March’s Child Alain Trudel

Alain Trudel began his musical life as a trombonist. He played his solo debut at   the age of 18 with l’Orchestre Symphonique de Montréal, but it would be hard to say which aspect of his work today he is best known for. Composing, educating, recording and conducting are all aspects of the life of this immensely well-liked musical man with a ready grin, infectious enthusiasms, and apparently endless energy, unquenchable even in the face of a rare and often lethal cancer, from which he recovered in 2006.

On the late February day this interview was completed, Alain Trudel was conducting his debut performance with the St. Petersburg Cappella Symphony Orchestra, but still found time, good-humouredly, to email these final details:

“Alain currently lives in Chambly, Québec, with his partner Christine, a nurse (and no, they did not meet at the hospital!). Between the two of them they have five teenagers: Alexis (14), Roxanne (14), Olivier (17), Elisabeth (19) and Alexandre (19). This lively house is also the home of Oreo, a tuxedo cat, and Kovi, their faithful Golden retriever.”

Between that day at the end of February and the first week of May he will have been the guest conductor of the Hamilton Philharmonic (March 5), and connected with almost all of his main ensembles: he’s music director of l’Orchestre symphonique de Laval (March 6, April 26), principal guest conductor of the Victoria Symphony Orchestra (March 26, May 6), conductor of the Toronto Youth Symphony Orchestra (April 10-16), and principal guest conductor of the Hannaford Street Silver Band (April 17). He’s also music director of the National Broadcast Orchestra.

The recipient of several international and Canadian awards, and the first Canadian to be a Yamaha international artist, Trudel has conducted and been a guest soloist with renowned orchestras on five continents. Among his colleagues he is known as an eager collaborator: “Bellows and Brass” with Guy Few and Joseph Petric, and “Kiosque,” which recreates the band music of small Quebec towns at the turn of the previous century, are two examples of the imaginative music making he embraces.

The lucky young people under his baton in the TYSO are only a few of those whose music futures he will shape. For more than two decades his summers have included time at camps such as Interprovincial Music Camp in Ontario and Camp Laurentide, in Quebec.

Do you remember that childhood photo being taken? My confirmation! One of the rites of the Catholic religion. I was 6 or 7, and was really excited about that suit… especially the shoes! I lived almost across the street from the church and used to play very often on the church grounds as a child. Later when I started playing in the community brass band (les Ritmiks de Montréal) we spent a lot of smoky nights playing music at the church bingo games to raise money for the different activities of our band.

Suppose a child of about the same age today asked “What do you do?” How might you reply? I am living my dream! If an adult asked you the same question? I am living my dream. With all the beautiful moments and the moments of sacrifice that it involves!

Where did you grow up and go to school? I was born in Montréal – what is now known as “le plateau”… before it was posh! My last two years of high school were the turning point in my life and musical career. I went to Joseph-François-Perrault High School where I met my two mentors, Raymond Grignet and Gerald Macley. They started a special intensive music program, with about 50 students in those days (now thriving with more than 700!). We had an orchestra and Monsieur Grignet use to let me conduct it, a little bit at a time but on a regular basis… and we all know how valuable early podium time is for a conductor! After high school I studied at the Conservatoire de Musique de Montréal. Great school, Old European training with huge emphasis on solfège, musical dictation, history of art… the good stuff!

What is your absolute earliest memory of music? My mother singing jazz. She was a cabaret singer. She had a wonderful voice. Other musicians in your family? My father was an excellent jazz drummer, back in the days when there were jazz clubs in Montréal! I started being interested in music around 12, so it was always around.

Your first instrument? Guitar (for a very short time)! It was the big Harmonium craze in Québec – a really great group, try listening to their album “si on avait besoin d’une 5ieme saison,” – incredible musicians. Then trumpet and then valve trombone.

Your first experiences of making music with others? Right from the beginning! I joined “les Ritmiks,” a community brass band, with a few of my friends and we started that very night.

Do you remember when you first performed alone for an audience? That would have to be when I used to practise outside in the summer, in a quiet corner of the botanical garden in Montréal!

