For a Syncopated Good Time ...

BBB-JazzITC1If you happen to fancy the music of the 1920s, 30s and 40s, you would be wise to get to the Rex Hotel every Friday afternoon from 4 to 6pm for The Hogtown Syncopators. While this kind of promise is hardly customary, I guarantee you will be entertained.

First there are the vocals of Terra Hazelton. It’s not at all surprising that Jeff Healey chose this woman to front his Jazz Wizards for six years and that Jaymz Bee of Jazz.FM91 has said that she is one of a handful of singers who take you back to the 1930s. Oozing with personality, Hazelton can be found singing jazz, roots, country and original music, but her voice is ideal for the blues, reminiscent of timeless singers like Bessie and Billie. She has a way with a lyric and simply put, when she sings, it’s hard not to listen. Hazelton also plays the snare drum in the Hogtown Syncopators, and does so with a sense of swing sublime.

The rest of the rhythm section is guitarist Jay Danley, who also sings and contributes original material to the group, James Thomson on bass, and Richard Whiteman on piano. Each of them brings something different to the band, but what they have in common is  a passion for the music that is infectious.

And then there is violinist/clarinetist/saxophonist/vocalist Drew Jurecka. It is difficult not to be in awe of this versatile virtuoso, who was classically trained at the Cleveland Institute of Music. He has played the Hollywood Bowl with Diana Krall, Shirley Horn and Dianne Reeves; he spent five years on the road with Jeff Healey and now tours regularly as part of Jill Barber’s band. In addition to his busy recording and performance schedule, Jurecka is a faculty member at Humber College where he has helped to develop a unique jazz strings program that includes technique classes, ensembles and private lessons.

“I played violin from a very young age, studying the Suzuki method, and then playing classically through my undergrad,” Jurecka recalls. “I also played flute, then clarinet, then saxophone in my middle school and high school band. I studied the saxophone with two great private teachers: Andy Ballantyne and Alex Dean. Both of them introduced me to jazz music and taught me how to appreciate and approach playing it. Somehow it never occurred to me to play jazz on the violin until midway through my undergraduate degree at the Cleveland Institute, when someone introduced me to the music of Django Reinhardt (and his amazing violinist colleague Stéphane Grappelli). Playing jazz on the violin quickly became a passion, then a drive. I learned to apply the stuff I had been playing around with on the sax to the violin, and now here we are.”

While most of the time Jurecka performs on the violin, in the Hogtown Syncopators he stretches out on his other instruments and sings in a heart-melting Louis Armstrong-influenced manner. It’s not that he growls like Satchmo, but rather respects the melody while improvising ever so subtly in a hornlike way, all the while swinging you to good health.

As a sideman he has played, written or arranged on more than 150 records, including several JUNO-winning and Grammy-nominated albums, film and television soundtracks. What about his own recording?

“I’ve long been pressured by lots of friends and supporters to put out a solo disc.  I’ve never had a strong drive to record “my own” project. I love playing music, arranging, producing and doing all of the things that I’m fortunate enough to do, and I feel pretty artistically satisfied.However, I do have a couple of days booked at Canterbury Studios in October with Mark Kieswetter and Clark Johnston. I’m excited to finally record a record as a leader.” Cheers to this news! It will be very interesting to hear the choices Jurecka makes as a leader. For a sneak preview, see him along with Kieswetter on piano and Dave Young on bass at the Home Smith Bar on Saturday October 11 from 7:30 to 10:30pm.

The Unsinkable Terry Wilkins

BBB-JazzITC2Another musician who can easily be described as versatile is bassist Terry Wilkins. The veteran Toronto-based musician, composer, bandleader, arranger, producer and teacher is a native of Sydney, Australia. He has been working here for over 40 years, but has kept a trace of an accent.

“I moved to Toronto on March 14, 1971. I arrived with a band – we were called Flying Circus and we came to Toronto to wait out the negotiations for a record deal with Capitol U.S. We stayed here for a few months and played bars and high school dances. We decided we liked Toronto, so after returning to Australia for one more nine-week national tour, we returned to Toronto, got our Capitol deal and I am still here.”

Since the days of that country-rock band, he has worked with an impressively diverse group of artists including Lighthouse, Big Sugar, Rough Trade and David Wilcox, as well as backing up visiting artists such as Dr. John, Eddie (Cleanhead) Vinson, Maria Muldaur and John Hammond.

