PUB: Formal name: public house – a building with a bar and one or more public rooms licensed for the sale and consumption of alcoholic drink, often also providing light meals. (Source: dictionary.com)
This is the essence of Opera Bob’s Public House: the two year brain child of two good friends and myself. Located in the town whose hockey team is first to the golf course, with a soccer team masquerading as a football club, a basketball team whose constant rebuilding makes the TTC’s Sheppard line look like the road to the promised land, and a baseball team that, at least, keeps us hoping for another “touch them all Joe”! A town, in other words, where sport fans could use a drink.
In Hog’s Hipsterville, OB’s attempts to maintain the tradition of its name: a public place. A place where the neighbourhood Dad can take a break and catch the game of puck on the reality box, men of the letters of the law can toss back a half dozen after a long day of negotiations, the co-ed softball team can celebrate their shellacking, and the 905ers can see how the real spend their Friday nights; not standing in line for a sweaty basement bash.
As we spend every free moment posting on our walls, reading tweety’s latest squeak, waiting for our next message on our I-phone, I-pad, I-have no life, let us not forget the simpler and slower days of yore when human communication was done with the voice, the glaze, the shake of a head and the tap on the shoulder. Traditions are entrenched in our human condition for good reason. Just as opera was the rock music of its time (not the tuxedo wearing, champagne sipping we attribute to it), a bar is a solid wood counter, a bar man and taps of beer. Not a granite landing, with Hollywood star-in-waiting pouring you a martini from your choice of sixteen vodkas.
If opera is the highest form of human expression, combining all forms of art, the pub must be the culmination of human disentanglement: the perfect place to vent, relax, let loose, argue, sit in solitary observance of our social machinations, or a place to drink the fruits of monkish labour.
Come down to the Public House; just off the Ossington strip on the road leading to the sleeper town of the steel Hammer. A place to be you, it’s a place where all are welcome (even plaid-shirt, tight jean, silly hat wearing, and match.com date varieties). Toss back a microbrew as Neil sings the line “Old man take a look at my life, I’m a lot like you were,” or a live group of ragtag culprits blasts through their songs much like the fat soprano busted through an aria of Joe Green’s at La Scala. Ponder deep questions: should a ball park dog only be consumed in the friendly confines or may it be done watching the great pastime on tv? How do you condimate yours while watching our boys in baby blue? The profundity persists…
Toronto-born operatic bass Robert Pomakov is currently working at the Metropolitan Opera on Rigoletto and Il Trovatore and makes his next local appearance in the COC’s new production of Rigoletto in the fall.