The following review is an excerpt from Keyed In (December 2017/January 2018) which can be read in its entirety here.
Andrew Wright has recorded a second disc in his series of operatic transcriptions, The Operatic Pianist II (Divine Art dda 25153 divineartrecords.com). Opera transcriptions were, in their day, the equivalent of pop song covers. They also provided travelling pianists with ample popular repertoire for performance. Liszt may be the best-known contributor to the form, although a great many composers dabbled in the genre. Wright clearly has a wonderful working grasp of this repertoire and knows how to bring forward the vocal line as well as how to portray the orchestral colour that any given emotional moment requires. His playing is consistently fabulous, whether he’s pounding out Liszt’s Rienzi Fantasy or Saint-Saëns’ Concert Paraphrase on Thaïs. It’s easy to understand how these transcriptions achieved “hit” status in the time before the gramophone and digital access to opera performances.