These days Wilkins is very excited about his recently formed band, The Sinners Choir (there is no apostrophe, I checked) which is a funny name for a powerhouse trio. Halfway between roots and rock ‘n’ roll, this unique cross-generational formation of three sideman who sing in harmony, in addition to playing bass, guitar and drums, rocks in every sense of the word.

“Four years ago, I got the call from Brian Cober of The Nationals to go play a Sunday night at Grossmans. I had done many of these over the years since their dear bassist, Paul, passed away.

“In this case, Brian informed me that he would be in Israel but he was sending in a young guitarist-singer named Adam Beer-Colacino. I had not heard of him. He was about 20 years old. We talked about what we were going to start with. From the literal first note we played together we had an innate understanding of how to intersect. Last November we added Adam Warner on drums after having had many gigs over those years with various drummers. Adam’s writing and singing made him an invaluable addition. As a bonus, the very first time we ventured to sing a three-part, we made the sound we currently make. No strenuous rehearsal or detailed planning. It just worked.”

These days you can see and hear The Sinners Choir on most Tuesday nights at 10pm at The Cameron House, a venue which is very dear to Wilkins.

“I have played there right back in time and over the intervening 33 years I have nearly always had one connection or another that kept me playing there, whether it was seminal Queen Street band V featuring Mojah, Lorraine Segato and Billy Bryans and myself, through to the early days of Big Sugar and its early associations with Molly Johnson, and on to standing on the bar with Jake and the Blue Midnights –right up to now with my work there with The Sinners Choir. I love The Cameron and I am so delighted that Anne Marie’s son Cosmo and Mike McKeown had taken the spirit of The Cameron and pulled it into the 21st century keeping all the best and adding in their take. May it last another 100 years.”

Ori Dagan is a Toronto-based jazz musician and educator who can best be reached at oridagan.comand I am so delighted that Anne Marie’s son Cosmo and Mike McKeown had taken the spirit of The Cameron and pulled it into the 21st century keeping all the best and adding in their take. May it last another 100 years.

Ori Dagan is a Toronto-based jazz musician and educator who can best be reached at www.oridagan.com


In The Clubs

 

bbb - jazz in the clubsSeptember signals summertime’s end but musicians are out there to warm your heart this month, as always. It’s really exciting to see some new, weekly jam sessions happening around town, several of which are organized, promoted and hosted by hugely talented young artists like saxophonist Emily Steinwall, who will be entering her 2nd year at Humber College this month. The house band consists of fellow Humber heavies Youngchan Na on guitar, Hayden Farrar on bass and Louis Baranyi-Irvine on drums. The jams run every Sunday from 4 to 7pm except for the second week of the month – so September 7, 21 and 28 at Relish on the Danforth. I caught up with Steinwall to find out a bit more about the who, the where, the how and the why behind the sessions.

What or who inspired you to start running a weekly jam session?

There is another weekly jam session in the west end run by Nick Morgan that I attend as often as possible at the Annette studios. I always have a great time at the Annette jam, and it was a big part of the inspiration to start one up in the east end. I think this type of traditional jam session is so beneficial for musicians who want to play jazz because it gives them a chance to play with new people and hear other players on the scene, and apart from the Annette jam there aren’t many other things like this happening in Toronto. I realized that there was a lack of places for people to get out and jam, though there was a huge demand for it, so I started one up at my house around the end of May … within a few weeks, too many people were coming out and I had to find a bigger venue, which is when I asked Relish. 

What makes Relish an ideal spot for this event?

Relish is a great fit for this type of jam session because it is minutes away from the subway line, already has the required equipment set up and offers cheap drinks for the musicians who come to play ($5 pints of Ontario craft beer are offered to all jammers). The people who work there are very friendly and relaxed, which gives the jam a fun and easy-going vibe.

What do musicians need to know if they are planning to come to the jam?

Rhythm section instruments will be provided, as well as microphones for the vocalists, but horn players need to bring their own instruments. Musicians who are planning to come and play should know material coming out of the Great American Songbook and other standard material – something that many people will know how to play without having to read a chart. The material played is coming straight out of the jazz/swing tradition. There are a few basic etiquette things that people should understand about jam sessions: first of all, if there are many people who want to play, don’t hog the bandstand. This means taking a tasteful amount of choruses, not having more than two horn players on one tune and only playing one or two before letting the next group get up. Give everyone a chance to play!