Was there some point when you began to think of yourself as a musician? No! It really has been a process, and I think it’s just fine that way.

Ever think you would do anything else? Before starting with the band, I wanted to be a veterinarian, a psychologist, an airplane pilot, and not to forget the all too famous astronaut! After entering the band I never looked back.

If you could travel back through time to the little guy in your childhood photo, is there anything you would like to say to him? I would tell him not to worry; life will be very interesting for you… But lose the shoes!

Who is April’s Child?

Will someone offer the young lady a chair?

Not yet, but she has one today that she’s occupied since 1989 which will, by the end of this season, have taken her literally to hell and back again, visiting (among other places) Egypt, Venice, China and Naxos along the way.

Evidently not one to take life sitting down, today she plays musical chairs with numerous diverse chamber groups as well. Among her many collaborations, an ensmble whose name sounds like a kind of floating hotel for wild animals: how fitting for someone who must often commute to a city famous for its zoo – San Diego!

Think you know who our mystery child is? Send your best guess to musicschildren@thewholenote.com. Please provide your mailing address just in case your name is drawn! Winners will be selected by random draw among correct replies received by March 20, 2011.

CONGRATULATIONS TO OUR WINNERS! HERE’S WHAT THEY WON –

• Annie Odom: a pair of tickets to the Toronto Youth Symphony Orchestra’s spring concert (April 13, George Weston Recital Hall) featuring Gershwin’s An American in Paris, Copland’s Old American Songs, Dvorˇák’s Symphony No. 9 (From the New World), and the world premiere of Dreams of Voyage, by Canadian composer Tristan Capacchione.

• Phoebe Cleverley: a pair of tickets to the Hannaford Street Silver Band’s Low Blows (April 17, Jane Mallet Theatre) featuring American tuba virtuoso Patrick Sheridan and the premiere of his new work, The Straights of Hormuz for tuba and brass band. The HSSB will perform Graham’s Standing on the Shoulders of Giants. Also featured: HSSB’s annual young soloist contest winner. Alain Trudel will direct all and play his trombone, closing the show with a blues duet.

• Doogie Simcoe: a CD/DVD set by the National Youth Orchestra of Canada, conducted by Alain Trudel, featuring selections from their 2009 national tour. This 2009 Juno nominated recording features Mahler’s Symphony No.6 and Stravinsky’s The Rite of Spring, and includes a DVD of their webcast concert.

• June Keys: a remarkable duo recording Conversations with Alain Trudel, trombone, and Yannick Nézet-Séguin, piano. Music by Elgar, Saint-Saëns, Ravel, Bruch, Tchaikovsky, Blazewitch, Kreisler, Glière, Jongen, Brahms, Fauré, Fièvet. (ATMA: ACD2228).

Did you know there’s a sculpture and plaque for Mary Pickford in front of Hospital for Sick Children? “America’s Sweetheart,” a founder and vice-president of United Artists, and icon from the early days of moving pictures, was born Gladys Mary Smith in a home on University Avenue near Gerrard. Her father died when she was quite young and left the family near-destitute. Mary’s mother took in sewing and was working on costumes when Mary was “discovered” and made her acting debut at the age of five in Toronto stock theatre.

Here are photos of “February’s Children” in WholeNote from the past 6 years.

The first two readers to correctly identify three of these six sweethearts will each win a pair of tickets to SWEETHEART: The Mary Pickford Story, a musical by Dan Burry, presented at Spadina Museum (February 10 - 27).

WHO IS FEBRUARY’S CHILD?

Already smiling on the podium!

Never choirboy material, but destined to develop a fine ear for The Voice of God.

His gospel, as a mentor, and the secret to having rhythmic chops?

“Subdivision is your friend!”

Look for him in this issue’s Concerts in the GTA, in the hall of a Gimquat, and in Concerts Beyond the GTA sharing nicely with another one of Music’s Children.

Your challenge?

Tell us not only who the little guy is

but also who he’ll be “playing with” in February!

Send your best guess to musicschildren@thewholenote.com. Please provide your mailing address just in case your name is drawn!

Winners will be selected by random draw among correct replies received by February 20, 2011.

