Listening Room

01 Dutoit

Dutoit Montréal
Charles Dutoit; Orchestre symphonique de Montréal
Decca 4789466

Review

The following is an excerpt from Old Wine in New Bottles - Fine Recordings Re-Released (March 2016) which can be read in its entirety here.

The Orchestre Symphonique de Montréal was known as the best French orchestra outside France, thanks to their conductor, Charles Dutoit and Decca Records. With the death of Ernest Ansermet in 1969 Decca had lost their man-about-French-repertoire and were very concerned about having no long-term exclusive replacement. Ray Minshull, a producer for Decca was visiting an artist in Montreal in February 1980 and, fortuitously, attended a rehearsal with the Montreal Symphony. “Immediately” he writes, “it was apparent that our search was over and that I had stumbled upon the solution to our problem. Within two days an exclusive contract was agreed and the following July we recorded the OSM in a CD of violin concertos with Kyung-Wha Chung, another of Rodrigo’s guitar concertos and Ravel’s complete Daphnis and Chloe. When the new recordings were launched, the reception from both critics and public was so enthusiastic…especially in France and Great Britain that we knew that, at last, we had found what we had missed for so long.” Decca has issued a boxed set of their recordings, simply titled Dutoit Montreal (4789466) comprised of 35 CDs in replicas of the original cover art, an 83-page booklet with recording details, two essays by Ray Minshull and an appreciation by Andrew Stewart.

Decca proceeded with its original intention, recording the orchestra playing mainly works by French composers while leaving the German repertoire to others in their stable. In this really impressive collection, therefore, there is no Bach, Beethoven or Brahms although there are four Mendelssohn overtures from 1986 and a 1983 reading of Orff’s Carmina Burana.

The discs are arranged by date of recording and here are but some of the highlights. The complete Daphnis et Chloé (1980); Boléro, Rapsodie Espagnole and La Valse (1981); The Three-Cornered Hat and El Amor Brujo (1981); Saint-Saëns Symphony No.3 (1982) and Chausson Symphony in B-Flat Op.20 (1995); the two Ravel Piano Concertos with Pascal Rogé (1982); Respighi Pines of Rome, Fountains of Rome and Roman Festivals (1982); Rimsky-Korsakov’s Scheherazade (1983); Gaîté Parisienne (1983); Le Sacre du Printemps [1921 version], The Firebird, etc. (1984) and Petrouchka (1986); the Fauré Requiem with Kiri Te Kanawa and Sherrill Milnes (1987); The Planets (1986); Bartók Concerto for Orchestra and Music for Strings, Percussion and Celesta (1987); Debussy Images and Nocturnes (1988); Franck Symphony in D Minor and D’Indy Symphony on a French Mountain Air with Jean-Yves Thibaudet (1989); two Tchaikovsky complete ballets, Swan Lake (1991) and The Nutcracker (1992); Piazzolla Tangazo (2000), etc.

In addition to the above, there are other major works and about 50 other pieces ranging from Hugo Alfrén’s Swedish Rhapsody No.1 to Ambroise Thomas’ once-popular Raymond Overture. A most desirable and attractive collection. Last year Decca signed a five-year contract with Kent Nagano and the OSM.

Pin It

Back to top