Secondly, be open to all levels of players and do not be a jerk. This jam is for everyone to have fun and share their joy for music, and there is no room for egos. Don’t call tunes that are obscure/heavily arranged and expect everyone to know them. Come in with an open mind and be ready to play anything … in this type of situation, simpler is better! There is no cover, but there is a tip jar for the members of the house band to get paid with. A $5 to $10 donation is recommended for people coming to play.

Here’s wishing Emily Steinwall the best of luck with this session – you’ll be seeing yours truly there often!

bbb - jazz in the clubs2Another new jam session on Tuesday evenings takes place on Bloor near Ossington at Blakbird (without a letter ‘c’) which is the downstairs of Pero Lounge. The host, Kalya Ramu, is a fantastic vocalist in her senior year at Humber. She is joined by a stellar group of young musicians: Nick Tateishi on guitar, Ewen Farncombe on keys, Connor Walsh on bass and Ian Wright on drums. May these new jams live long and prosper, creating countless memorable moments of music!

Speaking of which, Lisa Particelli, founder and host of GNO Jazz Jam, just celebrated 500 weeks of singing! This jam has travelled around the city, from Cabbagetown to the Beaches, and for years now its home has been at Chalkers Pub on Marlee Avenue. As of a few months back, in addition to Wednesday nights at Chalkers, you can find the GNO East Jam between 2 and 5pm on the last Sunday of every month at Morgans on the Danforth, with guest pianist Mark Kieswetter. All are welcome to sing with the accompaniment of this very talented musician.

I’m always happy to let readers know about new venues for live music. While these days there are only a few actual jazz clubs in the metropolitan of Toronto, hotels and restaurants that have opened up their weekends for live entertainment are always a welcome addition. The charm of Yorkville’s Toni Bulloni includes the food, service and atmosphere. There are only a few dozen seats at this intimate restaurant so the space easily becomes a cabaret. Saturday nights at 9pm and Sunday evenings at 6pm you can find entertainment by duos like Sam Broverman and Mark Kieswetter on September 6, Jordana Talsky and Mark Kieswetter on September 21, Genevieve Marentette and Mark Kieswetter on September 27, myself and Mark Kieswetter on October 4 and so on. Come and find out why Kieswetter’s a walking masterclass in accompanying jazz singers!

Of the non-Kieswetter dates, one gig of note is that of the duo performing on Saturday, September 14: Pam Hyatt and Peter Hill.

Hyatt is a gifted actress and singer, a comedienne par excellence, and one hell of a cabaret act. From the gorgeous tenderness of “Something Cool” to the sheer insanity that takes place on “Easy Street,” it’s inspiring that this lady recently released her first recording, Pamalot at age 76 years young! Peter Hill is famous for accompanying thousands of Girls Night Out singers at Lisa Particelli’s GNO Jazz Jam and maintains a busy schedule as accompanist and leader. Their collaboration is well-captured on Hyatt’s aforementioned debut album. For dinner reservations at Toni Bulloni’s call 416-967-7676.

Elsewhere in Toronto, the weekend of mid-September is a good one! The Rex alone features four fabulous shows on September 13: Danny Marks sings all kinds of blues at noon, Laura Hubert sings blues, jazz and western swing at 3:30pm, Justin Bacchus sings soul and R&B at 7pm and then for dessert, jazz fusion with Vito Rezza at 9:45pm. If you miss Rezza’s group, a great opportunity to catch them is the following weekend, September 18, 19 and 20 at Jazz Bistro, with Cat Conner’s CD Release Sunday September 21 at 7pm.

Thanks for reading, and an even greater thanks for getting out there and listening!

Ori Dagan is a Toronto-based jazz vocalist, voice actor and entertainment journalist. He can be contacted at jazz@thewholenote.com.

