Here’s what’s really neat about the classical music scene in June: it seems to me that performers and presenters, alike — having thrown off the heavy mantle of winter and survived their various spring concerts and season finales — are now ready to have some real, summer fun! Given what’s on offer — Green Pages and all — perhaps an apt motto for the month might be, “Go Big or Go Late Night!”
A good day for Goodyear: And when I say “big” I mean BIG, as in having pianist Stewart Goodyear perform all 32 of Beethoven’s piano sonatas in the order in which they were composed — in one day! Let’s see, now. That translates into approximately ten and a half hours of some of the most complex, difficult and profound music ever written, played by one remarkable, strong-minded (and strong-bodied) pianist in a single day over three “concert sittings” starting at 10am and, with two breaks, ending at 11:30pm. Phew! —not for the faint of heart (and I’m talking about both performer and audience, here). Co-presenters Luminato and the Royal Conservatory haven’t billed this “The Beethoven Marathon” for nothing!
Goodyear — a Toronto native now living in New York — stopped by The WholeNote for a “Conversations” video interview session, May 10, with the magazine’s David Perlman.