehorse in the Yukon decided that she would like to learn to play clarinet. Wynne Krangle was in Toronto visiting her mother and decided to drop in to the Long & McQuade store. After she purchased her clarinet, she asked if they could suggest a clarinet teacher to visit for introductory lessons before returning to Whitehorse.

They gave her the name and number of Michele Jacot, conductor of the Wychwood Clarinet Choir. The rest is history. Krangle emailed Jacot. They met by email, arranged to meet in person and managed to squeeze in two lessons before Krangle had to return to Whitehorse. As Jacot says “Wynne was quite the beginner.”

After she returned home they arranged to continue regular lessons using Skype and FaceTime as the primary means of communication until Krangle was able to visit Toronto again. As Jacot put it, “She certainly must have been highly motivated to faithfully practise regularly in her relative isolation.” There just aren’t that many playing opportunities for beginning amateur musicians in Whitehorse. On one of her visits to Toronto Krangle attended one of Jacot’s Wychwood Clarinet Choir concerts. It was then that Jacot suggested that she play every rehearsal. Yes, the idea was for Krangle to “virtually attend” Clarinet Choir rehearsals. She could sit at home in Whitehorse and observe the rehearsals in Toronto over the Internet. Progressing from that, the next step was to schedule a lesson every two weeks using FaceTime.

Last summer, Jacot suggested a challenge for Krangle. It was for her to learn all 11 pieces of music for the choir’s “Harvest Song” concert in Toronto in November. The idea was to use the scores and tapes from the weekly rehearsals and then come to Toronto to be part of at least two rehearsals and the performance. Krangle arranged to be in Toronto. She played in the final rehearsal before the concert and in the dress rehearsal. In her words, “I did just that and had an amazingly successful time integrating into the choir.” As for the future, she plans to be in Toronto and perform in the “Sounds of Spring” concert scheduled for May 28 at the Church of St. Michael and All Angels.

(While on the subject of the Wychwood Clarinet, like many other groups this sesquicentennial year, the choir is planning for a definite Canadian component for the spring concert. Composer-arranger Fen Watkin has written an arrangement for clarinet choir of selections from the musical Anne of Green Gables. The choir folks intend to add a visual component to their concert as well. They will be showing historical photographs of the Wychwood neighbourhood in Toronto where they perform. Hopefully, there will be pleasant surprises for the audience, not only regarding local history, but also of the history of the choir.)

A very different and very heartening example of the creative use of our rapidly evolving technology has just come to our attention. Many years ago, Jack Savage, a trombone player from Newmarket formed a swing band. Ever since he started the group his wife Joyce was their biggest fan. She never missed a rehearsal or performance. Even after her husband’s death in May 2016 she was still a devoted fan. However, her stars were not in alignment when she learned of a memorial concert for him scheduled for December 7 last year. She had broken her hip and was bedridden at Orchard Villa Long Term Care residence in Pickering. Her son Ken couldn’t see how he might get her to that concert, but was determined to find some solution for her to attend virtually. Then he learned of the Pickering library’s PPL Connect program. This is a part of their digital education program where free Wi-Fi hotspots are available for loan. Ken contacted Saul Perdomo of the library about the possibility of getting the concert to his mother’s bedside.

On the night of the concert at the Alexander Muir Senior’s Residence in Newmarket, Perdomo took an iPad tablet to the concert. At Joyce’s bedside he had located suitable computer equipment. During the concert there was Joyce, in her bed almost part of the action, and even able to interact with band members. This was the first request of its kind to the library. It not only let Joyce attend Jack’s memorial concert, but it also brought two retirement communities together. Sadly Joyce passed away a couple of months later on February 17 at age 89.

Coming Events

Not only is 2017 Canada’s sesquicentennial year, but it is also the 100th anniversary of the Battle of Vimy Ridge. While this was certainly not the only large-scale battle of World War I where Canadian troops fought, it is accorded a special recognition in Canada’s history because this was the first major battle where the entire Canadian force was under Canadian command. Several bands have already presented, or soon will present, some form of special Vimy concert. One of the most imaginative is that of the “100th Anniversary Vimy Trench Dinner and Band Concert” on the evening of April 4 at the Flato Markham Theatre. Organized by the 4th Canadian Mounted Rifles Association, the concert is being advertised as “The Mayor’s Vimy Concert.”

