In the booklet that accompanies this CD Robert Ignatius Letellier writes that these simple song settings “could hardly be more different from [Puccini’s] operas.” Perhaps so; yet it seems to me that an unsuspecting listener, when confronted with any one of the songs here, would immediately cry out: “Puccini!” While the writing of songs must always have been a by-product of his main work, it is remarkable that they date from so much of his creative life. The two oldest are from 1875, when Puccini was in his 17th year; the last is a pompous proto-fascist song which hymns Rome and Victory and which dates from 1919. Of the songs presented 17 are solos, the remaining two are soprano-mezzo duets. Here modern technology allows the soprano to sing both parts.
Krassimira Stoyanova is a Bulgarian soprano, who has sung in many of the world’s leading opera houses. Her repertoire includes Dvořák’s Rusalka as well as the Marschallin in Strauss’ Rosenkavalier and the title role in Ariadne auf Naxos, but the centre of that repertoire is clearly the music of Verdi (and definitely not Puccini). On this recording her voice comes across as full and warm. She does justice to the demands of these songs. Even if Puccini’s songs can never be seen as holding the centre of his work, it would be a pity to be without this recording. Many of the songs are attractive. They would often lead Puccini to further explorations in his operas as the essay in the booklet suggests and documents.