November's Child Michael Schade: King for the Day!

Canadian-German lyric tenor, Michael Schade, was born in Petit-Lancy, Geneva, Switzerland, in the month of January and spent his early childhood in Switzerland and Germany. Schade's engineer father's work with Inco's European office brought the family to Canada in 1977. Schade attended St. Michael's Choir School and later earned an Honours Degree in Performance with a minor in Pre-Medical Sciences at the University of Western Ontario. He went on to earn a Masters in Opera from the Curtis Institute in Philadelphia.

Today he is equally at home in Europe’s and North America’s foremost opera houses. His passion for singing embraces an extensive schedule of solo and collaborative concerts and recitals, and he is a prolific recording artist. Michael Schade’s discography covers a wide range of opera, oratorios and passions, lieder and recital repertoire.

In March 2007, Schade and Adrianne Pieczonka were the first Canadians awarded the Austrian title of Kammersänger: Austria's highest honour for singers. Summer 2008 featured Michael Schade’s 15th consecutive year at the Salzburg Festival, where he took on the new role of Co-Director of the new Salzburg Young Artists Project alongside Barbara Bonney

Previously married to Calgary-born mezzo-soprano Norine Burgess, Michael Schade makes his home in Oakville, Ontario and in Vienna with his four children, four step-children and partner Deanne McKee.

Do you remember last month's childhood photos being taken?

Yes indeed: Christmas! And mountain hikes in the summer!  Both were always a big deal for us.

Christmas is very special in my parents home. -  a celebration of family and our religion. My father reads from the Bible and my mother plays the guitar and sings with the children and to the children (now grandchildren) in the evening and the house is lit with candles and then we all go to Mass. It is a magical time to be a child and my parents taught me to celebrate that.  So far my son Niki has escaped the green tights and crown; maybe this year!

As far as the outdoors are concerned,  my family spent a lot of time in the beautiful Swiss outdoors and it was always important to my parents that we made these outings during weekends and holidays. My mother packed the best picnics a child could want.

Suppose you met a little child today who asked "What  do you do?"?

I would explain that I am a singing court jester!  That my life is a dream, that my work makes me happy. I would tell the child to dream and to work hard at making those dreams happen for themselves; to never settle for just vanilla or convention for convention's sake or success’ sake.  Dare to be different and dare to do something that makes you happy, whenever possible..

What's your absolute earliest  musical memory?

I remember my Mom, Grandmother and Tante Sixta singing songs for every special family occasion......and for everyday mundane occurrences…like those obvious German Lied moments such as: waking up, brushing your teeth, going to bed, the sun coming up, cloudy days, rainy days, the first snow fall, the second snowfall, a bee coming to a picnic, a river, a mountain, the moon, your first day of school, hurting your knee on your bicycle, a sunflower....etc. etc, you get the idea-they just know thousands of songs by heart.

Other musicians in your family?

I certainly hope so; Everyone sings. I was always surrounded by music, thank God! My brother was at the choir school with me, my sister played cello and met her husband singing in the Mendelssohn Youth Choir. My parents were longtime members of the Mendelssohn Choir. My oldest daughter, Sophie, plays violin in the Halton Youth Orchestra and my twins just started violin and cello. I sang with the twins for the first time in public this summer, it was very special, and they liked the applause. My youngest, Eva, insists that she will sing Pamina when she grows up, and Daddy can be her Tamino.  She will start in the church choir as soon as she can read more than three letter words; which she insists is now and has talked her way into the Christmas pageant this year at 4, which is reserved for starting at 6!

What is your first memory of  yourself singing?

Singing for Monsignor Armstrong to get into the choir school…I sang a German church song Grosser Gott wir loben Dich--- very mini Beyreuth, but this is my first real memory.

A first instrument?

I was pretty good at the flute, good enough to teach it at St. Mildred's in Oakville, I suck at piano!  I really regret that I didn't practice and keep it up.

First experiences of making music with other people?

Singing madrigals with my parents for dad’s cool business parties…we were pretty good!

Do you remember when you first sang alone for an audience?

