Art of Song
Mooredale Concerts was founded in 1988 by the cellist Kristine Bogyo. After Bogyo’s death the organization was led by her husband, the well-known pianist Anton Kuerti. The present artistic director is Adrian Fung, like Bogyo a cellist. From the beginning the organization had two aims, one of which is educational. Mooredale Concerts presents us with three string orchestras. But they also give us a series of concerts, generally in pairs. The first installment is a scaled down children’s concert called Music and Truffles in the early afternoon; later in the afternoon the full-length concert is performed. Most of their concerts consist of instrumental chamber music.
This season’s second Mooredale offering, at 3:15pm on November 6, foregoes Music and Truffles and offers up something different in the way of repertoire. Taking as its subject the words and music of one of the most important, and one of the most appealing, songwriters of the 20th century – Noel Coward – the program will include such favourites as I’ll See You Again, I’ll Follow My Secret Heart, Some Day I’ll Find You, If Love Were All and Why Do the Wrong People Travel? The guiding spirit behind the concert is the pianist, composer and arranger John Greer. The singers are Monica Whicher, soprano, Norine Burgess, mezzo, Benjamin Butterfield, tenor, and Alexander Dobson, baritone. (Those who like the songs may also be interested in seeing a performance of Coward’s play Cavalcade by students of George Brown College at the Young Centre for the Performing Arts; November 9 to 19.)
Beckett at CanStage: In recent years there have been a number of Samuel Beckett’s late minimalist plays presented including three at the Berkeley Street Theatre last season directed by the gifted Jennifer Tarver. Beginning October 11, Canadian Stage presents All But Gone, a new work juxtaposing Beckett’s short plays with the operatic voices of Shannon Mercer, soprano, and Krisztina Szabó, mezzo. At the Berkeley Street Theatre, it runs until November 6. Jennifer Tarver is again the director; musical direction by Dáirine Ní Mheadhra.
Core Contemporary: In recent years there have perhaps been more opportunities to hear contemporary music in the classical mainstream than used to be the case, with such works being programmed more vigorously by the Toronto Symphony Orchestra, the U of T Faculty of Music and others. But there have also been, for decades, organizations entirely devoted to core presentation of contemporary music, including vocal works (New Music Concerts, Soundstreams and the Esprit Orchestra, to name a notable few).
The first concert of the Esprit Orchestra this season at Koerner Hall, October 23, is a tribute to the eminent Canadian composer R. Murray Schafer. It includes Schafer’s Adieu Robert Schumann for mezzo, orchestra and electronic instruments, which was commissioned by John Roberts and the CBC for the contralto Maureen Forrester in 1976 (it was revised in 1980). The work uses passages from the diaries of Clara Schumann as she witnesses her husband’s descent into madness. The work also includes allusions to some of Robert Schumann’s compositions. The singer is Krisztina Szabó, who is having an especially busy month.
COC Ensemble Gala: The annual Ensemble Studio Competition is always an important event for the Canadian Opera Company, both in terms of an early opportunity to glimpse potential operatic stars of the future, and as an important fundraiser for the Ensemble itself. In recent years that competition has brought forward such outstanding young singers as the bass-baritone Gordon Bintner, the soprano Karine Boucher and, most recently, the mezzo Emily D’Angelo. Hosted by Ben Heppner, the 2016 competition will be held on November 3 at the Four Seasons Centre.
Mazzoleni Songmasters consists of a series of three recitals jointly curated by Rachel Andrist and Monica Whicher. Its first concert this season – “Welcome and Adieu” – will be on October 23. The sopranos Nathalie Paulin and Monica Whicher will sing English and French duets.
Oct 1: The baritone Adam Harris sings six songs from Butterworth’s A Shropshire Lad with the U of T Symphony at the MacMillan Theatre.
Oct 1: Marc B. Young is the singer in a concert which will combine songs by Rachmaninoff with the poems he set; at the Chapel, Trinity-St. Paul’s Centre.
Oct 4 and 5: The Ensemble Rajaton presents the music of ABBA, with the Toronto Symphony Orchestra at Roy Thomson Hall.
Oct 6: The tenor Benjamin Stein, former choral columnist in The WholeNote, sings and plays the lute and the theorbo in a free noon-hour concert at Metropolitan United Church.
Oct 6: The Women’s Musical Club of Toronto’s opening concert of the season at Walter Hall presents tenor Issachah Savage singing music by Beethoven, Schumann, Strauss and Quilter as well as spirituals.
Oct 14: Allison Arends is the soprano soloist in a concert that includes English and Canadian folk songs arranged by Britten and Vaughan Williams as well as the song cycle Cuatro madrigales amatorios by Rodrigo; at the Heliconian Club.