The evening will begin at 5:30 with a sit-down dinner of typical foods of that era that would have been served to the men behind the lines. At 7:00 the audience will move into the theatre for the concert by two bands. The first band will be a composite group made up of members from the various regimental reserve bands of the Toronto Garrison. This band will be conducted by Lt. Nick Arrigo, director of music of the 7th Toronto Regiment Royal Canadian Artillery Band. This band will be joined by the Pipes and Drums of York Regional Police.

Periodically, throughout the concert, a narrator will read letters home from men at the front. The concept is very similar to that performed a few times in recent years by the Toronto New Horizons Band under Dan Kapp. In the New Horizons performances letters from Europe were actual letters home from a man who was later killed in action during WWII. Since this concert is about a battle 100 years ago, there would be little chance of finding suitable letters. For this Vimy concert, the letters will be historically accurate simulated accounts, carefully crafted by a history professor, from a soldier, here called George, his fiancée Sally and his grandson living in the present day. The letters will be read by actors as the band plays appropriate music softly in the background. Information and reservations are available at the Flato Markham Theatre box office: 905-305-7469.

Allan Calvert

It is with a heavy heart that I report the passing of Allan Calvert. One of four children born in Ottawa from Irish immigrants who came from Belfast in the 1920s, he moved to Toronto with his mother and three siblings after his father died. At an early age he learned to play various brass instruments and in Salvation Army Bands. Later he became music director and conductor of the Evangel Temple Brass Band in Toronto. I first met Al when we were both on the executive of CBA, Ontario. Al was the very diligent treasurer of that organization for over 25 years.

Odds and Ends

Every once and a while someone will come up with a clever title for a piece of music which strikes a chord. The opening number in the latest concert of the Wychwood Clarinet Choir was H2Overture by Jerry Williams. Yes, it was a medley of over 30 themes with reference to water in their titles.

In the past, in this column, I have occasionally ranted about people with smart phones held up so that their bright images are in full view of the audience members behind them. So, it was time to take action. At the last two concerts attended, I took the risk of asking a few users to put their distracting devices away. Rather than any adverse reactions, I received apologies in all cases.

There’s nothing like authenticity when researching costumes for period productions. Being a longtime Gilbert and Sullivan aficionado, I was a bit perplexed to see an advertisement for this year’s Stratford Festival’s production of HMS Pinafore. There we see a man dressed as a sailor in the Royal Navy, but wearing the “Dixie cup” hat of the US Navy. Such integration!

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

In last month’s column I focused on concert planning and suggested repertoire for bands to consider to celebrate Canada’s sesquicentennial year. What a pleasant surprise to learn of the plans of a few groups which intend to incorporate some of those suggestions into their programs. One of my top preferences in last month’s column was Calixa Lavallée’s La Rose Nuptial (Bridal Rose). So, very encouraging for me was news from the Wychwood Clarinet Choir that they hope to have an arrangement of that work as part of the Canadian celebration in their May concert. Choir members, and skilled arrangers, Roy Greaves and Richard Moore are working on that. This year’s winter concert “Midwinter Sweets” will not be at their usual location, but at Knox United Church in Scarborough, on Sunday, March 5 at 7:30. The program will also feature Concert Piece No. 2 for Two Clarinets by Felix Mendelssohn arranged by Richard Moore and Roy Greaves, Holberg Suite by Edvard Grieg arranged by Greaves, “Tonight” from West Side Story by Leonard Bernstein arranged by Steve Macdonald and No More Blues by Antonio Carlos Jobim, arranged by Macdonald. As usual, artistic director and clarinet soloist Michele Jacot will be at the helm.