Yes, I sang Nanki Poo and forgot  the words.  Then trying to make up a verse during "the flowers that bloom in the spring trala”  and surviving my own verse writing on the fly. Seems like things haven’t changed that much: I have been known to edit the words of Goethe during recitals, an unbelievably nerve racking venture.

Any one person who particularly inspired your childhood engagement with music?

My parents. Full stop!

And later, in your student years?

Roma Butler Riddell, my first teacher and a saint.  Also, Marlena Malas and Helmuth Rilling…two of my heroes!

The point at which you began to think of yourself as a musician?

Never until I was 22. Why? Because at the choir school we learned music by osmosis. It is just what we did, much like at a sports school all children just "do" sports. It never dawned on me to make a living from it. I thought biology was to be my destiny. And yet, during my first Biology 101 class at the University of Western Ontario, where 300 people literally sat and watched a tape recorder “lecture” us, I rethought what a "calling " meant. Somehow music was talking to me much louder than that particular way of learning - so many others in such an un-personable space . In music "my" answer counts much more than having the right solution - in other words expression from experience counts! To understand why one likes to perform was a liberating and important experience.

Ever think you would do something else?

Yes, become a Veterinarian or a diplomat

If you could travel back thought time and meet face to face with the child in the is there anything you would like to say, or ask?

Do your parents know that you are wearing a crown and green tights??

Do you know that you will wear these items many times more, in many different colours, as a grown man, and get paid for it!

Do you know that you will love your work and have as much joy each time you perform as you feel right now having been made king for the day!

Upcoming:

I will be doing lots with the COC and I will be back with the Toronto Symphony Orchestra in the future.  I also love going to the Montreal Symphony Orchestra - will make a DVD of Messiah with them at Notre Dame Cathedral on Dec 11 & 13  in Montreal under Kent Nagano.

Newly released or upcoming CD or DVD projects?

DGG Elijah with Thomas Quasthoff and Julia Kleiter under Harding; Liebesliederwalzer for DGG; DUO Recital with Thomas Quasthoff for  DGG; Meistersinger (David) with Thielemann on DVD; Thais DVD with Rene Fleming; DGG Mozart Gala  DVD with la Netrepko and others…

CONGRATULATIONS TO OUR NOVEMBER WINNERS! HERE’S WHAT THEY WON –

• Oh the Magic! Margaret Oldfield & Elizabeth Erskine each win a magnificent pair of tickets to hear Michael Schade sing the role of Tamino in The Canadian Opera Company’s new production of Mozart’s playful and sublimely melodic The Magic Flute (Jan 29 - Feb 25). Please see our listings for full details, or visit www.coc.ca 
• Michael Schade’s Alma Mater! Lorrie MacKinnon, Adrienne Pollak & George Fung are guests of St. Michael’s Choir School with a pair of VIP tickets (reception and premium seating) for the Friday Dec 10 Massey Hall concert Christmas Fantasy (7:30pm). Mary Dee, Claudia Krawchuk & Charles Ritchie: a pair of tickets each for the concert on Saturday Dec 11 (2pm). See our listings for full concert details. Mr. Schade (not performing at this concert) says “That school is the best thing since sliced bread!” 
• Linda Skeries wins Mozart: Arie & Duetti with Russell Braun, Isabel Bayrakdarian & Michael Schade; Canadian Opera Company Orchestra, Richard Bradshaw, conductor. CBC Records’ own delightful celebration of Mozart’s 250th birthday. (SMCD 5239) 
• Jean Parkes wins the Medici Arts DVD Wagner: Die Meistersinger von Nürnberg with Falk Struckmann (Hans Sachs), Ain Anger (Veit Pogner), Adrian Eröd (Sixtus Beckmesser), Johan Botha (Walther von Stolzing), Michael Schade (David) & Ricarda Merbeth (Eva); Orchestra & Chorus of the Vienna State Opera, conducted by Christian Thielemann. (Medici Arts: 2072488) 
• Rudi Peka, Otto Rath, & Catherine You: In Midnight’s Stillness – St. Michael’s Choir School’s 10th recording: traditional carols, sacred melodies and contemporary seasonal music with their guests The True North Brass.