Oct 14 and 15: Mirvish Productions presents Kacee Clanton in An Evening with Janis Joplin at the Princess of Wales Theatre.
Oct 16: The Amici Chamber Ensemble performs the work of Johann and Richard Strauss at Mazzoleni Concert Hall with Russell Braun.
Oct 19: There will be a singalong tribute to the songs of the 1960s at Free Times Café, featuring If I Had a Hammer, Walk Right In, Turn! Turn! Turn!, Tom Dooley and others. The singers are Sue and Dwight Peters and Michelle Rumball.
Oct 20: U of T Faculty of Music presents a selection from Schumann’s Myrthen performed by Nathalie Paulin, soprano, and Krisztina Szabó, mezzo at Walter Hall; free.
Oct 21: York University department of Music presents a vocal masterclass with the tenor Lawrence Wiliford. Young singers from the studios of Catherine Robbin, Stephanie Bogle, Norma Burrowes, Michael Donovan and Karen Rymal will perform at Tribute Communities Recital Hall, Accolade East Building; free.
Oct 23: The mezzo Maria Soulis will be the soloist in Elgar’s Sea Pictures with Orchestra Toronto at George Weston Recital Hall. The program will also include Vaughan Williams’ Fifth Symphony.
Oct 25: Another free midday recital by students at York University will be given at Tribute Communities Hall.
Oct 25: The Talisker Players give us readings and performances of poems and songs in “Songs of Enchantment: Tales of Wonder, Spells and Transformation.” The concert includes work by Schafer, Purcell, Arnold, Morlock and Louie. The singers are Miriam Khalil, soprano, and Lauren Segal, mezzo; at Trinity-St. Paul’s Centre.
Oct 30: Songs from Georgia will be performed by Diana and Madona Iremashvili and Bachi Makharashvili at the Heliconian Club.
Oct 31: “Manhattan: Midtown – 42nd Street and Broadway,” the second installment of Soulpepper’s exploration of 20th-century American music, opens on October 31 and runs to November 5. At the Young Centre for the Performing Arts.
Nov 1, 2, 3: Music by Queen and David Bowie will be performed by the Acting Up Stage Company at Koerner Hall.
Nov 3: The U of T Faculty of Music presents a free lunchtime concert of music inspired by Hamlet and Macbeth. The singers are Monica Whicher, soprano, and Laura Tucker, mezzo.
Nov 5: The Toronto Mendelssohn Choir will perform Mendelssohn’s Elijah. The title part will be sung by the bass-baritone David Pittsinger and other parts will be performed by Leslie Bouza, soprano, Christina Stelmacovich, mezzo, and Michael Schade, tenor, at Koerner Hall.
Nov. 5 and 6: The Bicycle Opera Project are the guests in Pax Christi Chorale’s performance of Mendelssohn’s Elijah at Grace Church on-the-Hill.
And beyond the GTA:
Nov 5: Another performance of Elijah, this one featuring Chorus Niagara, takes place in St. Catharines at FirstOntario Performing Arts Centre. Russell Braun (as Elijah), Leslie Ann Bradley, Anita Krause and Adam Luther join Chorus Niagara.
Nov 5: Haydn’s Lord Nelson Mass will be performed by the Stratford Concert Choir in St. James Anglican Church, Stratford. The soloists are Catherine Sadler, soprano, Anna Tamm Relyea, alto, Mathias Memmel, tenor, and Gary Relyea, bass.
Hans de Groot is a concertgoer and active listener who also sings and plays the recorder. He can be contacted at firstname.lastname@example.org
September is always a lean month. Many musical organizations do not start their seasons until October. There are, however, a number of early events.
The Toronto Symphony Orchestra begins its season with a concert at Roy Thomson Hall featuring Renée Fleming on September 21, her first visit since an October 2015 RTH recital, accompanied by Gerald Martin Moore. The program features Ravel’s Shéhérazade as well as works by Puccini and Leoncavallo and selections from The King and I by Rodgers and Hammerstein.
Mahler’s Third Symphony, which the TSO will perform September 28 and 29, was not a favourite of Otto Klemperer, an early admirer and interpreter of Mahler’s music. In fact, he refused to conduct it. Times have changed and I think that there is now fairly general agreement that the Third is one of Mahler’s finest works. Peter Oundjian conducts and the mezzo solo will be sung by Jamie Barton, the young American singer who gave such an impressive recital for Toronto Summer Music last July. The choral parts will be taken by the women of the Amadeus Choir and the Elmer Iseler Singers and by the Toronto Children’s Chorus.
