I am music director of the Canadian Opera Company. 

Since COVID-19 hit, as all performing artists I have had to let go the possibility of performing live. I miss this irreplaceable experience. I miss the magic when the lights go down and the curtain rises. I miss the symbiotical flow of energy between us performers and our audiences, and yes I even miss the stress of preparation before.

Let's hope sometime soon we will be able to open the doors to our performance venues again - to enjoy together the magic of sound embracing and surrounding us, evoking our deep emotions. In the meanwhile, I study scores, play the piano, clean up the kitchen - in no particular order.

People wanting  to stay in touch with me can do so via Twitter @johannesdebus. You'll also want to keep checking the COC's various social platforms (@canadianopera on Facebook, Twitter, and Instagram). They've been showcasing a series of past COC productions and newly-taped at-home performances under the hashtag #OperaAtHome, but soon you'll be seeing many new digital offerings and interactive opportunities, some of which I will be filming with the team. You'll have to stay tuned to see more!

Speaking as executive director, Tafelmusik, since COVID-19 hit, I would say we have had to let go completely of any sense at all that we could plan for the immediate future!  No, seriously: we were all looking forward to A Handel Celebration at the end of May, featuring the orchestra, choir and guest artists soprano Amanda Forsythe and tenor Thomas Hobbs. Choir director Ivars Taurins had completed so much work to curate a program of some of his favourite moments in Handel’s oratorios. We were also planning to record the program live in Koerner Hall to release later this year on our Tafelmusik Media label. It would have been the first recording featuring both music director Elisa Citterio and Ivars Taurins, with the Tafelmusik Orchestra and Chamber Choir. Sadly, those plans have been shelved and we are all extremely disappointed about that.

When we can, we’re absolutely going to find a way to present the new orchestral version of Bach’s Goldberg Variations, which we had planned for April. Bach’s timeless keyboard masterpiece had been arranged for orchestra by Elisa Citterio, who turned these keyboard miniature masterpieces into various combinations of solo players as well as the full orchestra. She had spent most of last summer working on the arrangement, and we had also commissioned a new piece from Canadian composer Grégoire Jeay to open this program. This perfect 90-minute concert was going to be a highlight of the season.

A video recording of two variations (#1 and #30) from Elisa’s orchestral arrangement of Bach’s Goldberg Variations was posted online in late April and can still be seen as part of #TafelmusikTogether, a digital initiative we launched on March 17 on Tafelmusik's Instagram, Facebook and YouTube channels.  It was one of the first performances Elisa suggested for our social media platforms and offers viewers a small taste of her arrangement. Elisa hopes our digital version will bring joy and help people feel less isolated.

 Also, instead of a live recording, in March we launched our first digital-only release Baroque for the Brain: Music to Study By, curated by Music Director Emerita Jeanne Lamon. Baroque for the Brain is available on digital platforms and features tracks from previous Tafelmusik recordings including music by Bach, Handel, Vivaldi, Mendelssohn, and Beethoven.

We are hopeful about sharing live music in the future, and subscriptions for Tafelmusik’s 2020/21 season, Passions of the Soul, are now available at tafelmusik.org. We also invite people to join us virtually for short performances and other artistic content being shared from musicians’ living rooms and kitchens through #TafelmusikTogether on Tafelmusik's Instagram, Facebook and YouTube channels. I would also like to mention that Tafelmusik has launched the Keep Tafelmusik Together campaign with the goal of raising $250,000 before June 30, 2020. This appeal will help Tafelmusik musicians and team members to continue to work on new initiatives, like #TafelmusikTogether, and prepare for the 2020/21 season. Donations can be made online at my.tafelmusik.org/together.

I’m Cem Zafir, the founder, back in 2000, of Zula Presents, organizing concerts, series, tours and festivals for nearly a decade in Vancouver and the islands in BC. Since June 2014, Zula’s main project has been Hamilton’s Something Else! Festival of Creative Music, several back-to-back days of  double-bills with contemporary jazz artists, improvisers, sound artists and avant-pop performers. This year Zula added an ongoing series “Watch It Burn,” pairing film, and live performance, to our planned activities, and a diversified June festival lineup.

Since COVID-19 hit, we still haven’t officially  postponed or cancelled the festival, but so far, the “Watch It Burn” series dates for March 15, April 24, and planned festival dates June 18-21, 2020 are the only things we had to let go, but just the dates, not the artists! Everything is postponed indefinitely. We hope to honour these agreements once on the other side, with 25-some acts, who were going to play our festival and series. We will postpone the festival indefinitely and hope to reschedule it for fall sometime. If the situation won’t allow by year end, then we would skip/ cancel 2020 festival.