 

Toronto Jazz Top Ten

I was considering giving up on a career in jazz music, but on a summer night in 2005 at the Montreal Jazz Festival, when I sat in at the Hyatt Hotel and sang “Sweet Georgia Brown” in three varied tempos as a nod to Anita O’Day, I changed my mind. That night I realized how important jam sessions are as an opportunity for musicians to create music in the true spirit of jazz: without rehearsal, to an appreciative audience of jazz enthusiasts. Just got word that Novotel has sponsored the Ottawa Jazz Festival jam session and I am really hoping that in these parts and beyond, we get the official jam sessions back too! 

1909 InTheClubs

TOP TEN TORONTO JAZZ FESTIVAL TIPS:

1) Award-winning, world-renowned artist for her innovative brilliance on saxophone and flute, and jazz ambassador for her work around the world, Jane Bunnett has changed the lives of many Cuban musicians by exposing their talents to North American audiences. On her latest project, “Maqueque,” Bunnett has assembled an exciting sextet featuring the finest young female musicians in Cuba. Joining her are drummer Yissy Garcia, percussionist Dayme, Yusa on tres guitar and fretless bass, pianist Danae and Magdelys on batas and congas. Like a trusted chef in a five-star restaurant, it is inevitable that Bunnett and these young ladies will cook up a storm on opening night, June 19 at 8pm at Lula Lounge.

2) A coveted Toronto treasure, she plays all over the city and has many adoring fans, from her days in the JUNO-winning rock act Leslie Spit Treeo to her reincarnation as a singer of blues, jazz and western swing. Laura Hubert’s honesty, which delves deeply into both comedy and tragedy, is that of an actor who became a singer by accident. With a unique voice that is a bit of a surprise coming out of such a petite lady, she is capable of growling, crooning, swinging hard and moaning low. Discover Laura Hubert at the festival either on opening night, June 19 at Grossman’s at 10pm, or on June 28, 3:30pm at the Rex.

3) Here’s hoping American vocalist Dianne Reeves has a sold-out show at the festival Main Stage on Tuesday, June 24 at 8pm, and here’s hoping you’ll catch her opening act, the Brandi Disterheft Quartet. A force to be reckoned with as a bassist, composer, bandleader and recording artist, the Vancouver-born musician has released three excellent albums: her JUNO-winning Debut, slightly poppier, even catchier Second Side and the very satisfying Gratitude from last year. It’s always exciting to see where Disterheft is going next, both in the short term sense of each solo and the long term sense of her next record. She currently lives in New York City where she maintains a busy schedule as sideman when not touring. Cheers to Brandi!

4) On Sunday June 22 at 7pm, “Girls Night Out” jazz jam session host Lisa Particelli will present a group of GNOJAZZ all-stars and continue to raise money for her annual Humber College Scholarship. The award is given to a vocal jazz student who demonstrates exceptional ability and requires financial assistance with this crazy dream of singing jazz. Every Wednesday from 8pm to midnight singers of all levels are welcome to perform at this vocalist-friendly jazz jam, which can also be thought of as a jazz open mic, a truly rare and very prized opportunity not only for vocalists of all levels but really for anyone who would like to try singing with three incredible jazz musicians in a safe environment. In addition to the fundraiser, there’s a jazz festival jam session on June 25, as well as every Wednesday year-round.

5) Lovers of the clarinet, trumpet, or saxophone, go no further than KAMA on King, where Ken Peplowski, Harry Allen, Warren Vache and Houston Person, respectively, will be guesting with the Canadian Jazz Quartet on Monday, Tuesday, Wednesday and Thursday June 23, 24, 25 and 26 from 5 to 8pm. These days there are not many venues in this town where one can really go out and listen to this brand of instrumental, classic jazz. A rare opportunity to hear cream-of-the-crop New York players here in Hogtown, each of these concerts would be a great treat for any aspiring horn player! Tickets are $40 and are available at Ticketmaster – and a discount of 15 percent if you attend all four concerts.

6) For piano lovers, mellifluous Cuban-American Manuel Valera heads a trio at the Rex on June 20 and 21, and energetic B3 specialist Joey DeFrancesco plays the Horseshoe Tavern with his trio on July 25. Jazz Bistro features several solo piano shows of note, including Bill Mays on June 22, Gerald Clayton on June 23 and two shows per night by the Oliver Jones Trio on June 27 and June 28. Singer-pianists are a rare breed of awesome; the Bistro is expecting to sell out when London, England’s Ian Shaw performs on June 25, and the whole family can enjoy free lunchtime performances in Nathan Phillips Square led by two Canadian singer-pianists who are also exquisite songwriters: the Elizabeth Shepherd Quartet on June 23 and Laila Biali Trio on June 25; Shepherd also performs two intimate evening concerts at Musideum, 7 and 9pm on June 21.

