J. S. Bach: Cantatas 131, 152, 161 Suzie LeBlanc; Daniel Taylor; Jan Kobow; Stephen Varcoe Theatre of Early Music  ATMA ACD2 2279

These “early cantatas,” written before he moved to Leipzig, already display strong evidence of Johann Sebastian Bach’s compositional genius.

 In the “non-stop” Cantata 131 Aus der Tiefe rufe ich, Herr, zu dir, the Theatre of Early Music’s one-to-a-part approach (used throughout) reveals the intricate counterpoint through a crystalline, detailed and nuanced performance. Even with the intensity of the energetic final chorus (perhaps like a conference call in your car during rush hour?), the musical information does not go unnoticed. In fact, the clarity is almost startling. Try listening to this with headphones!

Cantata 152 Tritt auf die Glaubensbahn differs from the other cantatas in that this one has no choruses, uses only two voices (soprano and bass), and is accompanied by only a few instruments. Washington McClain provides an exquisite oboe d’amore obbligato to Stephen Varcoe’s richly expressive singing which is frequently challenged by the music’s low range.

Countertenor Daniel Taylor and tenor Jan Kobow are the featured soloists in Cantata 161 Komm, du süsse Todesstunde. Their singing is both sensitive and refined. One rarely hears this music sung as beautifully as this. The music-making throughout this recording sparkles and tingles. Highly recommended.

Frank T. Nakashima

Editor’s Note: This recording is nominated for a JUNO in the category “Classical Album of the Year, Vocal or Choral Performance”.