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Curiosity and doubt surprisingly quickly turned to delight and respect when listening to Jim Gelcer (drums), Paul Hoffert (piano) and George Koller (bass) with guests Bill McBirnie (flute on three tracks) and Ifield Joseph (guitar on one track) face the music and develop their jazz ideas based on recordings of pianist Glenn Gould playing Beethoven.
Why you may ask? Well, why not? Following the Glenn Gould Estate’s suggestion to create a recording, Gelcer and Hoffert listened to the wealth of Gould-recorded Beethoven music, and subsequently chose to arrange themes from the Moonlight Sonata, Fifth Symphony, Fifth Piano Concerto and Pathétique Sonata to create nine tracks.
Touches of classical and jazz resonate throughout. Opening track Moon Light starts with an almost traditional piano Moonlight Sonata performance but with drum accompaniment, until the bass moves the music into a dramatic jazz direction featuring a witty jazzy flute middle section. The closing track Day Light takes the same Sonata in a more classical direction with shifts in major and minor tonalities and a contrapuntal jazz flute development above a piano backdrop playing the opening sonata-line ideas. The famous four-note opening of Beethoven’s Fifth Symphony takes on a toe-tapping upbeat fun jazz sound in Vitamin B51. First Path has the trio lead the Pathétique theme into a tight, fun jazz trio and duet improvisations
With their jazz brilliance, all the musicians give new life and colour to the music of Glenn and Ludwig!