04 classical 03 degaetano chopinDeGaetano – Concerto No.1;
Chopin – Concerto No.1
Robert DeGaetano;Moravian Philharmonic Orchestra; John Yaffé
Navona Records NV5929

I always look forward to CDs that feature composer/pianists. The results usually portray the performer in their best light. The composer/pianist knows the instrument intimately and shows off the pianists’ unique skills to their best advantage. Such is the case with Robert DeGaetano’s first piano concerto. Virtuosic technique blazes through this concerto. Scintillating runs and octaves are spectacular. I loved the opening, which reflects the composer’s intent on showing the universe breathing. I would have liked more development of that mood however, instead of the constant runs. The second movement was charming with hints of the rhythms and jazz of New York. The orchestration sounded retro in a good way. The third movement was a more intimate, reflective performance and a prelude to the last dance-like movement. Hints of Italian tarantellas, overtones and brilliant technique brought this dazzling concerto to its finale. Bravo for an imaginative first piano concerto.

The idea of programming Chopin’s First Piano Concerto with his own has merit. DeGaetano went the extra mile in having John Yaffé revise the orchestration due to questions about the originality of Chopin’s. Yaffé began his work with the 1910 version by Mily Balakirev as the point of departure for his own. It will be available for other performers in a published version. There is not enough room in this review to discuss orchestration so I will address the performance. DeGaetano is an excellent technician and musician. He has a lot of fire and energy in his playing. I would prefer more breadth and breath in both the opening orchestral tutti and the piano. More singing tone and a vocal approach would help elevate this into a stunning performance. The third movement is dancelike and the syncopated rhythms could convey this more. However, I think the CD is valuable in showing off two opus one concertos and with exemplary performances they deserve a listen.

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