The following is an excerpt from Old Wine in New Bottles - Fine Recordings Re-Released (November 2016) which can be read in its entirety here.
Paul Moseley is Director of Mozart 225, in other words the man at Universal Music responsible for bringing together all the elements for Mozart 225: W.A. Mozart – The New Complete Edition (Universal Music/Stiftung Mozarteum Salzburg, 200 CDs, Books, literature, etc.).
In an interview with Barry Holden, VP of Classical Catalogue, Moseley responded to the question, why now? “In December, this year will be the 225th anniversary of Mozart’s death and it occurred to us that this was a chance in our lifetime to celebrate our relationship with one of the greatest creative minds that ever lived and look again at our recorded interpretation on disc and scholarship with this incredible genius.
The edition is, we think, the biggest CD box set ever put together. It would take you ten days to get through all the music on the set, I think there are 15,000 minutes which is something like 240 hours. 200 CDs, 4000 tracks, over 600 solo performers and ensembles, 60 orchestras. From a label point of view, to be able to include Decca which obviously is Decca and the old Philips label, Deutsche Grammophon with its wonderful catalogue of Mozart recordings – also the ASV catalog – so there are perhaps nearly 20 labels represented all together. We’ve gone one better even than the Philips’ Mozart edition which came out 25 years ago for the 200th anniversary by not only finding new music that wasn’t recorded before but also offering alternative interpretations of music to give the listener the ability to choose between a period instrument performance for example and a modern instrument performance. Just to give them that sense of the breadth of recorded interpretation of some of the great works.
“The first thing you’ll see when you open up is two very large hardback books. The first book is a new biography of Mozart by Cliff Eisen. Cliff Eisen is professor at King’s College London and I would say, probably the world’s preeminent Mozart scholar.
“The second book which Cliff has curated the editorial of, is just on the music contained in the boxes so follows you through each box and each work. Cliff was also the editorial consultant for the entire edition so he’s made sure that everything that’s written is up to date and scholarly.”
Fitting the two hardbound books, the new Köchel catalogue and 200 CDs into a 26 x 26 x 18 cm box is a tight fit. The bottom of the big inner box holds four smaller removable boxes: “Orchestral,” “Chamber,” “Theatre” and “Sacred/Private/Supplement,” each with a booklet with information on each disc in that group. I found it impossible to locate and remove a disc before easily removing the booklet. Also you don’t bring a 20-pound (9 kg) box to your chair…you go to it. That’s exactly what I have been doing for the past month, appreciating new versions of so many familiar works that restore their newness and originality. Performances of works as over-familiar as Eine kleine Nachtmusik, Piano Concerto No.21 or A Musical Joke (Ein musikalischer Spass K522) inspire close attention.
I cannot imagine that Universal expects this labour of love to hit the charts but those who acquire the invaluable set will be rewarded for a long time come. You may examine the complete edition for yourself at mozart225.com.