Wanderlust – both literal and figurative – lies dormant in the human genetic makeup. It is often awakened, especially among artists, and takes flight into both real and imagined landscapes often with breathtaking results. From Wandrers Nachtlied, Goethe’s poetry set to song by Nikolai Medtner, to lieder from Mondnacht penned by Robert Schumann; from Songs of Travel by Ralph Vaughan Williams to King David by Herbert Howells and At the River by Aaron Copland, Whither Must I Wander captures the timeless beauty of man’s propensity for real and imagined travel.
The music is interpreted by Will Liverman, an outstanding lieder singer blessed with a warm-toned baritone. Liverman shows himself to be an artist of the first order. His performance here eschews melodrama and his interpretations are understated yet powerfully convincing. Howells’ King David is typical. Although Liverman is still young, and will surely mature, his singing already combines an authoritative vocal sound with accomplished interpretative insights into the music.
Liverman has an outstanding relationship with pianist Jonathan King. Together the two parley with the familiarity of old friends. The singer is aware of when to recede from the spotlight, making way for King to embellish melodies. The pianist, for his part, always rises to the occasion; his playing is full of adventurous handling of harmony and tone. Together with Liverman’s vivid storytelling, this makes for a profoundly dramatic and characterful performance