Canadian soprano Maureen Batt performs with clear diction and memorable musical nuances in this fascinating release of two contrasting song cycle versions of Sir Walter Scott’s 19th-century epic poem Lady of the Lake.
Franz Schubert’s song cycle is rooted in the familiar German Romantic style. Mostly scored for voice and piano, it is a treat to listen to the complete version here. The Halifax Camerata Singers conducted by Jeff Joudrey with pianist Lynette Wahlstrom create luscious harmonies in a tight ensemble performance of Coronach, Op. 52, No. 4, while the TTBB version of Bootgesang Op.52, No.3 is rollicking. Bass-baritone Jon-Paul Décosse sings with colour, while Batt’s soaring rendition of the original German-language version of the familiar Ave Maria is great. Pianist Simon Docking supports the voices with rhythmic drive and melodic excitement.
Canadian composer Fiona Ryan writes in the liner notes that she composed her Lady of the Lake in a more operatic/theatrical fashion. The folk-song flavoured A Warrior’s Farewell features a perfect rendition and closing a capella section by Décosse. The three recurring Battle Cries sections are driven by dramatic sung lines, spoken word sections, bent pitches and driving contrapuntal piano writing. The highlight is the more new-music flavoured closing Reconciliation/Mémoire. Batt and Décosse sing the dramatic tricky vocal lines with precision and emotion.
Both Lady of the Lake cycles are well composed and held together by Batt’s shining voice.