The Women’s Musical Club of Toronto's directors have over the years demonstrated a superb sense for finding the finest artists. It looks as if they have again found an exciting performer for their opening concert on October 6. The tenor Issachah Savage will be familiar to some Toronto audiences as he was the cover for the role of Siegmund in Wagner’s Die Walküre at the Canadian Opera Company last spring and performed the role on February 7. He also won the 2014 Seattle International Wagner Competition and has sung at the Metropolitan Opera in New York. His Toronto recital at Walter Hall on October 6 will include Schumann’s Dichterliebe, Beethoven’s An die ferne Geliebte, songs by Strauss and Quilter as well as a selection of spirituals.
The Toronto Masque Theatre’s 2016/17 season will start off with a salon concert on September 19 at The Atrium, 21 Shaftesbury Avenue. The program consists of poetry and songs inspired by trees. The singers are members of the Elizabeth McDonald Voice Studio.
TMT’s first regular concert will be on November 17 and consists of a particularly interesting coupling: Handel’s cantata Apollo and Daphne for soprano and baritone and Richard Strauss’ Enoch Arden, a monodrama for speaker and piano. More on this intriguing pairing as the season unfolds.
And looking back: When it comes to finding the very best performers available, the track record of Toronto Summer Music is unsurpassed. But the festival has always done more than find performers. Their program has always included an academy in which young professional and pre-professional performers are mentored by senior musicians. In 2016 a new branch of the academy, the TSM Community Academy, was inaugurated. It was a program aimed at amateurs. I seriously thought of applying to the program but in the end was too intimidated to do so.
I did go last summer, however, and realized that, while the program was extremely demanding, there was no need to feel intimidated. The Community Academy consisted of three parts: instrumentalists were coached by professionals, mainly front desk players of the Toronto Symphony Orchestra or the Canadian Opera Company; pianists studied with David Jalbert; singers with Matthias Maute and Peter McGillivray. The work we singers focused on was Bach’s B Minor Mass. This was not the first time that I have attempted to sing the work but on other occasions we only had a day or an afternoon. These occasions always left me with the feeling that someday, in another life, I would get things right. I would not wish to claim that our performance last summer was everything it should be but we certainly got a lot closer than had been possible on earlier occasions. While we rehearsed all the choral parts, we performed only five movements. I think the decision to restrict us was entirely sensible. We were much helped by having four professional section leads. Separate from the rehearsals for the mass were the vocal lessons and the vocal masterclass conducted by Peter McGillivray. Kathryn Tremills was the very able pianist throughout.
2016 marked the final year of Douglas McNabney’s leadership of TSM. He will be missed. I am, however, looking forward with confidence to the new leadership which will be provided by his successor, Jonathan Crow.
GTA Quick Picks
Aug 26 to Sept 3: Soulpepper presents “Taking the A Train Uptown Manhattan – Harlem”: the music, words and ideas that have made Harlem great.
Sept 9: “The Four Lads and the Four Aces: the Greatest Love Songs of the 20th Century” at the Palais Royale.
Sept 9 and 21: A tribute to the folk songs of the 60s with Sue and Dwight Peters and Michelle Rumball at the Free Times Café.
Sept 13: Nine Sparrows presents a free lunchtime recital by Linda Condy, mezzo, and Ellen Meyer, piano, at Westminster Park Baptist Church. Donations welcome.
Sept 16: Kristine Dandavino, mezzo, and Michael Robert-Broder, baritone, will give a joint recital of music by Wagner, Schumann, Brahms, Weill and Sharman at the Women’s Art Association of Toronto.
Sept 22: A free lunchtime recital at the University of Toronto Faculty of Music will feature the soprano Eizabeth McDonald in works by Beethoven, Spohr and Schumann, at Walter Hall.
Sept 25: Vania Chan is the soprano soloist in Bach’s Coffee Cantata in the Rezonance Ensemble’s concert at 2pm at CSI Annex that also includes Bach’s Brandenburg Concerto No.5.
Sept 27: The first of this season’s free vocal recitals at the Richard Bradshaw Amphitheatre features artists of the 2016/17 COC Ensemble Studio.
And Beyond the GTA
Sept 12: A celebration of the Beatles hosted by Lucy Peacock is a fundraiser for PAL Stratford, an organization that offers support and affordable housing to retired artists in need; Avon Theatre, Stratford.
Sept 16: The soprano Meredith Hall will sing Hasse and Handel with the Ensemble Caprice at the SweetWater Music Festival, Leith Church.
