04_Mahler_LiederMahler - Lieder eines fahrenden Gesellen; Kindertotenlieder
Julie Boulianne; Ensemble Orford; Jean-Francois Rivest
ATMA ACD2 2665

The emerging Canadian mezzo-soprano Julie Boulianne makes her debut solo recording on the ATMA label with an exquisitely sung pair of orchestral song cycles by Gustav Mahler, in relatively unfamiliar chamber versions, along with five lieder by Mahler’s wife/muse and notorious Viennese femme-fatale Alma Schindler-Mahler-Gropius-Werfel.

The arrangement of the first of the song cycles, the formative Lieder eines fahrenden Gesellen (Songs of a Wayfarer, 1884-5), was prepared by Arnold Schoenberg in 1920 for his short-lived concert series, the ultra-exclusive Society for Private Musical Performances. Though the glowing canvas of the symphonic original has been reduced to a monochrome ensemble of ten instruments (including the rarely-heard harmonium, uncharacteristically perfectly in tune and unobtrusive in this recording) the integrity of the composition still shines through. The same can be said for conductor Reinbert de Leeuw’s masterful reduction for Amsterdam’s Schoenberg Ensemble of the Kindertotenlieder cycle (1901-4), Mahler’s settings of the elegies poet Friedrich Rückert wrote commemorating the tragic deaths of his two children.

Boulianne’s voice, precise and well balanced with a voluptuous lower register, is ideally suited for this repertoire. Jean-François Rivest conducts a well-balanced though emotionally reticent ensemble. The album closes with five very attractive songs by Alma Mahler which her husband, upon the advice of Sigmund Freud, edited and arranged to have published in 1910 as recompense for his ill-considered ban on her own composing career upon their marriage in 1902. Accompanied by pianist Marc Bourdeau, Boulianne brings to life the captivating charm of these scarce remnants of Alma’s youthful dreams.


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