Tar virtuoso Araz Salek is certainly no stranger to hybrid musicking. Over the past handful of years he has also collaborated locally with musicians with South- and South-East Asian as well as experimental music pedigrees. Most recently he flexed his transcultural composer muscles on May 15, 2014 at the Music Gallery’s “Emergents” series concert, with a new work for the avant-garde Thin Edge New Music Collective.
Salek, an Iranian-born Torontonian, is however thoroughly trained in Persian classical music, and that’s where his true heart and passion lies. His instrument of choice is the tar, the six-string Persian long-necked waisted lute. With a double-bowl shape carved from mulberry wood and a thin membrane of stretched lamb-skin covering the top of the resonators, it is among the most prominent musical instruments in Iran and the Caucasus.