Concert Band Composition for Canada 150: I’ve also just heard about another very encouraging project to celebrate this special year. It is by local Toronto musicians Tom Fleming and Vern Kennedy. About six months ago Fleming approached Kennedy, a longtime Toronto musician and composer of over 60 band and vocal creations, to compose a concert-band work to celebrate Canada’s sesquicentennial. In Fleming’s words, “I had written a brief note meant to stir Vern’s creative juices and inspire and challenge him to write something patriotic and inspirational that spoke to Canada’s vast geography and diversity. Vern responded by completing a composition for band that does exactly that. It’s a six-movement suite that takes the listener on a musical journey across Canada, ending with a stirring tribute to the whole nation that includes optional vocals in both official languages.”

Kennedy’s musical experience includes appearances on many CBC television music shows and he was the composer of Run Terry Run for the Canadian Cancer Society and In Love with an Island the official song for PEI’s centennial.

Now that the work is ready for publication, Fleming has persuaded a local band to rehearse in private and record it for demo purposes. In addition, he has engaged a copywriter, an art director and an online direct marketing expert to develop a program to market these pieces to community concert bands and post-elementary school bands across the country, at his own expense. When the recording is complete the intention is to post excerpts of the music online and invite decision makers from bands and music schools across the country to listen to the music and hear for themselves that it is enjoyable listening and eminently playable by most bands.

2206- BBB - Bandstand.jpgAll conched out! Another sesquicentennial event is the “Canada Celebrates 150” concert by the Navy Band of HMCS York at J. Clarke Richardson C.V.I. in Ajax on March 4. This will feature the York full concert band with a combined Richardson Collegiate and HMCS York jazz set sandwiched in the middle. The program will also have students from the school’s Vimy Ridge trip giving a presentation during the concert about their trip to the Vimy Ridge 100th anniversary commemoration ceremonies. This concert is not only a celebration of Canada 150, but is also a veterans appreciation concert. Admission is free for all veterans.

A special treat will be the opening played by the band’s conch group, the only small ensemble from the band in this concert. YES! You read that right. They will be playing on conch shells. Recently I had the pleasure of hearing them in a concert at the Naval Club of Toronto where several small ensembles from the band entertained club members and any members of the community who wished to attend. This small group had its beginning last year when they played a fanfare for the visit of an admiral. The group consists of five different-sized conch shells which produce different pitches when the players move their hands in and out of the open end. Moving the hand in lowers the pitch and moving it out raises the pitch. To make these shells playable the tip has to be cut off and then they are basically played by buzzing into them like a trumpet. This special ensemble of five band members now has a name. They call themselves the Band Shells.

The Band Shells are the brainchild of Leading Seaman James Chilton, who is known in civilian life as James Chilton PhD. He is the man who, last year, was featured at the Naval Club event playing the didgeridoo. At this year’s event it was a duet with didgeridoo and tuba. He also performed on an instrument of his own design. It is a sort of “sliding didgeridoo” which is really played more like a trombone. He calls this one a “didjeribone.” Another selection which he played was done with a collection of variously pitched jaw harps and a looping pedal so that he could play them all at once.

Then there was the trombone quartet which performed a number of traditional sea songs. In some quarters you might find people who look upon military reserve bands as amateurs. Not so here. In that group, all four trombonists have degrees in music including one doctorate and two master’s degrees. The fourth member is working on a master’s degree. As for a name, members of this trombone quartet haven’t yet decided. Some like to be called the Tromboats and others prefer the Seabones.

Plumbing Factory and Northdale: While on the subject of anniversaries and similar celebrations we have just learned, from the indefatigable “Dr. Hank,” Henry Meredith, that the Plumbing Factory Brass Band is planning an evening of “19th Century Brass Band Music” in April. Similarly, The Northdale Concert Band is planning well in advance for a Gala Concert and Banquet to celebrate their 50th anniversary during Canada’s special year. This won’t be until November 4, so we have lots of time to provide full details. As a teaser though, it is safe to say that the concert will feature Vanessa Fralick of the TSO performing two solo pieces on trombone. The band has also commissioned a special work by Gary Kulesha, in honour of their 50th year, to be performed in the same concert.