7) String along! For guitar lovers, there are some excellent resident musicians such as the Fraser Melvin Band at Gate 403 on June 20, the Eric St. Laurent Trio at Painted Lady on June 26 and Mark Sepic at Relish on June 28; and several big tickets, including John Scofield on the Main Stage on June 26 and futurist Bill Frisell performing “Guitar in the Space Age” at the Jane Mallett Theatre on June 28. 

1909 InTheClubs28) Toronto native Beverly Taft is one of this city’s busiest jazz vocalists – she is performing four gigs at the festival: at Musideum with pianist Robi Botos on June 24 and in various ensembles at the Dominion on Queen; back to back on June 22 from 1 to 4pm with George Westerholm and the York Jazz Ensemble and 5 to 8pm with Sam Murata on violin, Tony Quarrington on guitar and special guest from Japan, pianist Yumi Nakata; and again at the Dominion on June 28 from 4 to 7pm singing bossa nova with Nathan Hiltz on guitar, Jordan O’Connor on bass and Chris Gale on tenor sax. Taft’s is a light instrument that is easy to listen to and her passion for performing this music is always evident. 

9) An exciting talent for her singing, songwriting and performance style, Maylee Todd defines genre in a sense, and though she is far from being a “jazz singer” the Toronto Jazz Festival has wisely booked her to perform at Shops on Don Mills. Comparisons to Björk and Kate Bush are likely, but here is an authentic voice of an exciting individual, not to be missed! I’m sad to miss this one myself (I’m playing at Paupers at precisely the same time!) but I will be visiting mayleetodd.com for future dates and following her on Twitter at @mayleetodd to find out where she will be next!

10) Now here’s a concept: live jazz performances at music stores! Leading up to the Jazz Festival, the 333 Yonge Street location of HMV will present three live performances at 6pm called “The HMV Underground”: the Mike Downes Trio, led by JUNO-winning bassist extraordinaire (June 16); Myriad3 (Chris Donnelly on piano, Dan Fortin on bass and Ernesto Cervini on drums, June 17); and the arresting voice of Eliana Cuevas (June 18). This is a wonderful opportunity to hear these artists up close and get an autographed copy of their recordings. What better way to get people back into the music stores?

Ori Dagan is a Toronto-based jazz vocalist, voice actor and entertainment journalist. He can be contacted at jazz@thewholenote.com.

Three Lauras and More

The TD Jazz Festival June 19 to 28 2014 lineup announcement has been, in my opinion, the most memorable in years — Keith Jarrett, Bobby McFerrin, Norma Winstone, to name a few of the acts booked. Expect much more in HalfTones, mid-May, and in our June coverage.

Jazz Bistro: Meanwhile I’m also excited about the upcoming May schedule at Jazz Bistro, but need to start by telling you that I work part time for the club, so you should take that into consideration in weighing the words that follow!

1908-InTheClubsThat being said, what’s not to like? Highlights include a CD release for the Mike Murley Trio followed by two nights with the Mike Murley Septet (May 22 to 24). Another night I’m really thrilled about is Tuesday May 13, the Three Lauras, which is the debut of a trio of Marks, Fernandez and Hubert, all Toronto-based singers named Laura. All three are often classified as jazz but each Laura is completely different and uniquely awesome; they will be backed by a group of local all-stars: Mark Kieswetter, piano; Duncan Hopkins, bass; Kevin Turcotte, trumpet and Chris Gale, tenor saxophone.

And then there’s Maureen Kennedy’s three-night stand (May 29 to 31 at 9pm) for which she will be joined by Steve Wallace on bass, and special guests from Vancouver: saxophonist Cory Weeds and guitarist Bill Coon, who plays the first and third night while local guitar great Reg Schwager takes the second.

“I had the pleasure of singing with Cory Weeds and Bill Coon when Cory booked me for two nights at The Cellar a few years back. They have a history as players that Reg and Steve Wallace also share and for my three nights at Jazz Bistro I have the good fortune of tapping into all those special musical relationships” says Kennedy.

