Valentin Silvestrov
Boris Berman
Le Palais des Degustateurs PDD030 (lepalaisdesdegustateurs-shop.com/boutique)
In March 2022, just days after Russia’s invasion, Ukraine’s pre-eminent composer, Valentin Silvestrov (b.1937) left his native Kyiv for Berlin. Three months later, Boris Berman, following in-person consultations with Silvestrov, recorded this two-CD set spanning 60 years of Silvestrov’s piano music.
Triade (1962) and Elegy (1967) reflect what the young Silvestrov called “lyrical dodecaphony,” to my ears Webern crossed with Debussy. Sonata 2 (1975) juxtaposes serialism, aleatorism and late-Romantic chromaticism, including extended passages of pensive lyricism. The five-movement Kitsch-Music (1977) contains allusions to Schumann, Chopin and Brahms, all to be played, wrote Silvestrov, “as if from afar.” It’s indeed slightly “kitschy” – precious with prettiness and sentimentality, lovely nonetheless. The three movements of Sonata 3 (1979) are slow, inward-looking and disturbingly beautiful, their unsettled tonality suggesting to me an aimless, solitary stroll through a dark, deserted cityscape.
Three 21st -century works were recorded with the piano lid closed, Silvestrov desiring a soft, distant sonority. Postludium (2005) is a slow, bittersweet processional. Five Pieces, Op.306 (2021) – three Pastorals, Serenade and Waltz – are all gentle and sweetly dreamy. Heartfelt simplicity imbues the Three Pieces (March 2022, Berlin), Silvestrov’s musical response to the invasion. The sorrowful Elegy is followed by Chaconne, described by Silvestrov as “accepting death with dignity.” The final Pastoral ends in a mood of serenity, perhaps even hope.
Doubtlessly, these performances by Berman (b. Moscow 1948), head of Yale University’s piano department, pleased Silvestrov. They certainly pleased me.
