I’m always curious to see what the Royal Conservatory of Music’s 21C Festival will be offering each season; this year being unlike every other performance season, I was even more curious as to what we could expect from this annual offering of new sounds and the latest in contemporary music creation. I was pleased to see that the festival will be moving ahead despite the complexities of producing concerts for limited and virtual audiences. Running from January 15 to 29, this year’s offerings will be a scaled-down version of previous years, but still filled with premieres and outstanding performers, both local and from further afield.
We will hear concerts by two Toronto-based pianists: Eve Egoyan will perform pieces written for her imagined piano that combines original piano sounds with an extended software-based piano; and Royal Conservatory alumna Morgan-Paige Melbourne will perform two of her own compositions along with pieces by several other composers, including one by Brian Current, the director of The Glenn Gould School New Music Ensemble. The GGS New Music Ensemble will also have a concert of their own with several works combined with projected images. The well-loved Kronos Quartet will make a return visit with three different events to choose from. Their multimedia performance piece, A Thousand Thoughts, blends live music by Kronos, narration, as well as archival footage and filmed interviews. Kronos’ Fifty for the Future initiative, designed to create a repertoire of contemporary works for young string quartets they introduced to 21C audiences in 2016, will be the focus of a concert featuring four quartets from the Glenn Gould School after a two-day mentorship with Kronos.