Listening Room

03 Frank Horvat More RiversFrank Horvat: More Rivers
Christina Petrowska Quilico
Navona Records (navonarecords.com/catalog/nv6689)

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'More Rivers 7'


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'More Rivers 5'


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'More Rivers 6'


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Read the Review

In September 2007 I reviewed composer/pianist Frank Horvat’s first CD and said his “compositions are diverse enough that it’s hard to describe exactly what the disc is about. Sometimes bordering on the improvisations of Keith Jarrett (but without the audible humming), at moments reminiscent of boogie-woogie, at others dark ballad-like musings and occasional fugal passages, this is truly an eclectic mix.” Over almost two decades since then, with 22 releases in his discography (16 of which have been reviewed in DISCoveries), Horvat has persisted in his eclecticism and is still hard to pin down.

His latest release, More Rivers (navonarecords.com/catalog/nv6689), explores yet another side of his creativity in a tribute to Ann Southam inspired by her ebullient and rollicking series Rivers. Southam’s frequent collaborator Christina Petrowska Quilico is the pianist here, as she was so often for Southam’s pieces. Her discography, which numbers more than six dozen releases, includes Southam’s Rivers, Pond Life, Glass Houses, Glass Houses Revisited and Soundspinning, a collection of early works including my introduction to Southam’s music, Three in Blue, which was included in the Royal Conservatory of Music syllabus when I was studying piano more than half a century ago.

Horvat says that although “Southam’s work in the area of minimalist composition has been a big influence on my life […] More Rivers is not intended to be a sequel or continuation of Rivers, but my hope is that my own unique musical minimalist voice will be a tribute to this body of work that has impacted me so profoundly.” The set comprises seven pieces constructed with overlapping looping textures evoking water; murmuring, babbling, racing or gently flowing. A number of the movements are calm and meditative, reflecting in the composer’s words “a spiritual sentiment,” but there are also dynamic and forceful moments reminding us of the power of water. Petrowska Quilico rises to all the challenges, making even the most intricate passages sound effortless and natural.

In his programme note Horvat implores us to remember “Water is intrinsic to life. As living beings on this planet, it is one of our most important resources that requires our full respect and protection.” Amen to that.

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