Weaving disparate threads together to create something new is a fundamental approach for any creative artist, and in the world of contemporary music, the spectrum of elements interwoven into new works continues to progressively expand. Numerous concerts scheduled for October and November exemplify this trend, with some of these concerts drawing inspiration from the past to achieve this evolution.
It was participating in the Toronto Improvisor’s Orchestra that offered a lifeline for electroacoustic music improviser, teacher, researcher and producer Michael Palumbo. During 2019, Palumbo was experiencing multiple crises in his life which eventually led him into performing improvised music on his modular synthesizer. “It was a form of music making where empathy is very important,” he told me during our phone interview. “I could go and play my heart out. It saved my life that year.”
Summer and Music Festivals make great partners. Now that concert life appears to be fully alive after the past few years of the enforced doldrums, the summer festivals are alive with several offerings of new music and Canadian compositions. I’ve picked out some of the upcoming highlights, both local and further afield.
April 2023 will be a busy month for Esprit Orchestra, Canada’s only full-sized, professional orchestra devoted to performing and promoting new orchestral music. First up will be two programs in this year’s edition of the New Wave Festival, on April 12 and 16, followed by their Season Finale concert on April 23, all designed to celebrate Esprit’s 40 years of music making.
On a cold snowy night last November 19, I was happy to be in the warmth of the Music Gallery at 918 Bathurst Street, listening to the bright pulsating music of an inspiring collaboration between Toronto’s Evergreen Club Contemporary Gamelan and the Spindle Ensemble from Bristol, UK (a collaboration that arose from a chance meeting in Bali between Evergreen member Christopher Hull and Spindle member Harriet Riley, we had been informed). I was curious.
