The following review is an excerpt from Keyed In (December 2017/January 2018) which can be read in its entirety here.
Misuzu Tanaka has, at first blush, twinned a pair of unlikely composers in her new release, Janáček, Bach - In concert (Concertant Classics CD PR201601 concertantclassics.com). She admits, however, that in the process of the recording she discovered that both were having the same effect on her. Tanaka’s performance of the Bach Partita No.6 in E Minor BWV 830 reveals her strict adherence to the perfection of Bach’s structure. It also uncovers the emotional richness of the minor key. This last consideration is where she makes the link to Janáček. His Moravian heritage and his links to Czech folk music are reflected in the emotional content of On an Overgrown Path, Books 1 and 2. Minor keys are prevalent. Melancholy is pervasive. In its own way, this shared feature is, for Tanaka, the point of connection.
Tanaka approaches Janáček with an intent to uncover the inspired simplicity of his music. She moves through the numerous parts of Books 1 and 2 with thoughtful deliberation, capturing the essence of the composer’s evocative titles: Words Fail, Unutterable Anguish, In Tears, for example. Her playing is as perfect for Janáček as it is for Bach. What a wonderfully unlikely pair.