Jose Miguel Cueto; St. Petersburg Symphony Orchestra; Vladimir Lande
José Miguel Cueto has often performed rarely heard music. Here he assembles a recital that combines not just little-known compositions but also the intricacies one would expect of a piece by Castelnuovo-Tedesco commissioned and premiered by Heifetz. In fact, all the pieces he selects are virtuosic and technically demanding.
The Castelnuovo-Tedesco Concerto looks to religious inspiration; Jewish melodies grace what the composer described as a biblical concerto. Those looking for the solemnity of synagogue liturgy, however, must wait for the second movement - the first introduces more popular, folkloric arrangements. For all that, this music remains virtuosic throughout - Cueto’s playing in the third movement underlines his reputation.
Concerto gregoriano was not well received, which disappointed Respighi. This adverse criticism is hard to understand. In the second movement one may listen to Cueto’s sensitive interpretation of the andante espressivo; in the third, masterful playing of music deeply influenced by Gregorian Chant awaits.
And so to Guastavino - a chemical engineering graduate, no less, before flourishing as a composer. Despite first impressions, Guastavino avoided direct inspiration from folk-music. And yet these last four minutes, evocative of Guastavino’s Argentine background and transcribed by Cueto himself, is a wonderful way to celebrate José Miguel Cueto’s choice of pieces, whether influenced by religion or folklore.