Listening Room

05 Mikyung SungThe Colburn Sessions
Mikyung Sung
Modus Vivendi Media MVM 2301 (mikyungbass.bandcamp.com/album/the-colburn-sessions)

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Bottesini: Capriccio di Bravura

Massenet: Meditation from Thaïs

Rachmaninoff: Sonata in G Minor for Cello and Piano, Op. 19 - III. Andante

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The South Korean double-bassist Mikyung Sung is the remarkable soloist on The Colburn Sessions, a brilliant two-disc set where she is ably supported by pianist Jaemin Shin, the two having worked together in the Artist Diploma course at the Colburn School in Los Angeles in 2017 (Modus Vivendi Media MVM 2301 mikyungbass.bandcamp.com/album/the-colburn-sessions).

Bottesini’s Tarantella is a dazzling opening track, Sung displaying stunning facility and clarity. The same composer’s Capriccio di Bravura and the more lyrical Elegy No.1 are followed by a transcription of the Meditation from Massenet’s Thaïs. Hindemith’s Sonata for Double Bass and Piano and the impressive 1967 Sonata for Double Bass and Piano by Hungarian composer Vilmos Montag (1908-91) end disc 1.

The second CD is even more impressive, with the Andante from Rachmaninoff’s Cello Sonata Op.19 sandwiched between two outstanding sonatas: Mendelssohn’s Cello Sonata No.2 Op.58 with an astonishing final movement that takes your breath away, and Franck’s Violin Sonata in A Major in the composer-endorsed transcription for cello by Jules Delsart, Sung playing direct from the cello part – which she presumably also does with the Mendelssohn. 

Superb playing from both performers is beautifully captured in single continuous takes live to stereo. Complete performances of the Hindemith, Mendelssohn and Franck sonatas can be viewed on Sung’s website, mikyungbass.com.

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