Haydn - Orlando Paladino
Marlis Petersen; Tom Randle; Pietro Spagnoli; Magnus Staveland; Freiburger Barockorchester; René Jacobs
Early music enthusiasts may be attracted to this DVD by the name René Jacobs, renowned as a counter-tenor; here he enjoys the role of musical director. From the opening Sinfonia, he brings out the best in the Freiburger Barockorchester.
Last summer was the two-hundredth anniversary of Haydn’s death; this DVD shows the Berlin State Opera's commemorative production. Almost incredibly, with the reputation Haydn enjoys for serious symphonies and masses, Orlando Paladino, with its heroic and comic themes, was the Haydn opera performed most often during his lifetime.
The accompanying notes with this production are comprehensive in all but one respect – only two-and-a-half lines are devoted to the plot of the opera. The rest of the notes cover historical context. Mercifully, the Internet yields several extremely helpful synopses.
There are spirited performances in Act 1 from Magnus Staveland (Medoro) in the aria “Parto. Ma, oh dio, non posso” and also from Marlis Petersen’s Angelica, who makes her presence felt throughout the act. Tom Randle is noteworthy for his passionate interpretation of Orlando. What a contrast with the enforced timidity and frustration of Sunhae Im (Eurilla). One feels poor Eurilla is left to sort everything out on her own; she gets aggravation - and our sympathy vote.
Acts 2 and 3 are, if anything, more zany. “Vittoria, vittoria!” (Victor Torres, Pasquale) proves this. Opera purists will appreciate “Aure chete, verdi allori” (Angelica) and “Miei pensieri, dove siete?” (Orlando) but frankly, for those expecting the costumes and scenery to be as authentic as the orchestra, they aren’t. Let’s just say that this is a highly individual production!