Over the past few months I have looked at several local venues presenting concerts listed in The WholeNote. These spaces range from the venerable Music Gallery, whose motto “Toronto’s centre for creative music” has taken it into its 38th season, to the Aga Khan Museum’s world music-rich concert series, now in its fourth month.
Their stories encompass their venue’s architecture and the public geographies they inhabit and serve. For example, the Music Gallery’s office and primary downtown venue, a block north of Queen Street West, is the modestly sized St. George the Martyr Anglican Church, its Gothic revival bell tower dating to 1844. The church site looks onto Grange Park and the 105-year old University Settlement social service centre. At the other end of the park sits the near 200-year-old former grand brick home called The Grange and its heir, the AGO. When viewed in the context of its historic urban geography, it strikes me that even though much of its music programming inhabits the experimental edge, the Music Gallery’s site echoes with distinctively old-Toronto tones.