Q1: The opening work?
In our upcoming Mooredale Series program, pianist Benedetto Lupo will take us on a captivating journey through Nino Rota’s 15 Preludi. Each piece is imbued with its own distinct character and mood, together crafting an evolving narrative that flows through a range of tempos and emotions. We begin with the vibrant “Allegro molto,” transition through contrasting feelings – such as the introspective “Andante sostenuto ed espressivo,” and culminate in the vigorous “Allegro robusto,” creating a satisfying narrative arc.
In contrast, Aleksandr Scriabin’s 24 Preludi, Op.11 presents a fascinating departure from traditional storytelling. While showcasing a wide spectrum of emotions, many of these preludes, like Preludes No.4 and No.18, tend to feel more episodic or fragmented. Rather than adhering to a clear progression, they capture fleeting moments of expression, offering an intriguing contrast to Rota’s cohesive narrative. This approach reflects a broader understanding of musical storytelling, where the absence of a defined arc can evoke a unique emotional experience, inviting the audience to engage in a more impressionistic way
Q2: The concert as a whole?
Starting the concert with Rota’s preludes sets a tone of accessibility and elegance, offering a light and engaging introduction. As the program shifts into Scriabin’s preludes, the atmosphere deepens, becoming more reflective, intense and emotionally rich, which heightens the listener’s involvement. This order works effectively because it creates a natural progression, both emotionally and technically, allowing the concert to gradually build toward Scriabin’s profound, almost mystical sound world.
From a practical viewpoint, this structure benefits the performer as well. Rota’s preludes, while musically expressive, are less demanding compared to Scriabin’s. This makes them an excellent way to ease into the performance before tackling Scriabin’s more challenging and emotionally charged pieces. The flow of the concert feels organic, with the music growing in complexity and emotional weight.
In essence, pairing Rota’s and Scriabin’s preludes offers a well-rounded journey that moves from neoclassical simplicity and grace to the Romantic intensity and depth of Scriabin’s music.
Q3: Shaping the season?
Looking at the season as a whole, a clear guiding principle emerges: a blend of innovation, tradition, and cross-cultural dialogue. The concert series emphasizes diversity in programming, both in terms of repertoire and instrumental combinations, creating a season that spans multiple musical worlds and styles. The overarching principle is one of balance between contrast and cohesion. Each concert creates its own emotional and stylistic narrative while contributing to a larger season-long exploration of different musical traditions and emotional arcs. Across the season, the audience is taken on a journey through different musical landscapes, from classical and neoclassical to Romantic, contemporary and Latin American influences. The programming invites listeners to experience both the familiar and the new in an engaging, progressive arc.
Wonny Song is Mooredale Concerts’ Artistic Director. Benedetto Lupo, piano is at Walter Hall, University of Toronto, on October 20, at 3:15pm.