Spare a Thought…for ALL Music’s Children

Where, you ask, is December’s Child? No new contest this month. We’ll be making an exciting list of new Mystery Children for 2011. Are you a hoarding treasured old photo? Share your great idea for someone who should appear in this column! musicschildren@thewholenote.com. Gifts of Music Most of Music’s Children remember singing, playing and sharing music informally “en famille” and with friends. So why not celebrate the old/new with an all ages Bring Your Own Bouzouki music party! Also, this is a particularly good time of year to give a gift of live music. Please take some lucky young person to at least one performance in the next few weeks. Concert gifting benefits everyone, including your favourite ensemble. Can’t bring a favourite youngster to a Sing-Along Messiah? Invite them to share a fine radio or television broadcast or a favourite recording. (Hallelujah! Tafelmusik Baroque Orchestra and Chamber Choir’s Sing-Along Messiah will be on Bravo! Dec 6 at 9pm.) Just add cider and cookies. December’s child? Probably someone very close to your heart, and home.

Pax
jack buell

October's Child - Marion Newman

First Nations Canadian mezzo-soprano Marion Newman was born in a small village called Bella Bella in British Columbia, and grew up in another small town called Sooke, in BC. She was home-schooled until she went to Camosun College for piano performance and teacher training at age 15. Marion made her orchestral debut at the age of sixteen with the Victoria Symphony, not as a singer, but as a pianist, performing Mozart’s Piano Concerto K. 488 in A Major. After college she earned a Bachelor of Music in piano performance from the University of Victoria, followed by a Master of Music with Distinction in vocal performance from the San Francisco Conservatory of Music.

Marion’s’ season so far has included Tisbé in Pacific Opera Victoria’s production of La Cenerentola, the lead role of Noodin-Kwe in the world premiere run of Giiwedin, a first Nations opera by Spy Dénommé-Welch and Catherine Magowan, and Thunderbird, an Aradia Ensemble concert featuring young Canadian composer Dustin Peters, in which traditional Kwagiulth dance and song meet the Baroque era.

Do you remember the childhood photo being taken? Yes! My family was being featured in an article in the Times Colonist, in Victoria, BC, about home-schooling. I remember it being important to me that I was wearing my brand new, red soccer jacket. I was goalie and right wing, alternately. This was a shot of we three kids and my mother at the beach, which is right at the end of my parent’s lawn. They still live in the same house in the same beautiful location. It was the yard all the kids wanted to play in after school. This was a wonderful place to grow up.

Suppose a child of about the same age today asked you “What do you do?” I’d say I’m an opera singer and that I also sing a lot of concerts. I get all dressed up, sometimes in wigs and crazy make-up, and I sing my conversations instead of speaking. That I love being all sorts of different characters and travelling around the world for music.

What is your absolute earliest musical memory? The traditional West Coast drumming and singing of my Kwagiulth culture as I learned to dance to them, and the highland dance music that accompanied my highland dance classes. I was three or four at the time and I loved it all. I sang along to everything.

Musicians in your family? My mother learned to play the piano and sing as a child. She brought me to every music lesson and knew all my music from ear. She could call out “that’s supposed to be an E flat in the left hand!” and other such helpful hints from wherever she was in the house while I was practicing the piano. My father was a boy alto at the residential school he attended. He is now a traditional drummer and singer. My brother and sister took piano lessons as kids and my brother and I have actually performed as singers together on a number of occasions. He is too busy with his artwork now to keep up the singing.

Where did hearing music fit in? CBC radio played in our house at all times when we weren’t sleeping or practising. All sorts of great classical music programs were airing at the time and the only one I found boring was “Saturday Afternoon at the Opera,” ironically. I usually had a soccer game in the afternoon though, I didn’t have to hear the whole thing. I studied piano in the Suzuki piano department at the Victoria Conservatory of Music from age five and sang in the children’s choir. I had also just started playing the flute at this point. Music was the way I expressed the feelings and thoughts I had that I didn’t yet have the words to express in an adult way.