Sept 17: Hall will also sing at another SweetWater Music Festival concert which includes Schubert’s The Shepherd on the Rock (with the clarinetist James Campbell), as well as a new work for soprano and community singers by David Braid.
Hans de Groot is a concertgoer and active listener who also sings and plays the recorder. He can be contacted at email@example.com.
By the beginning of June most regular concert series have ended and will not resume until September, their place taken by a number of summer festivals. First and foremost, there is Toronto Summer Music (TSM). This year’s theme is London Calling: Music in Great Britain and the programs include not only music composed in Britain but also recreations of musical events that have taken place in Britain in the past. There is one vocal recital: the mezzo Jamie Barton, winner of the Cardiff Singer of the World Competition, will give a recital on July 25. The program will include songs by Turina, Chausson, Schubert and Dvořák and will conclude with three spirituals. The pianist is Bradley Moore.
Also of interest is the opening concert on July 14 which features Nicholas Phan, tenor, and Neil Deland, French horn, who will perform Britten’s Serenade for Tenor, Horn and Strings. On August 4, TSM is presenting a homage to The Last Night of the Proms. The vocal soloist is the mezzo Allyson McHardy (all three concerts are in Koerner Hall). An important part of TSM has always been to present and to help develop newly emerging talent. The fruits of this can be sampled in “Art of Song reGENERATION,” two separate concerts on July 22 in Walter Hall. The coaches are the soprano Anne Schwanewilms and the collaborative pianist Malcolm Martineau. Since 2010 the administrator of Toronto Summer Music has been Douglas McNabney. TSM has now announced that 2016 will be McNabney’s last season. He is a violist as well as an administrator and, while he never stopped playing the viola, the move may mean that he will have more playing time. That is good news, for him and for his audiences. He will be succeeded by Jonathan Crow, well-known to Toronto audiences as the concertmaster of the Toronto Symphony Orchestra and the co-leader of the New Orford String Quartet.
Luminato, now in its tenth year, will present a performance of Stravinsky’s L’Histoire du soldat, directed by Jonathan Crow, in which Derek Boyes will be the narrator at the Side Room of the Hearn Generating Station, June 18; there will be another performance of the Stravinsky at the AGO Walker Court, June 12 at 2pm. Rufus does Judy is a recreation of Judy Garland’s 1961 concert at Carnegie Hall, performed by Rufus Wainwright at the Hearn Generating Station, June 23 and 24.
Tafelmusik presents several free concerts as part of their Baroque Summer Festival. Among these is one featuring the Tafelmusik Baroque Orchestra and Chamber Choir directed by Jeanne Lamon and Ivars Taurins, with soloits Ann Monoyios, soprano, and Peter Harvey, baritone, on June 6 at Trinity-St. Paul’s Centre.
The Kincardine Summer Music Festival presents a concert which aims at bringing together the sounds of Broadway, the improvisations of jazz and the sensibility of pop. The performers are Heather Bambrick, Diane Leah and Julie Michels at Knox Presbyterian Church, June 17.
Among the offerings at this year’s Westben Arts Festival is a concert of Schubert’s music, both songs and instrumental chamber music. The singers are the sopranos Donna Bennett and Kathryn Shuman at Westben Concert Barn, Campbellford, July 17.
The Leith Summer Music Festival presents a concert of songs taken from The American Songbook with special emphasis on the work of Leonard Cohen. The singer is the soprano Patricia O’Callaghan, accompanied by Robert Kortgaard, piano, and Andrew Downing, bass, at Leith Church, August 27. O’Callaghan performs “Hallelujah,” songs of Leonard Cohen and others at Stratford Summer Music, July 23 at Revival House.
The Elora Festival will be presenting four concerts of interest, all in St. John’s Church, Elora. Tenor Russell Braun teams up with his wife and accompanist, Carolyn Maule, and the Elora Festival Singers for an afternoon concert of works by Vaughan Williams and others, July 9. Soprano Marie-Josée Lord joins the Elora Festival Singers in a performance of selections from her JUNO Award-winning CD, Amazing Grace, as well as music by Gounod, Gershwin and others, July 14. Acclaimed early music specialist, soprano Suzie LeBlanc, joins with harpsichordist Alexander Weimann, July 16, in a celebration of Shakespeare on the 400th anniversary of his death. Star countertenor, Daniel Taylor, Elora Festival Singers soprano, Rebecca Genge, and pianist, Steven Philcox perform “Songs of Love,” July 23.
