04_kuerti_schumannSchumann - Piano Sonata No. 2; Fantasie in C Major

Anton Kuerti

DOREMI DDR-6608 (www.doremi.com)

 

We are fortunate to have, living in Toronto, an internationally renowned pianist who is also a most respected Schumann interpreter, Anton Kuerti.

 

On July 20th we had the pleasure of attending the opening recital of the Toronto Summer Music Festival in Koerner Hall in which Kuerti mesmerized a sold-out house playing an all-Schumann program. This was a memorable event by any standards.

 

As a card-carrying Schumann zealot I have been collecting recordings of his music for half a century. As an admirer of Kuerti’s earlier recordings I was pleased that so many of the audience took advantage of the opportunity to acquire this new CD in a post-concert signing event, especially as the Fantasie, opus 17 had just been heard live. Or should I say experienced, as the influence of an admiring and appreciative audience inspired a more personal reading.

 

As with all great artists, no two performances can be exactly the same. Notwithstanding such vicissitudes, the recorded version of the Fantasie is outstanding and a fine souvenir of the live performance. The Sonata is presented by Kuerti in a rather sensible and novel way: he includes, as added movement, the original finale that Schumann had replaced because Clara declared that it was unplayable, being just too difficult. The movement was published posthumously simply as Presto für Pianoforte and Kuerti inserts it between the third and fourth movements. Well, Clara was wrong as Kuerti demonstrates in spectacular fashion in this five movement version of Schumann’s opus 22.

 

Recorded in the Willowdale United Church in August 2009, the sound is clear, appropriately dynamic, and well balanced.

 


 

Pin It

Back to top