The love song has been a mainstay of vocal music, through its incarnations as performed by minnesingers or troubadours, followed by lieder or chanson artists, to John Cusack with a boom box above his head in Say Anything, to the seemingly ubiquitous Ed Sheeran. Throughout this time, it grew steadily louder: the meekest of instruments, the lute, has been supplanted by the guitar (sometimes electric) while the harpsichord yielded to the pianoforte and synthesizers. One thing, seemingly, has been lost: the contemplative, almost meditative quality that permeated the Renaissance and Baroque songs of courtly love. The intimate connection is still there in modern music, the sweet pain of love still exerts its pangs, but the whisper has turned to a shout. No wonder – in our crazy 24/7 world, who really does take time to smell the roses? Robert Toft, that’s who! The music scholar from Western University in London brings together a stellar cast to survey the love songs of the Italian and English Renaissance and Baroque. The unique talents of Daniel Thomson, Terry McKenna and Thomas Leininger recreate the very intimacy, closeness and wonder of music played and sung pianissimo, requiring us to tune out the world and meditate alongside.
Thomson, an Australian countertenor, is having “his” moment: his muscular, precise voice is pure joy. McKenna, a Canadian lutenist, coaxes his “meek instrument” into a commanding performance. Leininger, a German master of the harpsichord, makes one long for the days before the invention of the pianoforte. Arriving a few weeks late for Valentine’s Day, nevertheless this will be the best gift for the one you love.