Shades of Romani Folklore - Ulysses Quartet
Shades of Romani Folklore
Ulysses Quartet
Navona NV6567 (navonarecords.com/catalog/nv6567)
Shades of Romani Folklore
Ulysses Quartet
Navona NV6567 (navonarecords.com/catalog/nv6567)
String Quartet In C Minor Op. 18 No. 4 - IV. Allegro - Prestissimo
String Quartet No. 2 Intimate Letters - I. Andante - Con moto - Allegro
Rhapsody
The premise behind Shades of Romani Folklore – works connected by a Romani influence – seems a bit tenuous at first glance, but spirited performances by the Ulysses Quartet certainly justify it (Navona NV6567 navonarecords.com/catalog/nv6567).
The finale of Beethoven’s String Quartet No.4 in C Minor, Op.18 No.4 is described as “rip-roaring,” with a distinct Romani flavour to its rondo theme. The link continues with the world-premiere recording of Paul Frucht’s Rhapsody, a work inspired by the Tzigane Ravel wrote for the Hungarian violinist Jelly d’Arányi that evoked the Romani style.
The most powerful work here is Janáček’s String Quartet No.2, “Intimate Letters”, reflecting his passionate but unrequited feelings for the much younger Kamila Stösslová. In one of his over 700 letters to her, revealed that in his song cycle Diary of One Who Disappeared he had cast her as Zefka, the Roma girl whose forbidden love affair with a young Czech man is the basis of the work. The obsessive passion and raw emotion are beautifully captured by the performers.
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