Experimental, electrifying, a wonderland of colours – Filigree is a laboratory of sounds, impermanent yet consistent. With this recording the JACK Quartet delivers select pieces by American composer and harpist Hannah Lash and does it with their typical commitment and conviction. Every note, every phrase, is placed and nuanced with clarity of musical expression and clear understanding of Lash’s compositional language. JACK plays with an abundant energy that is beaming with emotional fluency.
Although encompassing a period of five years, chamber music pieces on this recording share a similar contemporary approach to multi-layered string technique(s) and a unique balance of intellectual and visceral elements. The album opens with Frayed, my favourite piece on this recording. The opening chords resemble a series of breaths, tense and unadorned, giving the impression of bringing out intimate mementos. That is, however, interrupted with a dynamic and powerfully unsettling section that slowly takes over, and it is the interlacing of different worlds that gives a tangible intensity to this piece.
Suite: Remembered and Imagined, stands in contrast with its playfulness and showcases a variety of textures. The album concludes with Filigree in Textile for harp and string quartet, inspired by the tapestry arts of the Middle Ages. The lush mood of the first movement, titled Gold, is followed with the rhythmically uniform Silver. The harp threads brilliant lines and brings everyone together in Silk.
This album is notable and well worth your attention.