New Horizons: In last month’s column I mentioned that the North York New Horizons Band was being re-established, at Long & McQuade on Steeles Ave. just east of Keele St. We have now learned that the band is up and running under the direction of experienced music teacher Susan Baskin. Their branch of New Horizons is called: New Horizons Music North York, and they rehearse on Monday nights from 6:45 to 8:45 in the Long & McQuade, North York, Lesson Centre, at 2777 Steeles Ave. W. As is the case with all New Horizons bands NHM NY Concert Band welcomes all adult woodwind, brass and percussion players from beginners to advanced. They are especially interested in bass clarinets, saxophones, trombones, baritones/euphoniums and tubas. Remember the New Horizons slogan: “It’s never too late!” Their email is: nhmnorthyork@gmail.com.

Kiwanis Music Festival Toronto: It has been many years since I had any direct connection to the kind of music festival that was a part of my life while playing in boys’ bands many long years ago. It was time to see what they are like today. Where better to start than with the community bands? Unfortunately, the Columbus Concert Band and the Newmarket Citizens Band were the only two entries this year; still, that was better than last year when there were no community band entries. On the other hand, there were 150 school bands entered in that class. The Wind Symphony of Cardinal Carter Academy took top honours with a Platinum award of 96 percent. I dropped in on the performance of the Newmarket Citizens Band and had an opportunity to chat with the festival artistic director Giles Bryant and adjudicators Dennis Beck and Michel Fortin. After the band’s performance the adjudicators provided many constructive comments and each conducted sections of the music to suggest possible options for improvement. It was a very worthwhile evening, even for a spectator.

And speaking of concert bands, the Markham Concert Band will present their Symphonic Pops Favourites Sunday, March 5, at 2pm at the Flato Markham Theatre with a potpourri of familiar tunes. A special treat: the band will be joined by pianist Ellen Meyer in a performance of Mozart’s Piano Concerto No.21 with the full band accompanying.

Gilbert and Sullivan again: This has nothing to do with bands or band music, but once in a while I choose to digress a bit. For me, attending the annual Gilbert and Sullivan production by Saint Anne’s Music and Drama Society has been a longtime tradition. G&S has been in my blood since I was born. My parents met in a G&S production where my mother was “poor Little Buttercup.” For many years I played in the pit orchestra at Saint Anne’s. When I started, Roy Schatz was one of the leading figures in the production. His daughter Laura Schatz was a little toddler who had chances to walk across the stage. Some years later, as Laura grew up, she had singing parts. Fast forward to this year’s production of The Grand Duke. Roy was the Prince of Monte Carlo and Laura was the artistic director and the Baroness Von Krakenfeldt. To complete the cast Laura Schatz’s two teenaged children also sang in the production. What a family tradition with three generations on stage!

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

The year 2017 is upon us, and with it comes all of the hype that reminds us that this is Canada’s Sesquicentennial Year. Many say that it is Canada’s 150th birthday, while others remind us that there were only four provinces as signatories to the Constitution Act which announced Canadian Confederation in Charlottetown in 1867. The other six provinces plus the territories joined over the ensuing years. In any case, whether you are a supporter of the idea or not, most communities are planning on ceremonies. Many of these are to include parades with bands, not as easy as for the Centennial, fifty years ago. While there are many community bands across the country, few of them are marching bands. Similarly, most of the town bandstands or “kiosques de musique,” which were popular in the 19th century, have disappeared.

Speaking of the Centennial, while contemplating what I might usefully say here for community bands planning their works for this year, I thought of my own experiences 50 years ago during 1967, Canada’s Centennial Year. Truth be told, I was too busy that summer to learn or think much of what other musical groups might be doing. I just happened to be the officer in charge of a naval entertainment troupe consisting of a full band, a choir, a group of sailors in traditional garb dancing The Sailor’s Hornpipe and sundry other displays. During the months of July and August our troupe performed on 31 different occasions in Ontario, Quebec and upstate New York. I don’t anticipate anything on that scale for this year, but it seems that many groups are planning on some form of special recognition in their musical offerings.

