Modern and Contemporary

Three
Chas Smith
Cold Blue Music CB0061 (coldbluemusic.com)

Multi-instrumentalist Chas Smith’s recording Three is not simply atmospheric, its ethereal sonic palette comes with a twist in that the ripples on his ocean of sound spread vertically, seemingly piercing the very dome of the sky. Even the title is subtly idiomatic; its reference being more Trinitarian than merely numeric.

The musical hypnosis begins almost immediately in the whispered, metallic hiss of a myriad of instruments on Distance, continuing through The Replicant and into the denouement of this recording on a piece aptly called The End of Cognizance. The composer says that “the spirit of Harry Partch” pervades throughout. But even a first run-through of this repertoire suggests overtones of the soundtrack of a Philip K. Dick cinematic narrative. In particular, the short story Do Androids Dream of Electric Sheep? – which became Ridley Scott’s Blade Runner – comes presciently to mind.    

The music throughout seems to hang in the air like dense vapour of a sonic kind. But the seeming stasis is constantly changing, metamorphosing into something quite different at every turn. Its dark melodic fragments spin and pirouette constantly, revealing Smith’s singular balletic lyricism. The three parts of the music are layered one atop the other like sonic strata evocative of the massive natural forces pervading a planet spinning its way into infinity in triumph against time. The orchestration is as brilliantly inventive as the instruments that are employed to play it; all constructed by Smith himself.

confined. speak.
Ensemble Dal Niente
New Focus Recordings FCR308 (newfocusrecordings.com)

The Chicago based Ensemble Dal Niente releases a collection of works that were streamed during the first year of the COVID-19 pandemic. With each work offering a variety of experimental techniques and sound worlds, this music reveals the ensemble’s incredible musical abilities. Igor Santos’ confined. speak. is a post-Lachenmannian work that explores themes of “confinement and liberation.” Santos’ music is carefully crafted and contains an impressive series of magical events. The harp concerto of Hilda Paredes, titled Demente Cuerda, contains endless virtuosic gestures for both soloist and ensemble members – all of which are expertly performed. With Tomás Gueglio’s Triste y madrigal we receive a delicate and mysterious soprano part amid outlandish restlessness in the ensemble – a beautifully enigmatic work. In Merce and Baby by George Lewis, the composer creates an imagined musical scenario that exists only in the documentation of a collaboration between jazz drummer Baby Dodds and avant-garde dancer Merce Cunningham in the 1940s. Finally, Andil Khumalo’s Beyond Her Mask is a disturbing and important statement that confronts violence against women in South Africa. Ensemble Dal Niente delivers stunning performances of works that truly speak to our time.

Listen to 'confined. speak.' Now in the Listening Room

Northscapes
Ieva Jokubaviciute
Sono Luminus DSL-92251 (sonoluminus.com)

In a release of 21st-century piano music by Lithuanian Ieva Jokubaviciute, aptly titled Northscapes, we receive a selection of ethereal sonic planes all evoking the majesty of nature’s expanse. Jokubaviciute handles each piece with a delicate touch and an inspired approach to phrasing – attributes that are necessary to reveal the wonderful poetic characteristics of each piece. With each composer being from Nordic or Baltic countries, the overall atmosphere is one of a stark, and yet endlessly colourful, depiction of engulfing northern panoramas. Whether whirling through the unrelenting chroma-glow of Lasse Thoresen’s Invocation of Pristine Light, taking pause in the crafty expressiveness of Bent Sørensen’s Nocturnes, or sinking into the dreamworld of Kaija Saariaho’s well-known Prelude, each work connects landscape to psychological enchantment. 

Anna Thorvaldsdottir’s Scape transports the listener into this psycho-geographical state with brilliance and ease. The innovative approach to the piano in her piece shifts the mind from the immediate to a vast apocryphal arena. This allows the sonic experience to travel much deeper than mere surface-level representations of nature scenes. When listening to this disc, one begins to wander among geographies of the mind – realms that haunt and comfort, obfuscate but also reassure. For an experience that will transport ear and mind, listen to Northscapes.

Count to Five
Recap w/Transit New Music
Innova (innova.mu)

The story begins with four New Jersey middle schoolers Arlene Acevedo, Alexis Carter, Tiahna Sterlin and Aline Vasquez who began studying percussion with Joe Bergen, a member of the Mantra Percussion ensemble. Then in 2020 at ages 19 and 20 they formed Recap, a professional percussion quartet of BIPOC women.Recap seeks to reevaluate the white-male-dominated world of percussion within the contemporary classical music scene. As Acevedo said, “We’re young women of colour doing this... and you can too!” The results are impressive and they’ve now released an exciting debut album. 

Count to Five features six works, one each by Angélica Negrón, Allison Loggins-Hull, Ellen Reid, Lesley Flanigan, Mary Kouyoumdjian and Caroline Shaw. Puerto Rican composer Negrón’s surreal Count to Five opens the album. In it, everyday objects like shuffled playing cards, squeezed bubble wrap, dragged chairs and bowed and tapped wine glasses create an intimate sonic atmosphere interrupted by prerecorded children’s and other sounds; a harmonica note is incessantly repeated. And yes, the performers count to five, whispering.

Another highlight is New York experimental musician and composer Flanigan’s impressive Hedera which draws from another experimental music lineage, perhaps more Laurie Anderson than John Cage. Hedera features Flanigan’s multitrack vocalise, supported by Recap’s tonally ever-modulating bass drum and tom-tom swells. For 20 minutes, their pulsing 16th-note waves propel the work which increases in density and emotional intensity while Flanigan’s voice builds into a massive choir. In the end the drums and choir float away like clouds on a hot summer’s day.