More often than not these days I can hear the sounds of new musical ideas coming through my walls, coaxed from the keys of my next-door neighbour’s grand piano. Living next to a composer is one of those curious joys of living in a big city like Toronto. If I’m patient, eventually I can hear those kernels of melody and harmony form into exciting new works that open brand new musical perspectives. But it’s not only my neighbour who’s been busy this winter, as March seems to be packed full with world premieres from local composers.
The month launches off with the TSO’s fifth New Creations Festival, which is focusing on music for string instruments and Far East influences (an odd connection, perhaps, but one that seems to work). This year’s special guest is Tan Dun, one of the world’s most accomplished living composers and perhaps most known for his Grammy Award-winning film score for Crouching Tiger, Hidden Dragon. The first two dates of this three-concert festival (March 5, 7 and 12) will feature several of Tan’s concerti and large ensemble works, which marry together music of Eastern and Western heritage with avant-garde techniques to explore cultural and spiritual themes. While more concerti from Toru Takemitsu and Toronto-based Gary Kulesha will add to the overall experience, I’m most keen to hear the results of Alexina Louie’s latest commission, a concerto for string quartet and orchestra.