Listening to this CD, I felt as though I’d mysteriously stumbled onto the playlist of a stranger who had searched using the keywords “Purcell, Scottish, early music, folk, crossover, James Oswald.” Anyone looking for multiple ways to reinvent Purcell and traditional tunes connected to him will find much to enjoy in the broad swath that this program cuts; but cohesive it’s not.
James Bowman makes a cameo appearance singing Sweeter Than Roses with viol consort, and Jim Moray sings a convincing and innocently folky Fairest Isle. Olivia Chaney’s singing in her wonderful arrangement of There’s not a swain on the plain reminds me of the great Maddy Prior; and Pamela Thorby does an excellent job of whistle-izing a recorder. The connection between Purcell’s New Scotch Tune for solo harpsichord and a hook harp version of the tune speaks elegantly for itself, as does a broken consort version of Purcell’s Fantazia 11, and there are a couple of delightful new pieces by Chaney and Ana Silvera.
But some of the other material left me cold, such as the revamp of Purcell’s Evening Hymn, the original of which is so gorgeous I don’t know why anyone would want to mess with it. Elsewhere there’s some very good harmonica playing, and “rock on” amplification, of which I’d have liked either more, or none. There’s much cleverness and musical delight here, but this particular “anything goes” program doesn’t quite satisfy.