05_horwoodPercussionique - The complete percussion music of Michael S. Horwood

Toronto Percussion Ensemble

Albany Records Troy1122

(www.albanyrecords.com)

This disc of percussion music by American-born Canadian composer Michael S. Horwood (b. 1947) should attract both new music aficionados and others interested in revitalizing listening experiences. Superbly performed by the Toronto Percussion Ensemble (John Brownell, David Campion, Mark Duggan, and Beverley Johnston) “Percussionique” is beautifully recorded and presented by Albany Records.

The “spine” of this chronologically presented oeuvre is a series of Pieces Percussioniques dating from 1964 to 2008. Spanning various contemporary compositional practices, a consistent voice still emerges, refined yet playful. For example, in No. 3 a sensitive xylophone cadenza leads into a pensive slow section with exquisite, soft dynamics, followed by a rondo with a Monty Pythonesque march rhythm! Piece No. 4 is finely structured in four-parts; the fast sections have for me a hint of Horwood’s passion for roller coasters. A percussionist himself, Horwood writes idiomatically. Intricate divisions of the beat layered variously between instruments give an effect of luxuriant flourishing, without cluttering the texture.

Along with the Pieces Percussioniques, individual pieces showcase particular instruments: The Shadow Of Your Drum for bass drum with 2 players; Dynamite for piano and two suspended cymbals, composed for a noir-ish film scene; and my particular favourite - the vital, carefully structured Fragments (2006) delightfully performed by mallet specialists Mark Duggan and Beverley Johnston. In a noisy world we forget to listen truly: try letting Percussionique’s sound world beguile you!

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