Kennedy’s fans adore the purity of her 100 percent natural, golden, honey-like instrument, which is merely the surface of her art. Making every lyric sparkle with conviction, Kennedy’s music is the result of a deep love of songs, and indeed she knows more tunes than almost anyone on our jazz scene.

When it comes to her eclectic repertoire, being a media librarian and researcher for the CBC has proven very handy for Kennedy.

“I think there are a few things about me that contribute to my ability to uncover rare tunes,” she says. “First of all, I notice them.  When I watch a movie or listen to a record my ear picks them out.  I remember staying up late one night watching a movie on Turner Classic Movies starring Jane Powell called Small Town Girl.  It featured an early guest appearance of Nat King Cole singing in a nightclub.  He sang this haunting song called “My Flaming Heart.”  I was half asleep but once he started singing that song my ears pricked up and I took a mental note.  The next day I looked up the tune in the CBC sheet music collection and it was there!”

Other songs Kennedy has rescued from obscurity include Jimmy Van Heusen’s and Johnny Burke’s “Humpty Dumpty Heart” on her debut album This is Always and Billy Strayhorn’s “My Little Brown Book” on her most recent, Out of the Shadows, produced by Ted Ono and gorgeously captured by sound engineer Ron Searles. This album sounds like it was recorded in 1957.

The Tranzac: If you’re looking to hear something new, be at the Tranzac Club on Thursday May 22 at 10pm. On that evening, visiting from Victoria, B.C. will be Olivier Clements and Dissonant Histories. A recent graduate of Humber College’s jazz program, Clements is highly skilled multi-instrumentalist, composer and arranger; his latest project features two flugelhorns, two trombones, bass clarinet, rhodes, bass and drums, fusing elements of jazz, hip-hop, indie folk and classical music. What’s it all about?

“I wanted to find a middle ground between these disparate, chaotic, and clashing musical influences,” says  Clements. “The music in Dissonant Histories isn’t trying to fuse or blend all these different influences together, but rather to reconcile them.” It takes a brave creator to draw from these varied musical colours and inspirations, and a truly talented one to make it work. If you miss the Tranzac gig, check out Oliver Clements in a quartet setting at the Emmet Ray on Monday, May 26 at 7pm.

Fauth is back! Amazing news to report about Julian Fauth, who is back singing up a storm after a period of illness that left him unable to entertain. Skillfully playing barrelhouse blues and singing in a style that borders on whispering, the Juno-winning singer-songwriter will win you over within the first song you hear. It’s no wonder that so many venues wish to book him, for Fauth is a force of nature. He’s easy to find, with four weekly house gigs: Tuesdays from 6 to 9pm at Sauce on the Danforth, Wednesdays from 9pm to midnight at Gate 403, and every Saturday and Sunday at Axis Gallery and Grill from 12 to 3pm.

Some other great news: new venues are opening up across the city, but this can only continue if people go out to support the music. Check out the Local Gest at 424 Parliament Street, formerly the Ben Wicks. Fashioned a bit after Ten Feet Tall’s series from a few years back, each Sunday afternoon features live jazz, sometimes instrumental and sometimes vocal, accompanied by excellent cuisine. From 4:30 to 7:30pm, the listings this month are: Sheree Marshall on May 4, yours truly on Mother’s Day, Laura Hubert on May 18 and the Henry Heillig Trio on May 25. 

Ori Dagan is a Toronto-based jazz vocalist, voice actor and entertainment journalist. He can be contacted at jazz@thewholenote.com

Lingering Legacies

intheclubs gary-bensonThe jazz community mourns the loss of guitarist Gary Benson, who last month peacefully succumbed to Creutzfeldt-Jacob disease, a rare and incurable degenerative neurological disorder. In his accomplished 75 years, Benson was deeply respected as a musician, composer and educator, as well as for his amiable personality and sense of humour. Over 300 mourners attended the funeral, including many members of Toronto’s jazz community. In recent years Benson performed regularly with the Canadian Jazz Quartet, a group he formed in the late 1980s.

