Read the Review
The following review is an excerpt from Keyed In (September 2018) which can be read in its entirety here.
Canadian pianist Réa Beaumont’s recording Timeless (Shrinking Planet Productions SP0093 reabeaumont.com) includes works by Philip Glass, John Adams, Srul Irving Glick and others, as well a couple of her own compositions. Beaumont’s program is designed to show how “music changes our perception of time.” John Adams’ China Gates, for example, is composed without a time signature and is one of several whose flow supports the recording’s “Timeless” title.
Toronto Symphony Orchestra affiliate composer Jordan Pal’s Study in White is the longest work on the program. Beaumont brings an impressive sustained energy to the gradually building intensity of this piece before ending it in the blaze of pianistic colour the composer intended. The six Glick Preludes are short. Beaumont plays them with great attention to the inner melodic material that Glick uses against his rhythmic elements. There’s some shared musical language between Glick and Beaumont that becomes evident on comparative listening. It makes her particularly adept at interpreting his music.