What happens when you fuse a solid classical music background with a newfound love of jazz and Cuban music? Tricia Edwards’ Intaglios, that’s what! With a master’s degree in piano performance, studies at the Banff Centre and Salzburg’s Mozarteum, and several years performing chamber music while living in the Middle East in the 90s, the Calgary-based pianist launched her “second musical act” in the mid-2000s, having discovered the joy of jazz. Ultimately she found her way to some of the finest musicians heating up Calgary’s Latin music scene, three of whom appear on the album.
What makes this CD especially delightful is that while Edwards beautifully explores her affection for Latin music in seven original and terrific tracks, along with three covers, she clearly hasn’t forgotten her first love. I counted at least six neat little nods to the classical repertoire. On track seven alone, the fabulous and driving String Theory, which Edwards says was inspired by watching her cats at play, there are playful passages from Grieg’s Piano Concerto in A Minor and Mozart’s Turkish Rondo; and I’m pretty sure there are some bars of Bach, too.
Track one, Trainwreck lll, owes its inspiration, in part, to the percussive energy of Ginastera, and the final track, the gorgeous, ballad-like Alegria, offers some lovely and lilting piano work, including a few notes from Debussy’s Clair de lune.
With Intaglios, Edwards honours the genres of classical, jazz and Latin music, imprinting upon them her unique style and a lifetime of experiences.