Cry Me A River
All Shook Up
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Carrying the DNA of an artistic lineage, it is no surprise that gifted vocalist, dancer and actor Tanya Wills would enter the family business and manifest an international performance career. With the release of her debut CD, Wills has drawn from her diverse career experiences and fashioned an eclectic, stirring and musically stunning recording – beautifully recorded by Bernie Cisternas. Acting as producer here, Wills has assembled the perfect musical complement to her smoky, substantial, mezzo-soprano: Jordan Klapman on piano, Bill Bridges on guitar (and also primary arranger) and Ron Johnston on bass.
A few of the sources of the intriguing material on this project come from the worlds of musical theatre, the European/American cabaret culture of the post-WWI era, American popular song, traditional folk music, a proto-rock ‘n’ roll contribution from Elvis and two original compositions, including Tony Quarrington and Klapman’s dark bossa, Rain on the Roof.
One of the many standouts is Wills’ performance on Lazy Afternoon. Her voice is exquisitely controlled, as she weaves a laconic, gossamer web of sensuality around the mesmerized listener, and Bridges’ guitar accompaniment is nothing short of luminous. Another track of note is Arthur Hamilton’s Cry Me a River – a passive/aggressive anthem made popular by the late Julie London. Wills puts her own contemporary stamp on the tune, cleverly morphing the intent of the lyric into a statement by a strong woman (rather than a victim’s lament). I would be remiss if I didn’t single out the joyous rendition of If I Were a Bell – Frank Loesser’s hit from the venerable musical Guys and Dolls. Wills imbues this tune with just the right amount of spice and sass.