First memory of yourself singing? Hmmm… probably that would be to the My Fair Lady and the Sound of Music records that we had. I would put one on and then dance around the living room, singing at the top of my lungs, imagining...

Your first instrument? Piano.

First experiences of making music with others? Piano duets, singing in a children’s choir. I was an alto and I loved that our parts mostly differed from the melody and that I was providing harmonies.

When you first sang alone for an audience? When I was 16 I had to take voice lessons as part of my piano training. We did little concerts once a month and I was very excited to discover the world of words and being able to face my audience to see how involved they were. At the piano, I’d never been able to do this. Singing really opened up possibilities in music that suited my personality even better than playing the piano did.

The point at which you began to think of yourself as a musician? From the age of 5, the time of my first piano lesson, I knew that I was going to be a musician…

Ever think you would do anything else?

I tried a "day job" for 6 months when I first moved to Toronto, to help make ends meet. I didn’t enjoy this very much. It was a great lesson in how happy I was to deal with the so-called risks of being a freelance musician.

If you could travel back through time and meet the young person in that childhood photo? What would you say?

Where do you get your confidence from and how do you maintain it? Whatever you do, keep that up! Also: your nose is just the right size for your face; boys will eventually realize that you aren’t just another boy; and  go easy on yourself when you realize that you’ve made a mistake. It’s never the end of the world. Sometimes it’s a really good way to find another path.

Suppose you were chatting with some nice person during a long wait whilst travelling, and after enthusiastically telling you all about their career in pest control or medical imaging, they asked about your work. What might you tell them?

Ha, ha! This actually happens all the time! I love to tell people that I’m a singer. Then they wonder what kind of singing, or what band I’m a part of… I use the term opera singer because it’s understood by nearly everyone as someone who sings in a classical style. People are generally very interested and they want to know where I’m performing and when. I’ve had people actually come to concerts and bring their friends on a number of occasions. I’ve also had various offers for dates, and one man asked if I’d like to have an affair while I was in town. (I’d literally met him on the street as I was trying to find a rehearsal address in Ireland) Of course I said NO! Some want to hear me sing, which I generally don’t do in public spaces, explaining that it’s a bit loud. If they persist I have been known to ask if they’d like to demonstrate some of their work for me first. Most recently this was a miner on a plane. He laughed at the idea of showing me how to mine in the air. People are most often just excited to meet a person who does something unusual, and who breaks down the stereotype they are used to.

Other media

In a recent interviewfor Aboriginal People's Television Network / DigitalNations Marion talks about her journey from traditional First Nations music to the world of opera. She comments:

…if you ever been to a pot latch where the stories are told through dance and song…well  I realized that opera is just kind an extension of that and that it makes it makes sense to me culturally. We have really strong voices, why not train them to use them in this way and to tell stories? It's the same …thing… to me.

They are human stories, of people who are suffering, who are experiencing joy of some sort. There are so many different characters to play. It's like "acting plus": because the music that's added to it informs you as to what kind of character you are. It's really exciting. I just totally fell in love with it…

Here's a link to that interview.

http://www.youtube.com/watch?v=qhoCVfnPkds

Coming up in Ontario…

• In addition to Aradia’s Dublin Messiah (Dec 11), Marion Newman will sing Messiah with the Kingston Symphony and Kingston Choral Society (Dec 5) and again with the Cellar singers in Bracebridge (Dec 10).

• Feb 5 she will sing de Falla’s Amor Brujo with the Peterborough Symphony, and Dvořák’s Kate and the Devil, co-starring Giles Tomkins, with Opera In Concert (Mar 27).

WHO IS NOVEMBER’S CHILD?

The little singer on the right was born in Geneva to German parents, and educated at St. Michael’s Choir School while growing up in Oakville. All grown up now, he enjoys bicycling around Salzburg in the summertime with his own large family. But he’ll be part of the magic this winter in Toronto.

Think you know who our mystery child is? Send your best guess to musicschildren@thewholenote.com.

Please provide your mailing address just in case your name is drawn! Winners will be selected by random draw among correct replies received by November 20, 2010.

No, not the Van Trapps, but when your parents love to sing, what could be more natural?

