“These are fairy tale pieces,” writes American composer Daniel Crozier (b.1965), professor of theory and composition at Florida’s Rollins College. Crozier names only one of the stories, saying it’s more entertaining for listeners to use their own imaginations.
The 34-minute Symphony No.1: Triptych for Orchestra begins with Ceremonies, a movement whose sombre sonorities and unstable tonal centres suggest portentous, menacing situations. The second movement, Capriccio, with its sprightly winds, dancing strings and outbursts of brass and percussion, conjures (for me) images of malicious elves cavorting in a dark forest. The final movement, Fairy Tale: East of the Sun and West of the Moon, draws its title from a Norwegian folk tale containing many familiar fairy tale elements. This, the symphony’s slow movement, features a long-lined, otherworldly melody for the violins followed by a solo flute floating over hushed strings. I was quite taken with this music – rather than hearing episodes of a story, I “saw” a beautiful, secluded mountain lake, shimmering under the stars. The symphony ends by recalling its ominous opening before quietly fading away. No happily-ever-after here. The Seattle Symphony Orchestra and conductor Gerard Schwarz provide an energetic, virtuosic performance.
The 11-minute Ballade: A Tale after the Brothers Grimm resembles the symphony’s second movement – animated playfulness bracketing a sinister-sounding, slow middle section. It’s performed by the Moravian Philharmonic Orchestra under Stanislav Vavřínek.
Both of these very colourful works are well worth a listen.