Features

Beginning in the early 1970s I began a series of nature sound-walks, field expeditions, interspecies sonic meditations, explorations and mediated threshold music performances. They eventually coalesced under the banner “Frog Bog.”  Its novelty attracted media attention back then. I took musicians on Frog Bog sound fieldwalks, and played my field recordings in concert halls in music and modern dance settings. Excerpts found their way onto albums, like the 1981 Jon Hassell and Brian Eno track These Times.

“Calypso is the most important music in the world,”

...says musician Jesse Ryan of the music originating in the twin island nation of Trinidad and Tobago. We talk via screens as I interview him for this article.

The sound of trumpets bookended a wonderful Koerner Hall May 23 evening that balanced solemnity, joyful retrospect, and reflections on a professional life well lived. The occasion: the retirement of Dr. Peter Simon following an extraordinary career as President & CEO of The Royal Conservatory of Music.

Anderson, April 5

On April 5th, Koerner Hall and the 21C Music Festival welcomed back Laurie Anderson, a return visit that skillfully wove together pieces spanning the many decades of her career, while offering a glimpse into future possibilities that AI technology offers. The evening began with From the Air, a track from her 1982 album Big Science, with Anderson's evocative voice delivering instructions as an airplane pilot guiding passengers through a crash landing. This piece set a tone: we were in for a ride with wild bumps along the way. Early on, Anderson shared an anecdote about Yoko Ono's response to Donald Trump's election in 2016, a tweet of a long, extended scream. She invited everyone to join her in a ten-second collective scream for whatever issues weighed on our minds: wars, genocides, climate collapse. Another reminder of life’s fragilities and contradictions came with her performance of one of my favourites: O Superman, also from the Big Science album. The piece contrasts being held in a mother’s arms with other types of arms—military and petrochemical arms, performed while multi-shaped hand silhouettes flashed on the screen. 

The Toronto Bach Festival was founded in 2016 by internationally-recognized Bach authority John Abberger (best known to Toronto period music devotees as principal oboist of Tafelmusik Baroque Orchestra). In the spring of 2019, columnist Matthew Whitfield interviewed Abberger for The WholeNote and wrote this: “For the past three years, the Toronto Bach Festival has presented a three-day intensive series of concerts, recitals, and lecture presentations focusing on Johann Sebastian Bach, his world, and his works. Increasing in size and scale each year, the festival attracts magnificent performers and interpreters.” Substitute “past five non-pandemic years” for “three” and the comment is as accurate today as it was then.