Elsewhere, Leslie Fagan, soprano, and Peter Longworth, piano. perform Schumann’s Frauenliebe und leben, Op. 42 as part of the Festival of the Sound, July 21. And I am looking forward to the return of Capella Intima, who will present a concert of canzonettas, arias and motets from 17th century Northern Italy. The music will be complemented by contemporary travellers’ accounts. The performers are Bud Roach, tenor and director, Sheila Dietrich, soprano, Jennifer Enns Modolo, alto, and David Roth, baritone, at Trinity-St. Paul’s Centre, June 22; donation requested. The program will be repeated at St. John the Evangelist in Hamilton on June 26.
June 1: Bach’s cantata, Die Himmel erzählen die Ehre Gottes BWV76 will be performed by soloists from St. James Cathedral and the organist Ian Sadler.
June 2: Christina Stelmacovich, mezzo, will sing a free concert at Metropolitan United Church.
June 3: Show One Productions presents Tamara Gverdtsiteli singing Yiddish songs, with the Moscow Male Jewish Cappella at Roy Thomson Hall.
June 4: Ermanno Mauro, tenor, will sing popular opera arias along with emerging singers coached by him at Columbus Centre.
June 4: The Aradia Baroque Ensemble presents arias by Handel to be followed by Peter Maxwell Davies’ Eight Songs for a Mad King at The Music Gallery.
June 4: The Etobicoke Centennial Choir presents opera arias and choruses by Mozart, Verdi and Offenbach. The soloists are Andrea Naccarato, soprano, Erin Ronniger, alto, Lance Kaizer, tenor, and Lawrence Shirkie, baritone, at Humber Valley United Church.
June 5: Maeve Palmer, soprano, sings Five Poems by Tyler Versluis at Gallery 345.
June 6: Melanie Conly, soprano, and Kathryn Tremills, piano, perform Mozart’s Exsultate Jubilate as well as songs by Case, Holby, Gershwin, Gounod, Porter and Purcell at the Church of the Redeemer.
June 7: The Toronto Concert Orchestra presents highlights from Rigoletto, La traviata, La bohème and other operas. The singers are Sara Papini, soprano, Eugenia Dermentzis, mezzo, Romulo Delgado and Riccardo Iannello, tenor, and Bradley Christensen, baritone at Casa Loma.
June 8 and 9: Michael Donovan, baritone, will sing his own new songs at Gallery 345.
June 12: Schubert’s Mass in G will be sung in a free concert with soloists Jennifer Krabbe, soprano, and Dennis Zimmer, bass at Humbercrest United Church.
June 16: Charlotte Knight, soprano, is the singer in “It Shoulda Been Me: A Cabaret,” a program of songs by Sondheim, Billy Joel, Joe Iconis and others at Gallery 345. The show is also being performed in St. Catharines, June 10 and Guelph, June 18.
June 17: Rachel Fenlon sings and plays the piano in a Schubert concert at Gallery 345.
June 24: Inga Filippova, soprano, Stanislav Vitort, tenor, and Andrey Andreychik, baritone, sing opera at Lawrence Park Community Church.
And beyond the GTA, June 1: Maryem Tollar, Brenna MacCrimmon, Jayne Brown and Sophia Grigoriadis, who comprise the group Turkwaz, perform “Sounds of the Eastern Mediterranean” at the Kitchener-Waterloo Chamber Music Society Music Room.
Hans de Groot is a concertgoer and active listener who also sings and plays the recorder. He can be contacted at firstname.lastname@example.org.
The Toronto Consort performs Monteverdi’s Vespers: there is a strong case to be made that Monteverdi’s Vespers and Bach’s B-Minor Mass constitute the finest baroque choral and liturgical works. They are, of course, very different, but one thing they have in common is that we know next to nothing about their early performance history.
Bach’s work dates from the end of his life and it seems unlikely that he himself ever heard it in its entirety. Monteverdi’s Vespers was published in 1610, at a time when he was still employed at the ducal court in Mantua. Dismissed two years later, in 1613 he received an appointment as conductor at St. Mark’s Basilica in Venice, so there have been attempts to link the Vespers either with Mantua or with Venice. One musicologist has even proposed that there was an earlier version of the Vespers, written for Mantua and dedicated not to the Virgin Mary, but to St. Barbara. This remains unproven, as are attempts to link the work with St. Mark’s in Venice, although John Eliot Gardiner recorded a visually spectacular performance there.
This is not the first time the Toronto Consort has performed the work; for these performances, May 6 to 8, the tenor Charles Daniels will direct, while there is also a guest performance by another tenor, Kevin Skelton. Instrumental accompaniment will be provided by the Montreal cornetto and sackbut ensemble, La Rose des Vents. With its intricate interweaving of sections for choir and soloists (six, eight and ten-voice choir, solo tenor, tenor duet, tenor plus two three-voice choirs, etc) it is a work of remarkable interest for lovers of vocal music.
