English Music for Viola
Eniko Magyar; Tadashi Imai
There is something about the viola’s tonal quality that makes it seem quintessentially English; appropriately so, given that it was an Englishman – Lionel Tertis – who almost singlehandedly established the viola as a legitimate solo instrument in the early 20th century. Tertis had connections with most of the music on this outstanding debut CD by the London-based Hungarian violist Eniko Magyar.
The Bliss Sonata is the most challenging of the works, with a turbulent, restless and dissonant start and a passionate third movement. It was written for, and dedicated to, Tertis, who gave the first performance in 1933.
A year earlier, Tertis had transcribed Delius’s Third Violin Sonata and had played it for the ailing composer at the latter’s home in Grez-sur-Loing. Written in 1930, it is Delius at his distinctively lyrical best.
The seven attractive miniatures by Frank Bridge date from 1901 to 1908, when Bridge was in his 20s. Most were originally written for violin or cello; only two – Pensiero and Allegro appassionato – were written specifically for the viola, Bridge’s own instrument, and were published as the first titles in the Lionel Tertis Viola Library in 1908.
Magyar plays her c.1700 Grancino viola (on loan from the Royal Academy) with warmth, sensitivity, and a superb technique, and is ably and sympathetically supported by pianist Tadashi Imai. The recording quality and booklet notes are both excellent.