2205 BandstandMaking My List: What form might that recognition take? I have heard of a few very tentative community plans for parades for July 1. As for concert programs, there seem to be at least four main themes emerging so far. One is to focus on works by contemporary Canadian composers, while another is to program works of any era by Canadian composers. A third concept is for works by any composers which, in some way or other, relate to Canada. The fourth idea is to feature the kind of music which might have been played by Canadian town bands of the 19th century, irrespective of the origins of the music. Personally, I don’t have a strong preference, but when thinking of what I might program, I came up with a few ideas.

Topping my list would be at least three works, by Canadians, written as part of the Centennial Project 50 years ago. These would be:

Newfoundland Rhapsody by Howard Cable. This is one composer who certainly needs no introduction here. It would be foolish to list all of Cable’s compositions which might qualify.

Suite on Canadian Folksongs by Morley Calvert, which includes She’s Like the Swallow. Among other musical accomplishments, Calvert founded McGill University’s Concert Band which he conducted for ten years. Calvert’s Thameside March could also be a candidate if one were able locate the music.

Century of Progress by Ron McAnespie. This latter work won the prize as the best march in the Centennial Project. After six years as a musician in the Canadian Navy, McAnespie obtained a Bachelor of Music degree from the Berklee College of Music. Although lesser known than the others, he was very active in the Toronto musical scene for many years.

Other “musts” on my list of Canadian composers would be Calixa Lavallée, Charles O’Neill and André Jutras. Lavallée, composer of O Canada, is an obvious choice. There is a fine concert-band arrangement of his La rose nuptial (Bridal Rose) which is readily available. Jutras’ They Came Sailing is one which frequently appears in concerts by bands in this part of the world. O’Neill was the first director of Quebec’s Band of the Royal 22nd Regiment and held many other significant musical positions over the years. His Tout à Vous is a fine concert number, but he also wrote some worthy marches.

Other marches worth considering would be Vimy Ridge by Thomas Bidgood and Men of Dieppe by Stephen Michell. While Bidgood, the composer, was not a Canadian, this number celebrates a most notable Canadian victory 100 years ago. Michell, a former trombone player with the Royal Regiment of Canada, was taken prisoner at Puys during the Dieppe Raid. To add a bit of lighter air to a program, one might include Scott Joplin’s Maple Leaf Rag. There is no evidence of the origins of the title, but since the maple leaf is a significant Canadian symbol, this precursor of ragtime music could be used to light up any program.

Kudos to the Scarborough Phil: While one would not normally think of the Scarborough Philharmonic Orchestra as being part of the Bandstand community, their latest venture certainly merits accolades. On February 4, in celebration of Canada’s 150th birthday the SPO will launch A Canadian Panorama, its first commercial CD. The launch concert will feature music from the CD, a group of Canadian compositions that the SPO commissioned two years ago for a wind ensemble of 13 players. This group features two flutes (including a piccolo), two oboes (including an English horn), two clarinets (including a bass clarinet), two bassoons, two horns, one trumpet, one percussion player and a string bass. All told, seven of the pieces in this concert come from Canadian composers. While there will be some Mozart and Beethoven on the program, the emphasis will be on the Canadian works. These will include: Howard Cable’s McIntyre Ranch Country, based on Canadian cowboy folk songs from central Canada; Alex Eddington’s Saturday Night at Fort Chambly, based on French Canadian folksongs; Chris Meyer’s Fundy, a tone poem, inspired by the Bay of Fundy; and East Coast Celtic music and Jim McGrath’s Serenade for Solo Clarinet and Wind Ensemble. This CD launch concert will be at the Salvation Army Scarborough Citadel, 2021 Lawrence Ave. E.

Plumbing Factory: While their next concert isn’t until April 19, Henry Meredith’s Plumbing Factory Brass Band, (PFBB), as usual, has a fascinating program in the works. In honour of Canada’s Sesquicentennial the program will consist entirely of 19th-century brass band music. While the program will include some traditional works such as Rossini’s Overture to La gazza ladra and Franz von Suppé’s Overture to the Beautiful Galatea, there will be a lot of light-hearted numbers rarely heard nowadays. These will include such gems as The Burlington PolkaThe Helicon Schottische, the Stolen Kisses Galop and the Ontario Quick March. The program will also include Calixa Lavallée’s Tempo di Marcia from his comic opera The Indian Question.