Louis de Nil and César Aguilar: I first became aware of Louis de Nil when he performed the leading male role in The Nutcracker for the Pia Bouman Dance Studio. I also heard him play the oboe. After that he went to study at McGill and he has just completed an M.A. program at the University of Western Ontario. Accomplishments as a dancer and an oboist notwithstanding, he is now primarily a tenor. His recitals over the last two years include a performance of Schubert’s Winterreise, no less, in April 2015. May 1 he will sing in a joint recital with the countertenor, César Aguilar, who grew up in Mexico, came to Canada in 2006, largely to improve his English, and later became a music student at the University of Lethbridge. The program for their Gallery 345 recital includes arias from Handel’s Tamerlano, Canticle II (Abraham and Isaac) by Britten and songs by Vuillemin, Rachmaninoff and Schubert. The pianist is Helen Becqué.
The Talisker Players present “Cross’d by the Stars,” May 3 and 4, in which readings from letters, diaries and memoirs are coupled with performances of works by Purcell (When I Am Laid in Earth), Gluck (Che farò senz’ Euridice), Mahler (Lieder eines fahrenden Gesellen), Burry (The Highwayman) and Bernstein (West Side Story). The singers are Krisztina Szabó, mezzo, and Aaron Durand, baritone.
Lunchtime recitals at the Four Seasons Centre: There are several vocal recitals in the Richard Bradshaw Auditorium this month. On May 3, the mezzo, Anita Rachvelishvili, will sing Rachmaninoff, Falla, Ravel, Fauré and Taktakishvili. On May 10, Aviva Fortunata will sing Strauss’ Four Last Songs and the bass-baritone, Ian MacNeil, will perform the Songs of Travel by Vaughan Williams. On May 17, Karine Boucher, soprano, sings Shéhérazade by Ravel and Andrew Haji, tenor, performs Britten’s Serenade for Tenor, Horn and Strings.
Toronto Bach Festival: Oboist John Abberger is the artistic director of First Annual Toronto Bach Festival which will present its inaugural concert May 27. The focus will be on Bach’s Weimar cantatas and the program will include the cantatas Weinen, Klagen, Sorgen, Zagen BWV 12 and Herz und Mund und Tat und Leben BWV 147a. The soloists are Ellen McAteer, soprano, Daniel Taylor, alto, and Lawrence Wiliford, tenor.
Toronto Masque Theatre presents Purcell’s Fairy Queen: Henry Purcell wrote only one opera, Dido and Aeneas, but several so-called semi-operas combining spoken texts with songs. One could indulge in regret that none of these became fully operatic works but it seems better to accept them as they are. One of them, The Fairy Queen, is based on Shakespeare’s A Midsummer Night’s Dream, with Shakespeare’s text replaced by that of an anonymous versifier. Toronto Masque Theatre gives us a new production of the work, May 27 to 29, in which the singers are Juliet Beckwith, Vania Chan, Charlotte Knight and Janelle Lapalme, sopranos, Simon Honeyman, alto, Cory Knight and Jonathan MacArthur, tenors, and Alexander Dobson and Graham Robinson, baritones.
Underground Railroad: A Spiritual Journey: soprano Kathleen Battle returns to Toronto after a long absence for a concert of Negro spirituals backed up by the Nathaniel Dett Chorale. The concert, at Roy Thomson Hall, May 29, will also include readings of major Abolitionist writers like Harriet Tubman and Frederick Douglass.
Mamele: The Mother’s Eyes: Show One presents Tamara Gverdtsiteli, with the soloists of the Moscow Male Jewish Cappella and symphony orchestra, performing Yiddish, Georgian, Russian, French and Italian songs at Roy Thomson Hall, June 3.
Aradia performs Handel and Peter Maxwell Davies: The centre of the repertoire of period orchestras tends to be the baroque era but ensembles have begun to juxtapose earlier works with contemporary material. Such is the case with the Aradia Baroque Ensemble, which in its next concert, June 4, will give us arias by Handel but also Peter Maxwell Davies’ 1969 monodrama Songs for a Mad King. Stacie Dunlop, soprano, and Vincent Ranallo, baritone, will sing.
May 7: Charlene Pauls, soprano, Christina Stelmacovich, mezzo, Chris Fischer, tenor, and Daniel Hambly, bass will be the soloists in Mendelssohn’s Elijah, with the Univox Choir.
