The following review is an excerpt from Keyed In (March 2017) which can be read in its entirety here.
Seong-Jin Cho won the 17th International Chopin Piano Competition in 2015, the first Korean to do so. His latest recording Chopin – Piano Concerto No.1; Ballades; London Symphony Orchestra; Gianandrea Noseda (Deutsche Grammophon 4795941) shows how his focus on the singing qualities of Chopin’s ideas won him that coveted prize. Cho’s treatment of the principal melodic ideas in the opening movement is fluid and lyrical. Even his ornaments come across more as small eddies in a current than clusters of notes on a page. The second movement Romance is exquisite. Cho manages to retain a fragility about his playing, even through the slightly more assertive middle section. His technical display in the final movement is flawlessly clear.
The Ballades too, reveal Cho’s fascination with the singing qualities of Chopin’s ideas. Much of the Ballade No. 1 in G Minor Op.23 is remarkably understated, making for a starker contrast with the outburst of the middle section as well as the closing measures. The Ballade No.2 follows in a similar vein. The effectiveness of Cho’s playing lies as much in his virtuosity as in his ability to fall into Chopin’s moments of repose with a delicacy that transcends the pianissimo markings. He’s a tall young man whose interviews reveal a shyness, a non-star-like simplicity that seems to suit him perfectly for this music.