CONGRATULATIONS TO OUR OCTOBER WINNERS!
HERE’S WHAT THEY WON–

• Hallelujah! for Sharon Barclay and Catherine McWhinnie, who each win a pair of tickets to hear mezzo-soprano Marion Newman in The Dublin Messiah (Dec 11): Handel’s greatest hit lovingly presented in its original version by Aradia Ensemble and Choir, joined by Norman Engel, trumpet, and soprano Tracy Smith Bessette, tenor Joseph Schnurr, bass Jason Nedecky. Directed by Kevin Mallon.

• Merrilea Shields wins a pair of tickets to hear Marion Newman with bass-baritone Giles Tomkins in The Devil and Kate (March 27, 2011), presented by Opera in Concert. Dvoˇrák’s complex blend of fairy tale, folk idiom, darkness and light puts a complicated spin on the line “I could have danced all night…”: sure to give wintery spirits a comic lift. operainconcert.com

• Joan Rosenfield: Aradia’s 2010 recording of Polly: Arnold’s
island paradise opera of 1777. Marion Newman sings the role of Jenny Diver; (NAXOS 8.660241).

• Eve Rachel McLeod: Aradia’s 2008 recording of Vivaldi’s Griselda: Marion Newman sings the title role. (NAXOS 8.660211-13).

• Jessica Lloyd: Aradia’s 2006 recording of Handel’s Rinaldo: Marion Newman sings the role of Goffredo (NAXOS 8.660165-67).

WHO IS SEPTEMBER’S CHILD?

_{“…it is her grace and presence…which commands attention”}

This determined little person with the far-away gaze will someday fall in love at Tafel-musik concerts, have the talent, backbone, and the legs to take a job at the Moulin Rouge to help finance her more esoteric Paris studies. She continues to dance her way into the pages of music history, and onto the operatic stages of the world.

Think you know who our mystery child is? Send your best guess to musicschildren@thewholenote.com. Please provide your mailing address just in case your name is drawn! Winners will be selected by random draw among correct replies received by September 20, 2010.

July/August’s Child Janina Fialkowska

The full interview will be online shortly. Stay Tuned.

Still having a right royal time, Janina Fialkowska has been referred to as “Canada’s First Lady of Chopin”, but the gloves are off: this remarkable person is a fighter. Even at the time the photo was taken, she was practising about 5 hours a day. There was an hour before school. There were 2 hours in the middle of the day – an hour during lunch, and then running home again while her classmates did gym, sports, music or art. Another 2 hours at night. “You have to acquire that appetite for work at a very young age,” she says, “so that it becomes a comforting old habit. Does it sound too strange to say this? That today my world could be coming to an end … maybe a flood … my house and everything lost … but if I have practised well in the morning, one part of me will still be happy.”

Today Janina Fialkowska is a regular guest soloist with prestigious orchestras all over the world – famous for her interpretations of Chopin, Mozart and Liszt, chosen in 1990 to perform the world premiere of the recently discovered Liszt Third Piano Concerto with the Chicago Symphony. She has recorded all 3 Liszt concertos, the Paderewski and Moszkowski piano concertos, Chopin’s concertos, sonatas, impromptus and etudes, and a CD devoted to the music of Karol Szymanowski. CBC’s 1992 documentary The World of Janina Fialkowska was awarded a special Jury Prize at the 1992 San Francisco International Film Festival.

In 2002 her career was challenged by the discovery of a cancerous tumor in her left arm. The tumor was removed and after a rarely performed muscle-transfer procedure in 2003 she resumed her career, performing the Ravel and Prokofiev concertos for the left hand (which she transcribed for her right hand). She resumed her two-handed career in January 2004.

Janina Fialkowska was the founder of the award winning “Piano Six” music outreach project which later became “Piano Plus”. She is an Officer of the Order of Canada.

What do you remember about the day in that childhood photo?