May 10: Jennifer Taverner, soprano, Lyndsay Promane, mezzo, and Daevyd Pepper, tenor, are the soloists in a concert of English and Italian art songs at Islington United Church.
May 13: Emma Hannan, soprano, Emily D’Angelo, mezzo, Cian Horrobin, tenor, and Nicholas Borg, bass are the soloists in Mozart’s Requiem, with the North Toronto Choral Ensemble and the North Toronto Symphony Orchestra at North Toronto Collegiate Institute.
May 13: Hawksley Workman will present songs by Bruce Cockburn, with the Art of Time Ensemble.
May 13 and 15: The Toronto Symphony Orchestra concerts on May 13 and 15 will include Shostakovich’s Symphony No. 13 “Babi Yar” with the Russian bass Petr Migunov as soloist.
May 15: A performance of Mozart’s Requiem at the Westben Arts Festival will feature soloists Virginia Hatfield, soprano, Kimberly Dafoe, mezzo, Tom Sharpe, tenor, and Joel Allison, baritone.
May 19: Janet Obermeyer, soprano, will perform a free noontime concert at Metropolitan United Church.
May 20: Jenni Cook, soprano, will perform a free noontime recital at St. Andrew’s Church.
And beyond the GTA: The soprano Shannon Mercer will sing Seven Romances on Poems by Alexander Blok by Shostakovich at the First Unitarian Church of Hamilton, May 21.
Hans de Groot is a concertgoer and active listener who also sings and plays the recorder. He can be contacted at email@example.com.
On April 28, Tafelmusik will present “Zelenka and Bach,” a concert which features Jan Dismas Zelenka’s Missa Omnium Sanctorum. The German singer, Dorothee Mields, was engaged to sing the soprano solo but a decision was made to open up the other solo parts to a competition. The winners were Kim Leeds, mezzo, Jacques-Olivier Chartier, tenor, and Jonathan Woody, bass-baritone.
Leeds and Woody are American. Leeds has sung a great deal, mainly Bach, in the Boston area. In June and July she will be performing at the Oregon Bach Festival in Eugene in concerts that include the world premiere of James MacMillan’s Requiem. Woody has a music degree from McGill and is now based in New York City. While a specialist in baroque music, he has considerable experience in the performance of modern works, including singing a part in an opera by Darius Milhaud and a collaboration with the Rolling Stones. Chartier is the only Canadian of the three. He is also the only one whom I have heard previously: earlier this season he sang the tenor arias in the Ottawa Bach Society performance of Bach’s B Minor Mass. He was very good. The concert, which will be repeated on April 29, 30 and May 1, will include Bach’s Cantata No.202 (Weichet nur, betrübte Schatten), in which Mields will be the soprano soloist.
Bryn Terfel: Like many, I first became aware of the Welsh bass-baritone, Bryn Terfel, in 1989, when he was a finalist in the BBC Singer of the World Competition in Cardiff. He did not win the main event – Dmitri Hvorostovsky did – but was awarded the Lieder Prize. Initially he was especially noted for his Schubert lieder, for Welsh songs and for some of the main Mozart baritone roles, including Figaro, Masetto and (a little later) Don Giovanni. In recent years he has moved to Wagner (Wolfram, Wotan, the Dutchman, Hans Sachs). He has sung both the title role and that of Ford in Verdi’s Falstaff. He will make his Koerner Hall debut on April 24 (with the pianist Natalia Katyukova). The first half of the concert will feature Welsh songs but it will also include Jacques Ibert’s Chansons de Don Quichotte; the second half will give us songs by Schubert and Schumann.
Finno-Ugric Synergy: Finnish and Hungarian are not Indo-European languages. Instead they form part of a family called Finno-Ugric. This probably indicates a common origin for the two peoples. In an imaginative move, Mazzoleni Songmasters have put the two together with music by Liszt and Bartók on the one hand and Sibelius and Saariaho on the other. The singers will be Erin Wall, soprano, and Stephen Hegedus, bass-baritone. The pianists are Rachel Andrist and Robert Kortgaard. Of special interest is Saariaho’s Changing Light, in which the violinist Erika Raum will perform with Erin Wall; at Mazzoleni Concert Hall, May 1.
Lunch for All Seasons: The free lunch-time concerts in the Richard Bradshaw Auditorium at the Four Seasons Centre will resume on April 19 with Clémentine Margaine, mezzo, and Stephen B. Hargreaves, piano. Subsequent recitals will be given by Russell Thomas, tenor, and Michael Shannon, piano on April 21; Simone Osborne, soprano, and Stephen B. Hargreaves, piano on April 26; artists of the COC Ensemble Studio and the Atelier lyrique de l’Opéra de Montréal on April 28; Anita Rachvelishvili, mezzo, and David Aladashvili, piano on May 3; and Ambur Braid, soprano, with Steven Philcox, piano, in a celebration of Canadian art song, May 5.
