Rossini - William Tell
Gerald Finley; John Osborn; Malin Bystrom; Marie-Nicole Lemieux; Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia; Antonio Pappano
EMI 0 28826 2
With glorious C major arpeggios and a scene bathed in sunlight over the mountains above Lake Lucerne in a newly liberated Switzerland… so ends Rossini’s last work for the opera stage. Guillaume Tell, a monumental, French style grand opera and a prototype for the genre later developed by Auber, Halevy and Meyerbeer, was indeed his swan song after which, at age 48 and after 59 operas, he wisely decided to take it easy, enjoy his wealth and fame in Paris, be a great cook, give musical soirées and teach at exorbitant fees. William Tell is unlike anything he had written before in its scope, scale and musical language. Even Wagner expressed unusual interest by saying that at one point Rossini created a “perfect fusion of declamatory style and emotional content.” “So I wrote music of the future?” asked Rossini innocently. “No, Maestro, but music for all times!” was Wagner’s thoughtful reply.
The opera is seldom recorded mainly because of the strenuous requirements on singers. For example the tenor has to sing 54 B flats, 19 high C’s and 2 C sharps! Therefore it is doubly welcome to have this superb new EMI release conducted by today’s maestro of maestros of opera, Antonio Pappano. With carefully studied pacing this long, unwieldy score becomes beautifully coherent with dramatic excitement, tumultuous crowd scenes, expansive pastoral interludes and exhilarating ballet music of the finest kind. This recording bolsters our national pride with two of the principals being Canadian, baritone Gerald Finley (Tell) and Marie-Nicole Lemieux (his wife Hedwige), both in fine characterization, superior voice and impeccable French accent. But probably the greatest strength of the recording is American tenor John Osborn heroically conquering this most gruelling role of the repertoire, Arnold Melchtal.
All other principals are exemplary and form a true team effort of this surprisingly satisfying rarely performed work.
