There are on this recital disc six arias by Handel and three by Vivaldi; there are also several instrumental interludes by both. Care has been taken to pair the very well-known Lascia ch’io pianga from Handel’s Rinaldo as well as the relatively well-known arias from his Giulio Cesare and Ariodante with the less familiar arias from Imeneo and from Arianna in Creta. Of the Vivaldi arias I was especially moved by the extract from Andromeda liberata. This serenata was apparently composed by a number of composers but Luc Beauséjour assures us that Vivaldi “almost certainly” wrote this particular aria. What I think this means is that there is no real evidence who wrote it but that it is so fine that it has to be Vivaldi. I don’t think that argument would stand up in a court of law but the aria is indeed so good that it would be hard to contradict it.
Julie Boulianne, the mezzo-soprano soloist, is moving in the slow arias and very impressive in the technically demanding fast items. Clavecin en Concert is a crack ensemble of 13 players. There is especially fine work from the cellist Amanda Keesmaat and the lutenist Sylvain Bergeron.