Hopefully we will follow through on all of them within a year or so. 

Not much else I can do! We are mostly focusing on going back to live, in-the-moment presentation. We will release some festival and series archival videos on our websites. We may have interviews streamed along with some solo performances to tide audiences over, but we’re not excited about such possibilities.

As for how people reading this can stay in touch with what we are doing and planning, our websites and facebook page will be updated as things progress: somethingelsefestival.com, zulapresents.org and @zulapresents.

I am founding co-artistic director of Opera Atelier. We produce twice a year in Toronto – employing singers, a full corps de ballet and Tafelmusik Baroque Orchestra. 

I am happy to say that Opera Atelier has not had to ‘let go of’ anything completely. That being said, we have had to cancel – but only for the time being, our production of Handel's The Resurrection, our Versailles Gala and our Dance Through Time performances for students from our school. 

We will, however,  follow through with all three of the productions mentioned above, once circumstances allow. Sets and costumes are well underway for The Resurrection, and we were already two weeks into rehearsal when the Ontario Premier declared a state of emergency – so we have a very good idea of what the production is. OA's Versailles Gala is an annual event, and in the meantime we are planning a Virtual Celebration for our Gala patrons. Dance Through Time is a very popular program and although our students will be unable to perform for Doors Open – we anticipate there will be plenty of other opportunities. 

Our one obvious change to our programming is that of replacing our Versailles Gala with an online Virtual Celebration which will take place on May 20th, the same date that the Gala had been planned. We already have a spectacular line up of Canada's finest artists from around the globe who will participate. 

Opera Atelier is posting on a daily basis on our Instagram, Twitter (@operaatelier) and Facebook (facebook.com/operaatelier). There's plenty of fascinating content from all of our artists, plus regular blogs written by me and OA Designers, plus some fascinating book blogs visitors are certain to enjoy under the hashtag #OATutti.

I am executive director, Orchestras Canada, as well as an avocational clarinet player, and I’m speaking for OC’s members (and for myself, I guess …)

Of all the things we had planned when COVID-19 hit, most significantly OC has had to to cancel its national conference in Hamilton, May 20-23. Also, any face-to-face meetings, whether internal (a planned board meeting in Hamilton in May) or external (participation in a Charities on Parliament Hill event organized by Imagine Canada, and originally scheduled for today, April 21) are cancelled.

Every ensemble rehearsal and concert that I had scheduled to play in – cancelled.  (This includes performances with the Peterborough Symphony, the B45 Clarinet Collective, the Clarington Concert Band, the Peterborough Theatre Guild’s production of Annie, and the spring world tour of a New Orleans-style jazz band called Otis and his Honey Lambs that I play with.  Well, “world” is a bit strong: we had dates in Peterborough, Millbrook and Bridgenorth!  Maybe we’ll make it out of Peterborough County some day.)

As to following through, once circumstances allow, most of the rehearsing and performing will happen, one way or the other, though specific productions or concerts are likely gone forever.  Pretty much, as for everyone else in the world who can, we’ve moved everything on-line.  I’ve been tremendously impressed with the rate at which even the skeptics have upped their Zoom game: people I thought would never turn on their web cams have finally done so. 

From an Orchestras Canada perspective, we’ve observed that people are keen to stay in touch, find out how everyone else is coping, and acquire new skills and knowledge.  So we’ve taken the opportunity to tear up the conference schedule and re-focus on hosting the discussions and information that feel most urgent right now.  Rather than trying to stuff everything into three or four days, we’re spreading what would have been our conference offerings between now and December 2020, buying ourselves the time to curate the content that is most needed, when it’s needed.  And we’re organizing peer group meetings across the country, and have had excellent participation.  We’ll be guided by what we’re learning in these discussions to curate better content, too.

Our advocacy work continues unabated, at both the federal and provincial levels.  We don’t work alone, either:  we’re working in conjunction with a group of arts leaders across the country to identify what our members need and communicate that effectively to decision-makers, and we’re also part of a roundtable convened by Imagine Canada to convey the impact on charities and not-for-profits of all sizes and kinds.

For people who want to get in touch with us and our member orchestras,  our website is a good starting place: oc.ca. As are our social media, where we’re featuring plenty of content from Canadian orchestras, too: Facebook: facebook.com/orchestrascanada and Twitter: @OrchCanada.

On the map, Peterborough is where we are.