April 11, 2024

The COC’s Perryn Leech in conversation

by Michael Zarathus-Cook

“It’s a story that you could say has an old, overused plot that’s not relevant. It’s about an older man who believes he’s irresistible to women. This is a different take on that story, but he’s not going to take…
April 11, 2024

Toronto Bach Festival: Connecting the Dots

by David Perlman

The Toronto Bach Festival was founded in 2016 by internationally-recognized Bach authority John Abberger (best known to Toronto period music devotees as principal oboist of Tafelmusik Baroque Orchestra). In the spring of 2019, columnist Matthew Whitfield interviewed Abberger for The WholeNote…
April 10, 2024

Homes for Music Help Communities Heal and Grow

by Sophia Perlman

When it comes to defining the line between North and South in Ontario, it very much depends on who you ask and where you are.
April 10, 2024

Andrew Burashko - The Art of Timing Out

by Andrew Scott

During a particularly compelling moment in the Art of Time Ensemble’s recent performance, Dance to the Abyss: Music From The Weimar Republic, the ensemble, now in its final season, performed Cab Calloway’s Minnie the Moocher five times in a row.…
April 10, 2024

Looking Forward to the JUNOs (after the fact)

by Colin Story

Ah, awards season. That very special time of year when artists across a variety of fields experience the thrill of being nominated, grapple with existential issues of the validity of awards and rankings within the arts, eat a moderately expensive…
April 09, 2024

A New Journey: Reimagining Art Song for the 2020s

by Stephanie Conn

Lieder, or art song, might seem a tough sell at times. With just two performers on stage, singer and pianist, it does not offer the visual dazzle of opera with its scenery, orchestra and casts of thousands. Texts are usually…
April 01, 2024

Keying Up for an Inventive Spring

by Wendalyn Bartley

Women from Space: In last month’s issue, I wrote about the Women from Space festival, which happened from March 8-10. I was delighted to attend some of the events, and came away feeling inspired and energized by what I heard.…
March 31, 2024

It’s Time to Ditch the Tails

by Max Christie

“It’s time” I rumble (fussing with the shirt studs and cufflinks) “once again” (muttering while untwisting the back strap on my white vest) “to carp and whine about this ridiculously outmoded uniform requirement!” The occasion? Getting set to join my…
March 31, 2024

Something to Crow About, and a Toast to New Creation

by Jennifer Parr

For months there has been speculation, in “the business” and out, about what the unannounced “secret” seventh show of the upcoming 2024/25 Mirvish season might be. Possibilities mooted have included Beetlejuice and MJ: the musical, among others. The real news is…
February 06, 2024

Freesound Collective tackles Feldman

by Wendalyn Bartley

As we endure the coldest stretch of the year, anticipating the first signs of thaw around six weeks from the release of this issue, it seems that new music activity in the city is also undergoing a bit of a…
February 05, 2024

Night Owls, Legions and Libraries: Finding Homes for Music

by Sophia Perlman

When I was a child in pre-amalgamation Toronto, any trip past Bloor Street on the Yonge line was “north” to me, with the magic moment being when the subway emerged from the tunnel and went above ground; for a magic…
February 05, 2024

When Small is Beautiful

by Colin Story

There is a conventional narrative about a musician’s career trajectory, perpetuated in television and film: in the US version, the talented young musical artist plays progressively bigger stages, from high school talent shows to local clubs to Madison Square Garden,…
06 Jul 2021 - David Perlman
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20 Mar 2021 - David Perlman
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09 Feb 2021 - David Perlman
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