Rules Of Compression
Song For Daniel
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Put these four gentlemen together in the warmth of an acoustically perfect room and you instantly have a heavyweight quartet bursting forth from bar one, then continuing to carve out a niche for itself. No Codes suggests allegiance to no single style within the realm of jazz but there is certainly a reference to the rippling boppish groove that soon unfolds into music with tantalizing angular melodies couched in complex tempi and abruptly changing rhythms.
Alto saxophonist Benjamin Deschamps, playing his heart out, shows that he can hold his own with his veteran colleague tenor saxophonist Frank Lozano. Bassist Sébastien Pellerin and drummer Louis-Vincent Hamel frame the broodingly percussive rhythm section but every now and then they come forth from playing in the pocket to ring in the changes in mood, structure and tempo. All of this makes for a highly interesting program, from the blistering bop runs of Rules of Compression that lift the lid on this pressure-cooker atmosphere around the band to the loose and funky swagger of Cool Cats and the tart, party-time thrills and spills of Double Meaning and My Steps.
There is a considerable degree of balance and integration of melody, harmony and rhythm from this piano-less quartet. This is touching and toe-tapping music in equal measure. Again, composition and improvisation, exploration, individuality and tradition are all impressively maintained throughout, which makes No Codes a disc to absolutely die for.