In past columns I have mentioned Henry Meredith’s vast collection of brass instruments and his hope of establishing a museum where this collection could be properly displayed. Some months ago I decided to make a contribution to this collection. As a start, during the last concert of the PFBB, I donated two trombones and a French horn. Of the two trombones, one was the very first instrument which I owned. This Selmer Manhattan was a model that Henry had never heard of before. The other trombone was a silver model Whaley Royce, Toronto circa 1900. See photo.

Community Band FestivalOnce again, it’s time for the York University Community Band Festival, but there will be significant changes from the format of previous years. There will be no workshops or keynote speaker as in the past. The conductors of each of the participating bands will rehearse one piece of music with the Massed Band. The concert will include performances by each band and then the Massed Band pieces will conclude the festival. It should be a challenging but enjoyable day of performing for all participants. That’s on Sunday, February 26, with the Massed Band rehearsal from 10am to 12pm and the concert from 1:30pm to 3:30pm.

New HorizonsAs sure as spring will follow winter, with the new year come more members to the New Horizons bands. As a precursor to the new season, the Toronto NH bands held their first Holiday Potluck Dinner Party on Friday, January 13. As guests, we enjoyed a great evening of food, music and lots of humour. Membership in the Toronto New Horizons bands is now up to 260, with eight bands rehearsing over the course of a week. There isn’t space here to go into detail of their activities, but a visit to their website will provide lots of information. Go to newhorizonsbandtoronto.ca. They do have a band festival coming up on Saturday, January 28 at St. Simon-The-Apostle Anglican Church, Sherbourne and Bloor. The festival starts at about 1:30pm, with the Guelph new horizons band attending as a guest performance group.

In the Toronto area there is a new NH band forming in Richmond Hill at Cosmo Music. For information contact Doug Robertson, Director, New Horizons Band of York Region at 
nhbyrdicrector@gmail.com. We have just learned that the North York New Horizons Band is being re-established at Long & McQuade on Steeles Ave. just east of Keele St. Classes will begin on Monday, February 5, starting at 6:30 For more information, people can call Dan Kapp at 647–201–8780, or they can contact the Long & McQuade North York store and ask for someone in the band department.

Other band activitiesNews from the York Brass Band is encouraging. They are now sufficiently well established that they have a new logo and are planning on producing banners for their music stands. Anyone interested in playing in an all-brass band should drop in at a rehearsal. They rehearse on Wednesdays at 7:30pm at Chartwell Park Place Retirement Residence, 15055 Yonge St., Aurora.

QUICK PICKS

Feb 2: On the first Thursday of each month the Encore Symphonic Concert Band presents their monthly concert at Wilmar Heights Centre, 963 Pharmacy Ave., Scarborough.

Feb 2: At 7:30pm, to celebrate ten years of making music, the Milton Concert Band are inviting people to “Sit In & Play or Sit Down & Listen.” Woodwind, brass and percussion players are invited to sit in with the band and play along. Spectators are also welcome. That’s at Milton Baptist Church, 900 Nipissing Rd., Milton.

Feb 14: At 7:30pm, Silverthorn Symphonic Winds will present one of their 59-Minute Soirees. “A Valentines Soiree” will be at Wilmar Heights Centre, 963 Pharmacy Ave., Scarborough.

Feb18: At 8pm, the Milton Concert Band presents “Music Through the Decades” in MinMaxx Hall at at the Milton Centre for the Arts located at 1010 Main Street E., Milton.

Feb 25: At 7:30pm, Silverthorn Symphonic Winds will present “Musician’s Choice” with selections from Dukas’ The Sorcerer’s Apprentice, Belgian composer Bert Appermont’s Saga Candida: 7 Impressions of a Witch Hunt; Wagner’s Overture to Rienzi, selections from Holst’s The Planets and other works. At Wilmar Heights Centre, 963 Pharmacy Ave., Scarborough.

Feb 26: At 3pm, the Stratford Concert Band will present “Remembering a Friend” with Edward Payne as guest commentator. Avondale United Church, 194 Avondale Ave., Stratford.