Carla Huhtanen will be the soprano soloist in Abigail Richardson-Schulte’s setting of Alligator Pie by Dennis Lee; with the Toronto Symphony Orchestra at Roy Thomson Hall, Apr 2.
Pandora Topp will be the singer a program of Piaf songs at The Extension Room, Apr 2.
Leslie Fagan, soprano, Christopher Mayell, tenor, and Peter MacGillivray, baritone, will be the soloists in a program that includes Carmina Burana by Orff and Psalm of David by Dello Joio at Toronto Centre for the Arts, Apr 3.
Kati Agócs will be the soprano soloist in a newly commissioned piece by her, with the Cecilia String Quartet at Walter Hall, Apr 4.
Carla Huhtanen, soprano, will sing in a program of new works by Höstmann, Newsome, Scime and S. Wilson with the Array Ensemble at Array Space, Apr 5.
Ilana Zarankin and Robin Dann will perform in a Women’s Musical Club concert, “Dannthology,” given by Steven Dann, viola, with family and friends at Walter Hall, Apr 7.
Essential Opera presents four sopranos (Erin Bardua, Maureen Batt, Maureen Ferguson and Julie Ludwig) in a program of contemporary operas by Uyeda, Raum, Höstmann, Pidgorna, Estacio and Heggie at Heliconian Hall, Apr 8.
Darlene Shura, soprano, Jacqueline Gélineau, contralto, Asitha Tennekoon, tenor, and John Holland, baritone, give a free performance of Bach’s Easter Oratorio at Heliconian Hall, Apr 10.
Leslie Bouza, Carla Huhtanen, Michele DeBoer and Laura Pudwell will be the singers in a concert devoted to the music of Steve Reich in honour of his 80th birthday at Massey Hall, Apr 14.
“At the Ball: Social Dance through the Ages” showcases works by Purcell, Dan Godfrey and Joplin, as well as items from the Playford and Lowe collections. The singer, at Heliconian Hall, is Paula Arciniega, mezzo, on Apr 15.
Scaramella presents a concert of works by Purcell, Melani, Bach, Merula and Odorico at Victoria College Chapel, Apr 16. The singer is the soprano Dawn Bailey.
Gallery 345 presents Beth Anne Cole singing Gershwin, Apr 17.
Castle Frank House of Melody presents works by Offenbach, Puccini, Verdi, Gershwin and others that will be sung by Cara Adams, soprano, Patricia Haldane, mezzo, and Justin Welsh, baritone, Apr 23.
Jessika Whitfield, soprano, and Matthew Whitfield, piano, will perform a free concert at Metropolitan United Church, Apr 28.
Mira Solovianenko, soprano, and Andrew Tees, baritone, will be the soloists with the Oakham House Choir of Ryerson University on Apr 30. The major work to be performed is Carl Orff’s Carmina Burana (Part 1).
Charlotte Burrage, mezzo, and Clarence Frazer, baritone, will sing at Metropolitan United Church, May 1.
On May 3 and 4 Krisztina Szabó, mezzo, and Aaron Durand, baritone, will perform with the Talisker Players in a program that includes works by Purcell, Gluck, Burry, Mahler and Bernstein.
Julia Morson, soprano, and Rashaan Allwood, piano, will give a free recital at Metropolitan United Church on May 5.
And beyond the GTA: Sheila Dietrich, soprano, Carolynne Davy, mezzo, and Chris Fischer and Lanny Fleming, tenors, will be the soloists in a program of works by Handel, Monteverdi and Mondonville at St. George’s Anglican Church, Guelph, Apr 9.
Jennifer Enns Modolo, mezzo, Bud Roach, tenor, and David Roth, baritone, will be the soloists in the Spiritus Ensemble performance of two Bach cantatas, Christ lag in Todesbanden and Erfreut euch, ihr Herzen, in Kitchener, Apr 10.
Georgian Music presents Marie-Josée Lord, soprano, and Hugues Cloutier, piano, performing works by Granados, Rodrigo, de Falla, Bernstein, Porter and others in Barrie, Apr 24.
Jeffery Concerts presents Krisztina Szabó, mezzo, and Benjamin Butterfield, tenor, in a concert that includes Janáček’s The Diary of One Who Disappeared and Zigeunerlieder by Brahms, Apr 30 at Wolf Performance Hall, London.