Short Stories - American music for saxophone quartet
Ancia Saxophone Quartet
Borrowing from popular music has almost defined American “classical” music since the time of Ives, and the Ancia Saxophone Quartet has compiled a disc of commissions and favourites that capture Twentieth Century America.
The Chorale from Ives’ String Quartet No. 1 opens this disc, which also includes the third movement of his Fourth Symphony. Ives would have embraced the organ-like sound of the saxophone quartet for his collage of hymns.
The influence of Elliott Carter can be seen in Fred Sturm’s Picasso Cubed (a reworking of a Coleman Hawkins improvisation, perhaps as seen through a kaleidoscope), and in David Bixler’s Heptagon (seven short jazzy Webernesque movements). Accordionist Dee Langley joins for Elusive Dreams, where composer Carleton Macy demonstrates how well the instrument blends with saxophones.
The minimalist movement is represented by Michael Torke’s July. Written one hundred years after the Ives, Torke also likes to borrow from popular music: “Whenever I am drawn to a particular… pop song, I scratch my head and think, ‘I like that, how could I use it?’”
Jennifer Higdon – who is popular now in the orchestral world – wrote the title track, Short Stories, for the Ancia Quartet. Each picturesque movement invokes a film while listening. Higdon knows each instrument, and writes very well for saxophone quartet.
The American Classics Series on NAXOS continues to record a wide range of music and artists, and Ancia’s disc is an enjoyable listen.