The following is an excerpt from the December 2014 Old Wine in New Bottles
In 2000 Testament issued four CDs of orchestral music by Richard Strauss, recorded by Decca in the Grosser Saal of the Musikverein by the Vienna Philharmonic Orchestra conducted by Clemens Krauss. My excited review of them at the time found these uniquely inspired performances to be incomparable in every respect. Decca has gathered them all together in a compact 5-CD set, Clemens Krauss – Richard Strauss The Complete Decca Recordings (4786493), together with the still talked about 1954 recording of Salome with Christel Goltz, Julius Patzak, Anton Dermota et.al. The Vienna-born Krauss, although he worked through the Nazi era, was not a Nazi. These Strauss performances, writes Nigel Simeone, reveal an interpreter “who understood the importance of transparent orchestral textures, intelligent pacing, a natural sense of line, a fine ear for detail and a clear sense of trajectory.” These qualities are abundant in each of all nine works; Don Juan, Ein Heldenleben, Zarathustra, Don Quixote, Sinfonia Domestica, Le Bourgeois Gentilhomme Suite, Aus Italien, Till Eulenspiegel and Salome.
Early in the 1950s when these recordings were made, English Decca’s FFRR LPs had already achieved a level of recording excellence unsurpassed by the other companies, thriving in the new, world-wide enthusiasm for classical music, an enthusiasm well supported by the press and dedicated periodicals. People no longer had a record player… they had a hi-fi. Victor Olof, Decca’s head recording producer led the team that documented these Strauss recordings that awed and delighted the music lovers of the day. The inspired and inspiring recordings now find their ultimate realization in this dynamic little set that is the icing on the cake honouring this 150th anniversary year of Strauss’ birth.