The Toronto Symphony’s New Creations Festival is turning out to be a remarkable blend between premieres of works not heard in Canada before, including two newly commissioned pieces and an experience of breaktaking performances by Canadian soprano Barbara Hannigan who was featured in the February issue of The WholeNote. With one show of the festival remaining on Saturday March 7 and the entire night devoted to a concert version of guest composer George Benjamin’s opera Written on Skin, all I can say is if you’re reading this before Saturday, you need not even think twice. It’s going to be spellbinding.
But before jumping ahead into the future, a look back at what has already transpired is in order. The two works that stood out for me at the February 28 concert were both devoted to studies of “a mind of winter,” which just happens to be the title of the work composed by Benjamin and performed by Hannigan that evening. As soon as the conductor’s baton was raised, from my close vantage point I could see Hannigan immediately begin to breathe into and with the sounds coming from the orchestra. I remembered what she had said in the interview we had for the February cover story – that when she sings she becomes fully a part of a large body making sound and breathing. She went on to say “that’s what makes singers so unique – because the voice is the most vulnerable of instruments, when you are connected with your whole body, your whole being is on display.” She so fully took the audience into this mind of winter state, that listening to the music lifted the listener far beyond the drudgery of winter into a place of stillness and exquisite beauty.