Speaking at Benson’s memorial service on March 19, his cherished friend and musical associate for over a half-century, Don Vickery, said:

“Gary started the original Canadian Jazz Quartet in 1987 with Gerry Hoelke on bass, Gordie Fleming on accordion and me on drums. The great Bob Price later became our bass player, and Frank Wright joined the group to establish our current sound over 20 years ago. Duncan Hopkins has been our bass player since B.P. passed away in 2002. In 2006, we found a home at Quotes, where we were the resident band for nearly seven years, backing up international jazz players during the Toronto Jazz Festival every year – and every week, featuring all the best musicians in Toronto.”

“That’s where the CJQ really came to prominence, and during that time, recorded two more successful CDs and were featured in two global live-to-air broadcasts on JAZZ.FM91. Gary loved the gig and everyone loved Gary. When Quotes was sold, we moved to KAMA where we are to this day. And we were lucky enough to have Gary with us there until the last few months. We miss him as our friend, as our leader and as a wonderful talent. We will never forget him and I know we are all better people, and better musicians, for having him in our lives.”

The Canadian Jazz Quartet continues to perform every Thursday from 5 to 8pm at KAMA on King St. W., featuring guest guitarists and as always, a featured weekly guest horn player. Consult our In the Clubs jazz listings for further details.

Walk With Jordan: On the evening of Thursday, April 24, I hope there will be a full house at the intimate Musideum (401 Richmond Street West) for what promises to be a night of heartfelt music for a worthy cause. Starting at 7pm, vocalist Vivia Kay and her band Blacksparrow will present “Send Love South: A Fundraiser for the Walk with Jordan Scholarship Foundation,” in memory of Jordan Davis, a 17-year-old Jacksonville, Florida teen who was fatally shot for listening to loud music.

For those unfamiliar with the tragedy, during the American Thanksgiving weekend of 2012, Jordan Davis was in an SUV with three of his friends, listening to hip-hop while parked outside of a convenience store. Forty-seven-year-old Michael Dunn, parked adjacently, asked them to turn down that “thug music” and when they refused, he fired indiscriminately and shot at the SUV, killing Davis. The Florida jury convicted Dunn of three counts of second-degree attempted murder but the jury was deadlocked on the murder charge.

intheclubs vivia-kay-alternateVivia Kay had never met Jordan Davis, but being a Florida native herself, followed his trial closely.

“Growing up around the societal and systemic racism that breeds these kinds of violent crimes, I followed both the Trayvon Martin and Jordan Davis trials with a great deal of interest. Particularly after the Jordan Davis trial, I felt enraged and horrified — Jordan Davis was murdered because he was listening to music,” says Kay.

“Growing up in the small-town South, driving around and listening to music was what I did, what we all did on a weekend night. I read that Jordan Davis’ last words were “turn it up.” That’s exactly what I would have done as a teenager. I wouldn’t have been targeted by a racist like Davis’ killer, because I’m not black. But I wouldn’t have turned down my music, either. That’s why Jordan Davis’ murder resonated with me on such a personal level. And it’s why I’m doing the Send Love South benefit.”

The artists are donating their time and Musideum owner Donald Quan has generously waived much of his usual fee for the space, so beyond the small rental fee every penny of show proceeds will be donated to the Walk with Jordan Scholarship Fund, a scholarship set up by Jordan Davis’ parents in his memory. The Scholarship Fund aims to support students from the Florida/Georgia border region in pursuing a college or university education, which as someone who struggled to pay for university also resonates deeply with Vivia Kay, who recently earned a PhD in ethnomusicology at York University. With a performance background in classical singing as well as jazz vocals, her dissertation examines Southern Gospel music and the culture that surrounds it. On April 24, Kay’s band Blacksparrow will feature Mark Kieswetter on Musideum’s Bechstein piano and bassist Jordan O’Connor.

“The music that we are presenting is a selection of gospel, jazz and rock songs along with two originals I’ve written for the occasion. Mark and I have been rehearsing and working together on the arrangements, and I am really excited about them. The music will be centred around laments regarding injustice and evil in the world as well as hopes for justice and better times. I think it will be an emotional and cathartic evening, but it isn’t going to be an entirely mournful one. I believe that love and hope are radical acts in today’s world, and that is the ultimate message of the show.”

For those unable to attend, there is an opportunity to contribute to the cause by visiting the foundation’s website: walkwithjordan.org.

Ori Dagan is a Toronto-based jazz vocalist, voice actor and entertainment journalist. He can be contacted at jazz@thewholenote.com.


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