It was the Quebec Music Festival, and I had won the second grand prize of the festival. I believe that year I played Mozart’s variations on “Ah vous dirai-je … Maman”, which I happen to be playing right now and will be recording. (So, as my brother tells me, I have not made any progress at all!) I had also played a Mozart concerto. It was all terribly exciting and I was just very overwhelmed by her clothes … and her tiara … because they were sparkly … and because, well, she was the Queen Mum! And I was also very proud because of how everybody else who was being presented didn’t know to curtsey. But I had been to the Sacred Heart Convent, and I knew how.

These were the most important things that went through my mind. Unfortunately the music played very little role. I liked music fine but it didn’t alter the way I felt or move me. I was having great fun being good at playing the piano. There was quite a group of talented young pianists, and competitions. And I was 11 … at 11 you just go for it.

The Queen Mum was actually very sweet and nice – so very gracious, and such a pro.

If you could travel back through time, and meet face to face with the young person in that childhood photo, is there anything you would like to ask her?

I think … that I was really quite happy at the moment, and fearless. I wouldn’t want to ask her anything that would disturb that. She was about to face one hell of a life, but at that moment everything was still okay. I know she was happy. I wouldn’t want to say anything that would cause her to question anything.

Is there anything you’d like to be able to tell her?

Enjoy the music more … that playing the concerts is all about sharing music with other people and it’s not always a terrible competition within oneself to do better…to do better…to do better. That’s something I only learned in the last ten years and I wish I’d known it much sooner.

I would love to be able to give that child true faith in her small talent – to trust it and not always be questioning it. Yes, it’s the questioning that probably makes you a good musician … but it can also destroy you…

And that little girl was in for a rough ride for quite a long time…

CONGRATULATIONS TO OUR JULY AND AUGUST WINNERS!

HERE’S WHAT THEY WON–

_• Lorrie MacKinnon (Oakville), Alice Lee (Markham), Maureen Whitehead (Toronto), Jane Marvy (Toronto), Anthony Warren (Mississauga) each win a pair of tickets for Chopin on Period Piano (October 7-10): Tafelmusik’s first-ever performances of music by the 19th-century composer, and Janina Fialkowska’s Canadian period ensemble debut. She will play Chopin’s Piano Concerto no. 1 in E minor (arranged for chamber ensemble) on a remarkable1848 Pleyel piano. The programme also includes Spohr’s Nonet in F major, op.31.

_• Anthony MacKinnon (Hamilton) and a friend will be guests of the Royal Ontario Museum (Tuesday October 5) to preview Fryderyk Chopin and the Romantic Piano including a talk and brief performance by Janina Fialkowska, and tickets to return when the exhibit opens to the public (Oct 9 –Mar 27). The exhibit features original scores in Chopin’s hand, period arts and letters, costume plates, and an example of Chopin’s instrument of choice – a Pleyel grand piano. (info: 416-586-5797)

_• Mary Ingraham (Gabriola BC) wins Janina Fialkowska’s Chopin Piano Concertos with the Vancouver Symphony Orchestra, Bramwell Tovey, conductor. This recording of the Piano Concertos no. 2 in F minor, op. 21; and no. 1 in E minor, op. 11 is brand-new: scheduled for public release October 26, 2010! ATMA (ACD22643)

_• Joan Sayer (Scarborough), Paul Kay (Toronto), J Govindarajan (Waterloo) win Janina Fialkowska’s double CD set, Etudes, Sonatas and Impromptus: Rarely Heard Recordings from 1997 and 1999, re-released by ATMA in May 2010 (ACD22554)

_• Moira Anderson (Victoria BC), Janos Gardonyi (Toronto), Jay Hackney (Brooklin, ON) win Chopin Recital, released in Oct 2009, Janina Fialkowska’s own beautiful Chopin bicentenary picks, including the Polonaises, Préludes, Valses, Nocturnes, Ballades, Mazurkas, and Scherzos. ATMA (ACD22597)

_• Barbara Thompson (Toronto), John Hansen (New Minas NS), Larry Landis (Tulsa OK), win Piano Concertos 1 & 2, Janina’s 2005 “comeback” recording with the Chamber Players of Canada. “Chopin in every likelihood performed his concertos at private salon concerts accompanied by a chamber ensemble…”
ATMA (ACD22291)