Mar 1: at 7pm, the Stratford Concert Band will present Bandarama 2017. Bands from area high schools will perform as guests. Northwestern Secondary School, 428 Forman Ave., Stratford.

Mar 5: At 3pm, Wellington Winds will present “In the European Tradition.” Works include Guilmant’s Morceau Symphonique for Trombone, First Movement of Mahler’s Symphony No. 3 as well as works by Mendelssohn, Tull and Arnold. Rachel Thomas, trombone; Daniel Warren, conductor. Knox Presbyterian Church 50 Erb St. W., Waterloo.

Mar 5: At 7:30pm, the Wychwood Clarinet Choir; Michele Jacot, director will present their Spring Concert at a new location for this event, Knox United Church, Agincourt 2569 Midland Ave., Scarborough.

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

With Canada’s sesquicentennial year only one month away, municipalities and organizations all over the country are searching their archives for records of significant events over the past 150 years which could stimulate community interest in this year of reflection and celebration. Unfortunately, in the band world, there are few bands whose history goes back even half that 150-year time span. One band which does have some good material in their archives is the Newmarket Citizens’ Band. In a recent exploration of the band’s archives, they found a photograph of the band taken in the year 1883. With the sesquicentennial year approaching, what better time to show off this picture, to show the citizens of the community that their band has been there to provide music for town events for all but five years of Confederation.

2204 Bandstand 1At an evening meeting of council, several members of the band, wearing their red blazers, arrived for the presentation. In the announcement of their deputation to council, the band pointed out that “Since 1872, the Newmarket Citizens’ Band has been an integral part of the cultural and social landscape of the town of Newmarket.” To commemorate the opening of the newly restored Old Town Hall they presented a large framed photograph of the town band taken in August 1883 just a few weeks after the original opening of the Old Town Hall on July 1, 1883.

The photo of the band was taken during the Firemen’s Excursion to Niagara Falls on the Civic Holiday, August 8, 1883. An article about the event, including this photo, was published in the Newmarket Era of the day. Approximately 250 residents travelled by train and then steamship to Niagara Falls and the band went along to provide entertainment. It is a prime example of the band’s long involvement in the social and cultural life of the town. The write-up of the trip mentioned that the band, reinforced by two gentlemen from Sharon and Bolton, “enlivened the trip by music on the fore deck; good music is never so pleasing as on the water.”

A formal public unveiling of the photo was scheduled to take place at the band’s “Simple Gifts” Concert at the Old Town Hall on Botsford Street, Friday, December 2, 2016. (On a personal note, some 35 years ago, I played there for a few years in monthly concerts of The Newmarket Jazz Appreciation Society, and our small Dixieland group was known as “The Botsford Street Ramblers.”)

Since it is rare to find this much information about a band’s activities almost 150 years ago, it is worth including here some of the historical information about the band recently presented to the Newmarket mayor and council. “The band formed in 1872 with roots going back to as early as 1843. Walter W. Roe, son of the town’s postmaster and fur trader, William Roe, circulated a petition among the local business community to raise funds. The 12 band members contributed $5 each and along with 69 other contributors raised the sum $319 to purchase instruments.”

To quote the petition: “Whereas we, the undersigned, think it a disgrace to the inhabitants of Newmarket that they should have, on all festive occasions, to send to the small villages of Aurora and Sharon for a band, we have determined, with the consent and assistance of our fellow-townsmen, to form one of our own.”

The timing of the recent presentation could not have been better from a number of perspectives. For one, the band delegation met with the mayor and council within a few days of the reopening of the beautifully restored Old Town Hall, which is now destined to be a prime performance venue. For another, it has only been a few weeks since the band was informed that they would now have an excellent permanent rehearsal home complete with storage in a large town recreation centre. Wandering from place to place for rehearsals has been the norm since their former rehearsal space was destroyed by arsonists many years ago. Last but not least, it just also happened a few days after the band paraded, as it has for years, in the town’s annual Santa Claus parade.

"... Under the big elm in 1883." (Artist: Lynda Baird) Photo Credit: Jack MacQuarrieJust outside of the council chambers, in the lobby of the town hall, there is a large imposing mural depicting “The Newmarket Citizens’ Band gathered under the big elm in 1883.”

New Horizons. By now it should not be a surprise, but I just received a note about yet another New Horizons group that we had not previously heard from. Lynda Shewchuk, music director of Lakeshore New Horizons Bands in Bowmanville, tells us that the band is now in its sixth year. She says that the thriving group is “not very large” with only 60 members! They have a senior band, intermediate band and a beginners class. They also have a small jazz band. She states that “our members are very active and enthusiastic, with many playing in two or even three bands. Quite a few of our members play two different instruments, one in each concert band.”

Recent Events: In early November the Milton Concert Band lost one of its long time members, Rev. Christopher Snow. On November 6 “A Memorial Concert for Chris Snow” was presented to proclaim “A life celebrated through music.”

On November 20 the Wychwood Clarinet Choir concert continued to amaze with their unique arrangements of works for orchestra and concert band. This time it was the Holst Second Suite in F for concert band. In the early 1920s the leaders of Britain’s Royal Military School of Music at Kneller Hall lamented the lack of larger serious works for concert band. Until then, if bands wanted to play longer multi-movement works they had to rely on transcriptions of orchestral works. They commissioned Gustav Holst to write two suites for concert band. Since then these suites have been part of the concert band repertoire. This transcription maintained all of the highlights and nuances contained in the original. Local composer Fen Watkin also contributed a fine version of Villanesca, Spanish Dance No.4 by Granados. In a conversation after the concert, Watkin mentioned that, for sesquicentennial year 2017, he might like to write some arrangements of Canadian works. I did not mention it then, but I would like to suggest Calixa Lavallée’s La rose nuptiale.

Initiatives. Every once in a while, we hear of initiatives taken by bands to either help with their finances or otherwise enhance their relationship with their communities. In November, the Aurora Band held its annual holiday market where shoppers could find one-of-a-kind gifts from 38 unique local vendors. For their Canada 150 festivities, the band has commissioned a composition from professor Bill Thomas of York University. The band will give the premiere performance of this number at its concert on Canada Day, 2017.

On the fundraising front, the Strings Attached Orchestra has become a registered charity to provide some financial incentive for donors so that they may continue to bring music into the community.

Coming Events

Dec 5: Resa’s Pieces will present “A Tribute to the Beatles and Beach Boys,” 7:30pm at York Mills Collegiate.

Dec 6: Silverthorn Symphonic Winds present the next concert in their series, 59 Minute Soiree. These mini-concerts feature a variety of lighter music, perfect for unwinding after a day at work. At 7:30, Wilmar Heights Event Centre – Concert Hall.

Dec 9: The Aurora Community Band will present holiday entertainment like no other – its “Heroes and Monsters: A Holiday Concert” –  at 7:30, Trinity Anglican Church, 79 Victoria St., Aurora.

Dec 10: For their annual holiday concert, “The Bells of Christmas,” the Milton Concert Band will not only include the traditional musical favourites but will feature, as guests, Eden Bells A-Peel, a long-established handbell choir from Eden United Church in Mississauga. In Victorian times, it was very fashionable to go carol singing with small handbells to play the tune of the carol. Sometimes there would be no singing, just the music of the handbells. Handbell ringing is still popular today and if you have never heard a handbell choir, then this is a concert well worth a visit: 8pm Milton Centre for the Arts, 1010 Main St. East, Milton.

Dec 11: The Clarington Concert Band presents their “Most Wonderful Time Of The Year” featuring singers Father Paul, Kelly Robertson and Lisa Heitzner, 2pm at St. Joseph’s Catholic Church, 127 Liberty St. South, Bowmanville.

Dec 11: The Strings Attached Orchestra presents their third annual “Friends and Family Holiday Concert,” 2pm at Congregation Ban’s Torah, 465 Patrician Ave., Toronto.

Jack MacQuarrie plays several brass instruments and has performed in many community ensembles. He can be contacted at bandstand@thewholenote.com.

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